Calling Robin Rhode a ‘street artist’ is a bit misleading. It just so happens that most of his art is made in the street, but this multidisciplinary artist makes his mark in a variety of ways. Much of his work is performance based, not in the traditional sense, but rather through a process in which he acts in a 3D space and at the same time utilizes the illusion of a drawn object… and then the entire process is photographed, leaving the viewer with a consolidated mixture of mediums, spaces, forms and ideas.
Caleb Larsen must be one of those really smart people that thinks really really hard all the time. His piece “A Tool to Deceive and Slaughter” is a sculpture that is programmed to reauction itself off on eBay every 7 days, and if you buy it, you are required to immediately put it back up for auction again, so the cycle keeps on repeating. Any attempt by me to explain this work in a paragraph or less is going to fail miserably – check out this excellent interview with the artist after the jump to get a better idea of what is really going on. If you are in Seattle, go see for yourself at Lawrimore Projects, Larsen’s show “Everything All The Time Right Now” is up until February 13th.
Josh Dorman paints on old topographical survey maps, tinted with age and layered with meticulously arranged shapes and images, colors flowing within and outside of existing contours, combining histories and facets of the past to embrace a dream that is reflective and inquisitive of the real world. His current show at Mary Ryan gallery was a refreshing reminder of my great enthusiasm for all things collage, especially if it invokes looking at and thinking about the world with fantasy inducing stories while incorporating an undercurrent of criticism, passive yet incisive questioning, and a loss of order or norm.
Today I was reminded of one of the coolest sculptures I’ve ever seen, Matt Johnson’s The Pianist (after Robert J. Lang). I saw this piece at the Hammer Museum a couple of months ago and was completely floored. Have you ever seen something you thought was truly amazing and your face starts to get all big and bug-eyed, and you feel tingles running down your back, and you start saying things like ‘whoa, dude, oh man!’ Well that was me at the Hammer that day, and maybe I looked like a fool, but it was totally worth it. Johnson’s work is full of warmhearted humor, and when an artist is able to rekindle that sense of childhood wonderment in your imagination, you just have to stop and savor the moment.
It takes some serious skills to make photorealistic watercolors, but that’s exactly what Christopher St. Leger has going on in his work. He’s rendered a series of skateboarders kick-flipping and cruising which are particularly fluid, along with a range of impressive cityscapes. Like a looser, more colorful Richard Estes, St. Leger will trick you into thinking your looking at the real thing.
Here is some nice atmospheric work from Spanish photographer Ivan Sanjuan. His hazy imagery fits the mood of this rainy Thursday quite well.
Good morning, dear readers. Remember that one nightmare you had when Book 2 was sold out online? Now you can wake up to a bright new day, because we restocked our online store. So feel free to head on over, and if you feel like it, purchase a copy of Book 2: What A Mess. Please keep in mind – only 1500 copies were printed… so grab one while it’s still available! We love you.
If you haven’t seen Pieter Hugo’s work before, get ready to be completely blown away. Unaltered, straightforward, and as raw as it gets, these images send shivers down my spine, and give me hope that I can still be captivated/inspired/amazed/appalled by a photograph.