I like these digital collage works from British artist Hayley Warnham. Solid, bright color meets vintage 1940′s, 50′s, and 60′s personal photography in the pictures, which capture a nostalgic, innocent vibe. The use of flat color with found photography evokes the work of legendary American artist John Baldesarri. We wonder if he was a direct influence on Warnham. A lot of these are composed in such away that suggests the vantage point of a youngster, which reminds you of a time when things were much simpler. When skylines and relatives may as well have been flat blocks of color with very little texture as far as you were concerned. You didn’t yet grasp the complexities of every person and setting in your life, and everything was a mysterious wall of impenetrable brightness. (via)
Been into Kristin Farr‘s colorful diamond patterns for a minute now. Farr’s work, which falls under many categories (painting, sculpture, crafts, music videos, animation), deals in themes of “nostalgia, humor, comfort, and folk magic” (she hipped me to Pennsylvania Dutch folk art hex signs- so rad). The artist has applied her colorful sensibility to vinyl record covers, suitcases, and various installation pieces, and is always looking out for a good opportunity to present her work in an outdoor context. In addition to her various eclectic interests, Farr is influenced by her experience with synesthesia, which totally makes sense when looking at her work. Head over to the Richmond, CA artist’s instagram to check out her cellphone “app art”, and click past the jump to see some what she’s been doing lately.
Nice silkscreen work from California-based illustrator and comics artist Kelsey Short. I dig the muted palette full of green, black, and blue. It perfectly matches her washed out, moody style. A lot of Short’s work is like those rainy days where you’re not bummed that you can’t go outside because the quiet sound of the rain just matches your mood for some reason. Hit the tumblr over here for a little insight into Short’s process (artistic and otherwise), and grab yourself a copy of her zine, “Grid” and some prints at her Etsy shop.
MICA 2012 printmaking grad James Bouché is doing some really dark, meditative work touching on themes of history, death, and decay. Yeah- it’s something we’d like. Bouché’s lithographs and screen prints of desolate wastelands, crumbling artifacts, and dead soldiers hit the tone pretty well. There’s almost like an arcane magic at work here, as though the artist is in touch with the ancient Mayans, transmitting 2012 death knells via ink on paper. But even if such sinister implications are completely imagined, the works’ ability to generate them in the first place is pretty special. But I’m still hoping that James is talking to the Mayans anyway. That’d be pretty cool.
London designer/artist Arran Gregory recently opened ”Wolf”, a solo exhibition of sculpture and illustration at Print House Gallery in London. The show features these reflective, mirrored wolf and rhinocerous taxidermy heads cut in angular geometry. The mirrors sort of remove the animal from the equation, leaving gallery patron staring back at his or herself, left to ponder our relationship with animals- dead and alive. The end result is kind of jarring, as though accountability for our own actions is a scarier concept then sharp teeth in open jaws. More pics below. (via)
Romanian Sculptor Mircea Cantor is all over the map as far as media goes. The artist has worked with everything from aluminum cans to model airplanes (see both images above). He’s even done some “finger painting”. But what seemingly remains a constant throughout all of his work is a disdain for doing what’s been done before. Check out more images of his sculpture after the jump, including corn on the cob installation and fishing hook fighter jets. Cantor is also a co-editor of VERSION magazine. (via)
Aron Wiesenfeld’s moody paintings of young women in desolate, unfortunate circumstances are close to being beyond reproach. The figures in these works -usually young and female- are characterized by a certain hardiness. Despite their thin frames, there seemingly isn’t any malevolent force (weather, isolation, disaster, etc.) in the world that can bring them down. Where others might place less significant elements in a corner to fill a canvas, each of Wiesenfeld’s brushstrokes seem to have a purpose. Each mark on canvas contributes to a stronger emotional impression overall. And that’s really what makes these so great. Sure they’re gorgeously rendered, but these paintings’ potential for emotional impact is their greatest strength.
”Choosing to focus on natural elements that are not commonly appreciated or used for decorative purposes, my artwork is connected to the ‘wildness’ in nature even as it is taming it by the creation of formal patterning.”
Drawing on her background in textile design, Lisa A. Frank creates large-scale “repeating patterns”, “tapestry-like designs”, and “floor to ceiling ‘sections’” from her own nature photography. The artist’s works (some of which are composed of over 100 digital layers) obviously draw on a strong connection to nature and its various trappings: flaura, fauna, etc. Such elements are inherently wild and unpredictable. So Frank’s application of computerized media and pattern work, logical processes very unlike the mysterious mechanisms that govern the natural world, sets up a really interesting dynamic. And, like in the natural environment, there’s a lot going on in these works. The effort really shows and I could spend a long time looking at each one.
Great stuff. Definitely worth a click past the jump to check out more images of the artist’s work, which draws material from all four seasons.