Holly Andres series Sparrow Lane presents an elliptical narrative of young women on the verge of adulthood. Drawing on the formal and thematic conventions of Nancy Drew books, 1970s horror films and Alfred Hitchcock, the series depicts girls in search of forbidden knowledge. By employing suggestive and symbolic iconography such as chrome flashlights, skeleton keys, mirrors, birdcages and open drawers, literal narratives are suspended to suggest psycho-sexual metaphors. The Sparrow Lane protagonists are propelled by curiosity, empowered by their discoveries, and are also intimidated by a sense of impending threat. While the girls flirt with danger, however, the work is apparently innocent and devoid of explicit violence. Rather, the series represents the potential loss of innocence.
More photos from the series and a fantastic promo video for the book of the series after the jump.
I am absolutely in love with these gorgeous posters created by young Swiss designer Felix Pfaeffli. Borrowing from the cannon of art history and mixing in his own blend of pop illustration and experimental typography, Pfaeffli creates compelling graphics that jump off the page and demand your attention. (via)
London based artist and designer Guo Cheng’s “Mouth Factory” is a series of functional machines specifically designed to be operated by the mouth of the user, Which includes Chewing drill, teeth lathe, tongue extruder, blowing rotomolding machine and vacuum form machines.
The project explores the capabilities and versatility of this wondrous organ and correlating facial expressions, re-contextualised within the realm of production. As a comment on human enhancement, the project aims to explore the aesthetic of production through a series of performative devices. By focusing on the mouth, the production devices acquire a fantastic quality that amplifies and render visible the reciprocal relationship and effects between our body and our tools. (via)
Parisian photo retoucher Cristian Girotto believes that somewhere inside each of us, there’s a young core, instinctive, creative but also innocent and naïve. He wondered “what would happen if this intimate essence would be completely revealed? ”
With the help of photographer Quentin Curtat L’ Enfant Extérieur (The Outer Child) was born, miraculously combining the innocence that are in children’s eyes with the pesky facial hair that one has to deal with as they transform into an adult. Simultaneously funny and poignant L’ Enfant Extérieur begs the question if age matters and if one can still keep the passion of youth alive in an adult world full of corruption, responsibilities and disappointment.
When you hear the phrase “Iphone oil paintings” you’re probably not thinking of rubbing your phone all over face to make a greasy abstraction on your phones screen but that is in fact what NYC artist Jonathan Keller Keller has done. Working at the intersection of craft, collection, and computation, Keller seeks to transcend & transform everyday digital elements through obsessive, iterative, and generative processes. A good example of this is Keller Rubbing his phone all over his face with gusto (see the above Gif of him in action) transforming the dark phone screen into a canvas full of possibilities for abstraction. Yes it is weird and this may make you cringe if you’re a germaphobe but we’d be lying if we didn’t say that the gifs of the oil shining this way and that way weren’t a tad mesmerizing. (via)
London based Wilfrid Wood’s quirky abstractions based on the human head are a wonderful reminder that the act of play should always be present in art. Created out of baked clay and airbrushed to perfection these silly interpretations must be as much fun to make as they are to look at. (via)
Defining one category for all the work of Sarah Illenberger is no easy task. What initially sounds quite abstract, in reality, is mostly practical in that her creations are not generated on a computer but rather by meticulous handwork, sometimes incorporating the most mundane materials.Out of her studio in Berlin, Germany Illenberger takes everyday fruits and vegetables that we find in grocery stores and transforms them into humorous sculptures that look like other mundane objects that one may find in their home. The results will make you laugh and think of a disco next time you see a pineapple in aisle 6. (via)
Portuguese artist David Oliveira’s work is technically a sculpture but I’d argue that It’s just as much a drawing. Using thin wires to carefully trace figures, Oliveira bends the wire at every bend, wrinkle and fold to create sculptures that have the looseness and spontenaioty of a fine figurative sketch. (via)