Like many of us photographer Klaus Pichler wondered what happened at museums after hours. However Pichler took the next step and contacted his local Natural History Museum to see if he could poke around after hours and document his findings. The result of Pichler’s curiousity is a multi-year project titled “Skeletons In The Closet” which gave the photographer unlimited access to every room, cellar, storage space, and closet in the museum. Focusing on the more unknown parts of the museum where exhibits are put together and excess materials are stored, Pichler documented remarkable juxtapositions that the best imagination could not put together. (via)
” As a photographer with limited knowledge of scientific research methods, the museum’s back rooms presented to me a huge array of still lives. Their creation is determined by the need to find space saving storage solutions for the preservation of objects but also the fact that work on and with the exhibits is an ongoing process. Full of life, but dead nonetheless.”
Dutch photographer Isabelle Wenzel’s playful photographs bend, twist and manipulate the human form into new and unknown positions. Whether it’s tackling the idea of the artist as artifact or manipulating the minimal and mundane motions of office workers Wenzel pushes the envelope of how we see the human form and how simple juxtapositions and movements can completely transform the most familiar image into the unknown. (via)
Hover boards are still not a reality and cars don’t fly in space. We all know this. However reality didn’t stop Michael J. Fox from skating in the sky and it sure as hell didn’t stop French photographer Renaud Marion from creating this extremely well executed series of classic cars that have been turned into sleek floating vehicles of the future. Marion kept all the best elements of the classic rides sans the wheels to create cars that even the Jetsons would be proud to ride in. (via)
Holly Andres series Sparrow Lane presents an elliptical narrative of young women on the verge of adulthood. Drawing on the formal and thematic conventions of Nancy Drew books, 1970s horror films and Alfred Hitchcock, the series depicts girls in search of forbidden knowledge. By employing suggestive and symbolic iconography such as chrome flashlights, skeleton keys, mirrors, birdcages and open drawers, literal narratives are suspended to suggest psycho-sexual metaphors. The Sparrow Lane protagonists are propelled by curiosity, empowered by their discoveries, and are also intimidated by a sense of impending threat. While the girls flirt with danger, however, the work is apparently innocent and devoid of explicit violence. Rather, the series represents the potential loss of innocence.
More photos from the series and a fantastic promo video for the book of the series after the jump.
I am absolutely in love with these gorgeous posters created by young Swiss designer Felix Pfaeffli. Borrowing from the cannon of art history and mixing in his own blend of pop illustration and experimental typography, Pfaeffli creates compelling graphics that jump off the page and demand your attention. (via)
London based artist and designer Guo Cheng’s “Mouth Factory” is a series of functional machines specifically designed to be operated by the mouth of the user, Which includes Chewing drill, teeth lathe, tongue extruder, blowing rotomolding machine and vacuum form machines.
The project explores the capabilities and versatility of this wondrous organ and correlating facial expressions, re-contextualised within the realm of production. As a comment on human enhancement, the project aims to explore the aesthetic of production through a series of performative devices. By focusing on the mouth, the production devices acquire a fantastic quality that amplifies and render visible the reciprocal relationship and effects between our body and our tools. (via)
Parisian photo retoucher Cristian Girotto believes that somewhere inside each of us, there’s a young core, instinctive, creative but also innocent and naïve. He wondered “what would happen if this intimate essence would be completely revealed? ”
With the help of photographer Quentin Curtat L’ Enfant Extérieur (The Outer Child) was born, miraculously combining the innocence that are in children’s eyes with the pesky facial hair that one has to deal with as they transform into an adult. Simultaneously funny and poignant L’ Enfant Extérieur begs the question if age matters and if one can still keep the passion of youth alive in an adult world full of corruption, responsibilities and disappointment.
When you hear the phrase “Iphone oil paintings” you’re probably not thinking of rubbing your phone all over face to make a greasy abstraction on your phones screen but that is in fact what NYC artist Jonathan Keller Keller has done. Working at the intersection of craft, collection, and computation, Keller seeks to transcend & transform everyday digital elements through obsessive, iterative, and generative processes. A good example of this is Keller Rubbing his phone all over his face with gusto (see the above Gif of him in action) transforming the dark phone screen into a canvas full of possibilities for abstraction. Yes it is weird and this may make you cringe if you’re a germaphobe but we’d be lying if we didn’t say that the gifs of the oil shining this way and that way weren’t a tad mesmerizing. (via)