You’ve probably seen the work of Berlin/Vancouver based collective eBoy (or that of someone biting their aesthetic) at some point. Svend Smital, Steffen Sauerteig, and Kai Vermehr make up the core of the group, and they’ve created their very own world full of pixelated characters and environments through years of illustration, design, and animation work. The eBoy vision is pretty much fully realized, now everyone gets to enjoy taking part in it. The pattern design above is particularly amazing.
Want to see more by eBoy? Check out our exclusive feature on them as well as the cover art they created specially for us in Beautiful/Decay Issue:G
Organic life is almost completely absent from Tomasso Sartori’s photographs. Instead, we’re left with sparse, apocalyptic images washed in glaring red and stifling shadow. The people-less landscapes remain defiantly intact, as if to say “we existed before you, and we’ll keep going long after you’re gone”. A nice reminder of the strength and majesty of our natural surroundings. Too often, we lapse into a flawed impression that we are the most important force in the world. Sartori’s pictures correct that mistake pretty quickly. (via)
Illustrator and comics artist Jesse Lonergan is drawing a “Dancer a Day”. Every day, he draws an icon from movies, music, cartoons, pop culture, etc. in a “dancing pose”. He posts the quick sketches to his “Dancer a Day” blog. Just a really fun, loose project. Who doesn’t dig the image of a groovy Hannibal Lecter or a b-boy Gonzo? What about a super fab “The Dude”, or Godzilla and the Stay Puft Marshmallow Man cutting a rug on top of a metropolis? Some more selections after the jump and head over to the page itself, where Lonergan’s already amassed a pretty large collection of dancers. (via)
“Lines between the organic and the man-made become blurred and a larger narrative is evoked.”
There’s a lot going on in Allison Renshaw’s paintings, so take a second to breathe. Renshaw, who received an MFA from MICA, lives and works in Encinitas, California. Her works create a “universe…that is seemingly random and difficult to decipher. This chaotic quality becomes a visualization of today’s open-source culture of sampling and recycling.” I love that element of controlled chaos with these. She definitely pulls it off. Renshaw is represented by Quint Contemporary Art in La Jolla, CA.
Berlin based artist Mariana Vassileva creates a really wide variety of sculpture. Some of the artist’s work references various forms of human anatomy while others are broad, dubious abstractions. The common denominator here is Vassileva’s meditative influence. Each work is quietly meaningful. Not many of the artist’s works hit you over the head with huge scale or overtly shocking subject matter. But that’s not to say that the sculptures are watered down in any way. Each piece hits it’s mark through subtle repetition and minimalism. (via)
Lucy McLauchlan of Birmingham, UK has been painting on every imaginable surface for over ten years. She has created everything from large murals to graphics for baby clothes. She usually works in flat black and white, depicting birds, trees, and whatever strikes her fancy. Most recently, she’s put up a lot of public work in East London, celebrating the Olympic Games. McLauchlan’s subdued compositions don’t scream “look at me!” (a message proliferated by many “street” artists), but -instead- “look at this!”. Honest, pure beautification of our public urban space without any ego.
James Jean is interviewed by NYC fashion designer Jeff Staple in this really nice video from a few months back that runs about 11 and a half minutes. Jean, the fairly prominent Los Angeles based illustrator and fine artist, opens up about his work and his time at SVA. Apparently, to get as good as Jean, you have to work pretty hard. Who knew?
Central Saint Martins MA candidates Anita Silva and Leslie Borg designed an incredibly creative interactive product for Icelandair entitled “_scape”. Inspired by a rock found in Iceland, _scape is a layered “book” containing “sounds, visuals, textures, scents and tastes” which can serve as a reminder of Iceland itself, or just a general internal escape. Intended to evoke lava rock and ice (two strong elements of the Icelandic landscape), the object is earthy-looking, meant to strongly contrast with the sterile environment of an airplane cabin. I’m not sure a flight time long enough to allow me to grow bored of interacting with _scape exists. (via)