Rae Martini‘s work combines expressionistic urban texture with graffiti-infused flourishes of color. Throw ups, tags, and gradients are partially obscured by grime of every variety. Everything’s happening at once. What’s great about these is that they present an evolved aesthetic within the realm of graffiti without abandoning some its more classic techniques. See more from the Italian artist after the jump.
Recent MICA grad Andy Vible makes “life-size sculptures of human bodies whose heads have been replaced by everyday objects”.
Straightforward enough. Or maybe not. By decapitating his sculptures he makes us feel slightly uncomfortable. In a way, we’ve lost our heads too, and that’s a good place to start. Without a head (without a brain), we are left fully subject to Vible’s will. He has our attention. And that’s where the “everyday objects” come into play. Vible inserts these elements (cctv cameras, loudspeakers, reference globes, birdhouses, etc.) into his works in order to “communicate in a type of language that everyone understands”. In common language and without our personal projections, the works are able to come across clearly. Click the link and hit your bookmark button. You know what to do.
Trey Speegle just opened Good Luck With That, a solo show at Benrimon Contemporary in Manhattan. Speegle plays with familiar paint-by-number formulas in semi-abstract works full of color and personal significance. A few works in the show feature silhouetted horses among other elements that exist within a recognizable context, but the real star here is the artist’s subdued, flat application of color. The show will be up until October 20th, so if you’re out here, be sure to roll through.
…My attention has been drawn to the cheap distractions we choose to place in our immediate vicinity, with which to screen us from the overwhelming facts: that we are nothing; that our only certainty as individuals is a life, of unspecified duration, and then a death.
Seeing some crazy output from London-based artist Claire Morgon. Using a lot of unusual materials, she’s put together some really huge (both in scale and technique) installations. Dandelion seeds? Taxidermy? Yes please.
But to get the full Morgan effect, you have to click to her website. She’s got some awesome works on paper too. And if you’re anywhere near Cologne, Germany, head over to Galerie Karsten Greve, where the artist is currently showing a new batch of work. (via)
Christopher Kline is a Berlin-based artist doing some pretty interesting stuff with installation and performance pieces, collage, textiles, and limited-run publishing. Kline’s works, though disparately mixed in scale and platform, maintain a common thread through his personal, vibey folk mysticism and material-based focus. From his “Holy Ropes” zine to elaborate performances involving MMA fighters and battering rams, the artist’s particular vision is a constant presence. Kline’s art finds comfort in the unfamiliar by exploring far out subject matter through down-to-earth means.
Reservations are now being accepted for limited edition flu shots; each shot comes with corresponding certificate of authenticity signed by the artist.
-That phrase is taken from the press release for Get the Flu, Mark Benson‘s current exhibition at Ever Gold Gallery in San Francisco. A registered nurse was on site during the opening to administer real flu shots as part of a symbolic gesture to accompany the show, which focuses on themes surrounding the human need for control. It’s too hot?- turn on the air conditioner. Don’t want to get sick?- here, have a flu shot. Benson’s ability to present his commentary in such a unique, but direct way is really impressive.
Find some images from Get the Flu (on view til the 27th), below. And if you’re hankering for a further dose from the artist, you can still pick up a copy of Beautiful/Decay Book 7 right herewhich features a spread by him.
Really cool cityscape sculptures created from recycled computer parts by Italian artist Franco Recchia. The cold mechanics of the dead computer hardware bring a strange quality to the works. And the claustrophobic elements of urban life are nicely captured in how compact each piece is. The sculptures give off a haulted vibe- it’s as if someone pulled the plug out of life itself and all that’s left is a series of plastic, green shells. See more from the series after the jump. (via)
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Roger Kisby‘s interview with photographer Shawn Brackbill.
Shawn Brackbill is a Brooklyn, New York based portrait, fashion and music photographer.
I first came across your work a few years ago on Flickr. It seems like you were shooting mostly musicians then. How did you come to be involved in shooting fashion week?
I was shooting mostly musicians up until my first Fashion Week. I pitched a shoot to Dazed and Confused in July of 2008 to cover an event called Boadrum 88. It was started the year before by The Boredoms, a Japanese band, and that year Gang Gang Dance would be leading the performance of 88 drummers here in Brooklyn. I covered the event using multiple Polaroid cameras and Yashica Electro GSN rangefinder I had acquired from Ebay and refoamed.
A few weeks after delivering the images from that shoot, Dazed contacted me about covering the Spring / Summer 2009 New York Fashion week for them. They basically sent me out with a list of shows to cover and not much direction. That season I started to figure out what and how I wanted to cover Fashion Week and was hooked.