Recent Manchester University grad Mark Robinson uses folklore narratives as a jumping-off point for his moody mixed media works. Robinson’s paintings, which contain visceral, almost spontaneous textual elements, serve as an outlet for his various frustrations and impressions. I like his flat use of color and black. And the piece directly below the jump, a silhouetted cowboy/bandit figure done in blue, suggests a good sense of texture. Definitely some interesting stuff from this young artist.
French photographer Emmanuelle Brisson created this photo series, L’air frissonne des choses qui s’enfuient, which depicts a woman clad in thin white linen interacting with butterflies (moths?). The pictures are so quiet. They seem to exist independently from any worldly concerns. Looking at them, everything goes away. Each image is it’s own boundless meditation, and the loose context involved allows you to create your own significance for each one. See more from the series after the jump. (via)
Cool project from the DDB China Group for the China Environmental Protection Foundation:
We decided to leverage a busy pedestrian crossing; a place where both pedestrians and drivers meet. We lay a giant canvas of 12.6 meters long by 7 meters wide on the ground, covering the pedestrian crossing with a large leafless tree. Placed on either side of the road beneath the traffic lights, were sponge cushions soaked in green environmentally friendly washable and quick dry paint. As pedestrians walked towards the crossing, they would step onto the green sponge and as they walked, the soles of their feet would make foot imprints onto the tree on the ground. Each green footprint added to the canvas like leaves growing on a bare tree, which made people feel that by walking they could create a greener environment.
It’s nice to see a project that gets the public completely involved without sacrificing any quality control. See some detail images after the jump. (via)
Ice Man, beauti-loser, and love letter scribe Steve Powers is hitting NYC’s Joshua Liner Gallery with a solo show on September 6th. You can expect some pretty tasty typography and graphics from the artist this go-round. The show is entitled A Word is Worth A Thousand Pictures and is definitely one to check out in person. The works on display range from 10-x-8 in. to 10-x-10 feet, and include Powers’ “Metaltations”- spontaneous enamel works on aluminum. And if you can’t make it over to Chelsea before September 29th, check out a preview of the show below.
In 2007 and 2009, Mexico City-based artist Carlos Amorales created two huge installations, both entitled Black Cloud. The works positioned thousands of paper black moths on walls and atria, forming a swirl of darkness. Each moth was a replica of one of 36 different species. The end result of each work contains an overwhelming force that evokes biblical overtones. See more images of Black Cloud after the jump. (via)
…These visions were frozen in a time capsule on Gallifrey, only to be unearthed when the time and relative dimension in space felt right. Opened in 2012, the images resembled paintings like Michael Bevilacqua’s layered chrome and black attack, Chris Bors’s post-pop pseudo-propaganda, David Humphrey’s surreal suburban wet dreams, Ketta Ioannidou’s chaotic spiraling vegetation, Todd James’s bright cartoons from our Id, Allison Schulnik’s luscious thick impasto, Aaron Zimmerman intricate fever dreams and Jeremiah Teipen’s psychedelic sexual video.
NYC artistic heavyweight Chris Bors curated Spacegrass, a group show at Bloom Projects in New York (95 East 7th Street, downstairs) opening September 8th. The exhibition features works from a couple B/D favs including Allison Schulnik, Todd James, and Aaron Zimmerman. Check out some preview shots after the jump.
In honor of Rineke Dijkstra‘s retrospective currently on view at the Guggenheim, we figured we’d do our own little rundown of the photographer’s work. Dijkstra’s portraits illuminate all the subtle emotions and struggles inherent in being a youngster. When you’re a kid, you can’t help but be the underdog. Some cosmic order of the universe is keeping you down in some way. You want to be taller, smarter; or maybe you want a pair of sneakers that you can’t afford. And all the while, you’re not sure if you’ll ever make it out of adolescence alive. And your lack of hope makes the whole process that much worse. The painful existence of childhood brings about a certain unique wisdom. It’s not true wisdom (you haven’t experienced enough of life to be wise), but it’s close. Maybe the right term is jaded. In Dijkstra’s photographs, youthful subjects stare out at us in disdain: “what are you gonna throw at me next?” And you just want to tell them that everything’s going to be alright, that it gets better with time. But then you wonder if you’d be lying. Reconnect with your younger self with more images after the jump.
California artist/designer/illustrator Steven Harrington recently opened a large solo show at Known Gallery in L.A. Harrington is known for steezy, vibed out psychedelic characters and patterns. He’s worked on a slew of projects, including collabs with Nike and Arkitip mag, to bring his singular aesthetic to the masses. This show, entitled INSIDEOUT, is still up until September 1st. But in case you don’t have the chance to check it out in person, catch some installation shots after the jump. The “You&I” sculpture (above) is especially nice.