Let’s check in with Danish artist Asbjørn Skou (aka Armsrock), who’s been doing, for a minute now, large scale drawings of downtrodden figures and pasting them on the street. Lately, in addition to continuing his drawing pursuits, he’s been working a lot with image projection. He first used the technique to effectively “paste” his figures onto buildings with light. These days he’s evolved into a slightly more abstract methodology, inserting doors and entryways where blank walls used to be, and conjuring stalactite-filled caves. Armsrock’s always had a knack for depicting the struggles of the working class and the neglected. Nice to see him expanding his reach with this new work without abandoning the drawings.
London based artist Emma Mcnally makes abstract graphite drawings that look like city grids and star maps. But this description doesn’t come close to doing them justice. Usually large in scale, the drawings emit a wizened, emotive quality. Somehow, each miniscule mark of graphite takes on endless personality. In the end, the works are just as effective as maps of life’s random chaos as they are as any type of reference to formal cartography. (via)
Joseph Parra, who received his BFA in Painting this year from MICA, has started his career with a running start. Back in 2008, he worked with famed architect Richard Gehry as part of HBO’s Masterclass, and last year he completed a solo show at Galerie M in Milwaukee, WI. He distorts portraits of absentminded subjects with unorthodox techniques, employing sand paper and collage. Parra’s charcoal drawings, also figurative in nature, are equally of note. His drawings (like his prints) are ghostly. His figures are presented with little distraction, no context or background. This demonstrates a confidence in his image making. He’s showing us exactly what he wants us to see.
There is a lot of public art on view in Nantes, France right now. Amazing installation pieces have sprouted all over the city, an industrial port off the Loire river near the Atlantic coast, as part of a couple large exhibitions happening all at once. One of these exhibits (and possibly the best of all currently on view), is ESTUAIRE, a trail of installation pieces in and along the Loire near Nantes and Saint Nazaire that celebrates and plays off of river habitats. This is the third year the show has been organized (2007 and 2009, previously). A few of the sculptures include beached boats, partially submersed homes, bears in trees, and monstrous sea snake skeletons, providing for a really strong, visually appealing commentary on the state of our natural environments. Check out more of ESTUAIRE 2012 after the jump.
Thank You Very Much, an artist collective out of Buenos Aires, looks like a really cool, ambitious group. Limiting access to different creative vehicles is never a good thing, and TYVM is definitely not trying to do so. Working with over 40 artists from around the world, they’ve got their hands in everything: production, exhibition, design/marketing, etc. Recently, co-director Luciano Podcaminsky staged in exhibition of five installation pieces at the Centro Cultural Recoleta in B.A. The show, which “mixes conceptual art with POP culture”, gives you a good idea of what the collective is interested in doing. Find more images and some words from Podcaminsky on the exhibit after the jump.
This isn’t the first time anyone’s ever used long exposure photography to make compositions with light, but Jasper Geenhuizen (Netherlands) is doing some of the best I’ve seen. Strong colors, and perfect set up and location. This is how you do it right. There’s no gimmick to these either- I would dig these pictures with or without the light work. They emit a damp, nocturnal atmosphere that’s not easy to reproduce. In Geenhuizen’s words, “Everybody can make light graffiti, but it is truly art to be able to combine the light with the place.” Hope to see much more from this guy going forward.
Scott King is bringing some interesting ideas to the table concerning celebrity culture, social revolution, and Globalism. He often includes humorous elements in his work, which is hardly ever a bad thing. King has produced conceptual graphic design, print design, and installation work (large and small) with equal skill and insight. From a piece depicting Ulrike Meinhof as the Mona Lisa, to punk flyers, sculpture, and altered magazine covers, King is doing it. And he’s doing it well.
Brazilian illustrator and comics author Pedro Franz fills his work to the brim with color, characters, and textual elements. And it’s all happening at once. Before you can take in a single expression or brush stroke, you are swallowed whole. I don’t mind. But when you do recover from the original onslaught of energy, a unique style of narrative is revealed. More images of Franz’s work after the jump, and you can check out his comic, Promises of Love to Strangers While Waiting for the End of the World, right here.