Barry Underwood’s images are documentations of full-scale installations that are built on-site in the landscape. Using illusion, imagination, and narrative, his photographs explore the potential of the ordinary. Approaching his photographs with a theatrical sensibility, much like a cinematographer or set designer would. By reading the landscape and altering the vista through lights and photographic effects, he transform everyday scenes into unique images. Light and color alter the perception of space, while defamiliarizing common objects. Space collapses, while the lights that he installs appear as intrusions and interventions. This combination renders the forms in the landscape abstract. Inspired by cinema, land art, and contemporary painting, the resulting photographs are both surreal and familiar. They suggest a larger narrative, and yet that narrative remains elusive and mystifying.
Only two more days left to take advantage of our massive sale. We’re slashing prices to help you start your year right with50% off all books, magazines, shirts, and accessories on the B/D shop from now until January 2nd 2013 Midnight PST. Just use DISCOUNT CODE: CREATIVE50during check out and give the gift of creativity and artistic expression this holiday season!
Welcome to the world of London based sculpture Alessandro Gallo where bird people hang out on a ledge, Tattooed lizards chill with a mild case of beer guts, and a cornucopia of creatures read and patiently wait at a bus stop. More manimal hybrids after the jump.
Eric Standley’s work is made out of hundreds (yes hundreds!) of sheets of paper that are laser cut with dense geometric patterns. Looking like 3D stained glass from far away, these layered images transport you to another time and place with their meditative quality. What’s most fascinating about Standley’s works are the areas where the paper floats over from one side to the other creating deep caverns with up to 3 inches of depth. (via visual news) Read More >
Judith G. Klausner combines two of my favorite things, food and art in her Oreo Cameo series. Carving delicate portraits into the centers of Oreo cookies, Klausner’s gorgeous relief sculptures measure at only 2 inches in diameter and reference hand made crafts such as ancient placards or rare roman coins. (via 1 design per day)
Welcome to the hotel Au Vieux Panier in Marseille, France where graffiti artist Tilt has literally painted graffiti on half of the room. Covering every square inch of exactly half of the room with a mix of tags, throw ups, and more drips than your last DIY paint project, I cant help but think that Tilt’s room is a metaphor for the double lives that most graffiti artists lead. By day they are a minimalist going to work and paying your taxes and by night you are busy climbing billboards and vandalizing everything in sight. (images big addict, via my modern met)
Fred Eerdekens’ work combines shadows and and typography to create experimental artworks that lie somewhere between installation and sculpture. Each piece relies on the perfectly lit gallery space to create the visual tricks and the process of the work is revealed as viewers walk around and interact with the work. Not restricted by one material Eerdekens uses everything from artificial cloud formations (pictured above) that spell out “neo deo” to food boxes (after the jump) that are arranged to cast the shadow “Come Home”.
Jocelyne Grivaud reinvents Barbie as famous works of art and cultural icons throughout the ages.
“This design needed time to take root, as often. The whole story began one day, in November 1967, with a present, all tenderness.
It was pink, vaporous and extremely delicate. With the patience of an angel, my mother had secretly knitted a dressing gown and tiny bootees for my Barbie. It seems to me there were more clothes, but these bootees, with their little pink knots on top totally fascinated me. Then I grew up. The doll vanished, but I kept in mind the elegance and grace of my Barbie as well as a little bootee deep down my secret box. One day, the idea of extending the happy part of my childhood through pictures I love took shape. Barbie is often criticized for being too blonde, too superficial, too skinny, too “ideal marketing”, too “this” and too “that”…. My aim was to adjust this so famous profile to different emblematic representations.
Here’s my personal contribution as a birthday present to my mascot, Barbie, superimposed on the vision of artists whose work I greatly appreciate. Let me thank them all for creating such intense pictures. Many thanks to Ruth Handler for creating this dolly model that enraptured me throughout my childhood.”