Freelance photographer Guillaume Megevand’s Blood & Firecrackers series Blood & Firecrackers is a truly beautiful and gruesome series of images. Here is what this self taught and world traveling documentary photographer has to say about this body of work.
‘This series of photos was taken during the Vegetarian Festival in Phuket, Thailand. Over nine days local residents of Chinese ancestry strictly observe a vegetarian diet for the purpose of spiritual cleansing and merit-making. Sacred rituals are performed at various Chinese shrines and temples. The festival involves various processions, temple offerings and culminates with walking on hot coals, climbing knife-blade ladders, self-piercing the skin and so on.
Their special 9-day diet seems to allow the participants of the festival to be inhabited by the gods since they apparently feel no physical pain. This seems difficult to believe, but they really appear to be possessed and also to be beyond being hurt or feeling pain despite what they go through.
The most amazing moment for me was the last evening of the festival when thousands of citizens came out of their homes to throw firecrackers on the participants of the final procession. During these few hours, Phuket was more like a war zone rather than the quiet tourist town we all know. Luckily for everyone involved, this war zone is one of joy and faith and the culmination of nine incredible days.” (via feature shoot)
In Jenine Shereos’ series Leaf the intricacies of a leaf’s veining are recreated by wrapping, stitching, and knotting together strands of human hair. Inspired by the delicate and detailed venation of a leaf, Shereos began stitching individual strands of hair by hand into a water- soluble backing material. At each point where one strand of hair intersected another, she stitched a tiny knot, so that when the backing was dissolved, the entire piece was able to hold its form.
The complex network of lines present in this work mimics the organic patterns found in nature and speaks to the natural systems of transformation, growth and decay. Allusions to the vascular tissue of plants, as well as the vascular system of the human body, exist simultaneously; the delicate trace of a hair falling silently, imperceptibly, from one’s head becoming the veins of a leaf as it falls from a tree leaving its indelible imprint on the ground below. (via oddity central )
Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson (via gaks)
Barry Underwood’s images are documentations of full-scale installations that are built on-site in the landscape. Using illusion, imagination, and narrative, his photographs explore the potential of the ordinary. Approaching his photographs with a theatrical sensibility, much like a cinematographer or set designer would. By reading the landscape and altering the vista through lights and photographic effects, he transform everyday scenes into unique images. Light and color alter the perception of space, while defamiliarizing common objects. Space collapses, while the lights that he installs appear as intrusions and interventions. This combination renders the forms in the landscape abstract. Inspired by cinema, land art, and contemporary painting, the resulting photographs are both surreal and familiar. They suggest a larger narrative, and yet that narrative remains elusive and mystifying.
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Welcome to the world of London based sculpture Alessandro Gallo where bird people hang out on a ledge, Tattooed lizards chill with a mild case of beer guts, and a cornucopia of creatures read and patiently wait at a bus stop. More manimal hybrids after the jump.
Eric Standley’s work is made out of hundreds (yes hundreds!) of sheets of paper that are laser cut with dense geometric patterns. Looking like 3D stained glass from far away, these layered images transport you to another time and place with their meditative quality. What’s most fascinating about Standley’s works are the areas where the paper floats over from one side to the other creating deep caverns with up to 3 inches of depth. (via visual news)
Judith G. Klausner combines two of my favorite things, food and art in her Oreo Cameo series. Carving delicate portraits into the centers of Oreo cookies, Klausner’s gorgeous relief sculptures measure at only 2 inches in diameter and reference hand made crafts such as ancient placards or rare roman coins. (via 1 design per day)