NYC artist Jose Parla is known for bringing the most subtle graff references to his abstract expressionist paintings. Tags and drips meld seamlessly with texture and scale in his atmospheric work, eschewing the familiar graffiti-aesthetic-as-gimmick-syndrome.
Argentinian collective DOMA (Julian Pablo Manzelli, Mariano Barbieri, Orilo Blandini, Matias Vigliano) have a long track record putting on absurdist installations, performances, “happenings”, etc. They also run Turbo Gallery in Buenos Aires. They design characters and toys, and direct videos as well. Insane. Even with such extraordinary output, DOMA doesn’t seem to have overly serious ideas about their work. Even worksfeaturing severed limbs or raw meat and blood splatters take on an air of fun, creative freedom. Check out some of their previous projects below (furry dudes, robots, futuristic machines- all the good stuff). (via)
Venice, Italy-based artist/illustrator Jacopo Rosati does these felt collage illustrations that are really cool. Rosati, whose clients include -among others- Wired Magazine, The Wall Street Journal, and Geico, has a nice sense of color. Each piece really pops and the felt adds a unique texture to his work. The images are so subtle, but they communicate everything they need to through the artist’s clever, economical character design. The superhero piece (above) is especially great. (via)
If you don’t know about Camille Rose Garcia and her twisted fantasy worlds, now you know. The artist has been killin’ it for a while with dark mixed media paintings that are easy on the eyes the way the poisonous apple in Snow White tastes good- you know there’s something sinister at work here, but you can’t help yourself anyway. Garcia’s colorful works feature animals and pretty ladies, neither of which are innocent. Watch your back. More snaps after the jump, and check out her blog, which, if not updated regularly, is a nice window into what the artist’s thinking.
Typographical force of nature and NYC-based graff artist Andrea von Bujdoss (Queen Andrea) just closed a show at Erik Foss’ Fuse Gallery. Here are some images of the work in the show, Typograph. The Queen is one of the cleanest out there for this type of thing. And the show was packed to the gills with references to super heroes and comics, 8-bit tribal patterns, and lazer-quality lines from the artist. Von Bujdoss is also a fairly prolific designer/illustrator, pulling down some large clients. Check it after the jump.
Let’s check in with Dutch artist/designer/illustrator mogul Parra for a second. What’s that dude been up to lately (besides a show at SFMOMA)? Well, looks like he’s still killin’ it with his idiosyncratic minimalistic style. Birds, babes, food, and his signature palette still in full force- good to know he’s not slowing down. His style has always had an element of vintage 70s illustration, but not that of this planet. If you’re craving some Parra imagery for your own consumption and can’t afford a limited run print or sculpture, you can head over to his clothing/design company and score somethign there.
“Sitting is perhaps the most common condition from which we experience architecture. Whether we work, relax, watch, eat, sleep, or talk to each other, sitting is at the core of our relationship to buildings.”
“SEAT” is an installation in Atlanta’s Freedom Park produced by E/B Office (Ju Lee and Brian Brush). The piece involves 400 chairs assembled in a sine wave formation “drawn into an agitated vortex rising from the ground.”
The “SEAT” pavilion was organized in part by Flux Projects, an Atlanta based public arts organization. (via)
Illinois-based artist Chad Wys does a lot of different things. He’s worked with collage, sculpture, textiles, aerosol, digital media, and more. A lot of his w0rk manipulates and completely shuffles the tone of established, familiar forms. Strategically removing aspects of canonical portraiture, painting a kitschy duck sculpture in pastels, and stenciling text elements onto benign porcelain and china are a few methods he’s employed to mess with our brains. But this type of art isn’t produced in a malicious way. It’s just the artist’s way of getting us to see things the way he sees them for once. (via)