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May 25th, 2012
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Ackroyd and Harvey
Jeff Koons

If you’re the type to stop and smell the roses you probably have some appreciation for the natural world. Unfortunately, in this age of technology, less and less people take time to connect with our natural surroundings, which makes the works we’re featuring here so important. The works of Jeff Koons, Ackroyd and Harvey, Binh Danh and Portia Munson all take plant-life and re-contextualize it; the viewer is faced with something familiar cast in a new light. In the cases of Koons and Ackroyd and Harvey, the scale of their works looms over the viewer to remind them that the nature of all things are continually evolving, even that of human civilization. With Portia Munson’s Garden installations, we literally walk into a new world that is groomed yet overgrown, familiar yet psychedelic. Binh Danh’s plant-based portraits balance the fragile surface of the leaves with the powerful imagery of the victims of the 1970’s Cambodian unrest. Though the works are largely different, one thing binds them together, the power of nature to communicate a feeling and a message without words.

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May 25th, 2012
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Michael Jason Enriquez’s (an Advertising student at Art Center College of Design) Cholafied comes from the mind of an LA kid who grew up in the 90′s. It’s a throwback to Chola gangster style: Sharpied eyebrows, dark lipliner, and the fumes from a can of Aqua Net. It’s a product of LA where subcultures, celebrity obsession, street art, and stupidity are rolled up together like one of those bacon wrapped hot dogs sold on Hollywood Blvd.

Things can get jumbled up living in LA. It can be very glossy and image based. The many subcultures in the city are a reflection of wanting a sense of belonging in what some consider a very lonely city. This is a town where icons are manufactured. We have the Kardashians, American Idol, and Lindsay Lohan. We root for these people, we rally behind them, and then we beat them up to see if they can stand back up again, like jumping them into a gang.

Cholafied tries to capture as many different fandoms as possible on the site. Tumblr is perfect for this because people in the different fan bases reblog and ‘like’ the same things between each other. There is a group mentality that draws an odd parallel to gangs. So Cholafied labels a cultural icon a chola, gives them a chola look, and then jumps them into a gang of ridiculousness by posting them on the site.
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May 25th, 2012
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Pepa Prieto’s work represents a private world of invented characters and imagined environments. For Pepa, this is the equivalent of a visual diary where she can freely explore the world of relationships and their consequences. In order to do this, she creates circumstances and fictional landscapes that take both the viewer and the inhabitants of her paintings on challenging and diverse journeys.

The formal aspects of her works are intuitive and are reflected most clearly in the areas that she paints with a playful, lose gesture. She balance’s the compositions in her work by combining these painterly areas with more abstract geometrical forms.  In Pepa’s work, she seeks to create an inner, personal conversation with the hope inspiring reflection on the part of the viewer as well.

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May 25th, 2012
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The best thing about the photographs of Jamie Trueblood is that although they appear to be staged they are in fact  documentary style photos of the good, the bad, the beautiful, the ugly, and most often weird events that take place each and every day across America. Trueblood has a natural ability to pinpoint moments of awkward beauty in the everyday and find secret narratives in the mundane occurrences that we all come across as we live our lives.

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May 24th, 2012
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Italian artist Mauro Perucchetti’s pop sculptures take jabs at everything from Barack Obama to religious ideology (see angry Jesus on the cross after the jump). Working in a large range of mediums from hand carved marble (like the above Batman & Superman sculpture) to cast resin, Perucchetti’s work has the perfect mixture of ironic wit and social critique.

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May 24th, 2012
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Jamie Vasta’s  masterfully accomplished paintings may look like traditional chiaroscuro but they are in fact covered in shiny, shimmering glitter. Vasta has taken the painterly arts to new altitudes with her paintings in glitter. Her insouciant medium is fine-tuned to accentuate narrative.

Here series After Caravaggio, a contemporary reframing of Michelangelo Merisi da Caravaggio‘s historic paintings in homage to the great master on the 400th anniversary of his death, (1573 – 1610). Vasta gathers friends and colleagues as muse for her ambitious recasting of Caravaggio’s famous paintings. In rethinking such paintings as Giuditte e Oloferne, 1599, and Deposizione, 1602, Vasta composed her coterie with the props of today, turning gender, dress, and environment on end. The intention of the original comes forward, no heraldry of aristocracy, but an emancipation of the peasantry, under hot theater lights of course.

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May 24th, 2012
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The Fresh Blood Hunt art competition is going strong in its second week with entries coming in from all over England.  Open to all illustrators, designers, and artists residing in the UK,  the Fresh Blood Hunt Art Competition is a chance to flex your design skills on the Tim Burton produced Vampire thriller Abraham Lincoln Vampire Hunter! Not only will the winner have their work immortalized in London by talented muralist Jim Rockwell but they will also win a brand new 17″ Macbook Pro and Adobe Creative Suite 6!

With a chance to collaborate with one of the biggest film makers of all time , have your work blown up to larger than life proportions, and win thousands of dollars worth of products there’s very little downside to this competition.

Did we mention that Beautiful/Decay gets to help pick the winner as well! If that doesn’t seal the deal I don’t know what will. The competition ends May 30th so get to it Britain and lets show the world how talented the Cult Of Decay really is!

 

May 24th, 2012
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Melissa Cooke’s accomplished powdered graphite on paper works explore themes of beauty, fantasy, violence, vulnerability and identity, with the artist casting herself as subject in a myriad of thematic scenarios.

 ” I take photographs as I paint and pour liquids onto myself, using my face as a canvas.  The photo shoots reference the practice of drawing and painting; then the final graphite drawing references photography.  The boundaries between the mediums are broken down and the processes are interwoven.

The images depart from the framing of traditional portraiture.  The viewer is not given an entire bust of the subject; rather the frame zooms into up-close sections of the face.  The cropping pushes the face to the surface of the paper, making the figure more ambiguous.  Flesh becomes abstracted: obliterated by paint on the skin, distorted by the eye of the camera lens, or smeared by the glass of a Xerox machine.

Photographs are used as inspiration for drawing and mark making.  The drawings are made by dusting thin layers of graphite onto paper with a dry brush.  The softness of the graphite provides a smooth surface that can be augmented by erasing in details.  Gestural marks are apparent, while still creating dimension.  Textures are given precedence over portraying a likeness to the figure.   The act of drawing becomes the focus.”

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