I LOVE PAINTING! Maybe this is not so much of a secret if you’ve been following Beautiful/Decay for a while– but every time I see a Dana Schutz painting I just want to scream out…..”I LOVE PAINTING!” Dana’s a painter’s painter. A painter whose techincal chops rivals only her bizarre imagination and quirky themes. A painter who’s willing to take risks and use bold color with no fear. Unfortunately for me, Dana doesn’t currently show her work in LA. So, it was a great treat to get a copy of her fantastic new monograph today, released by art publishing hereos Rizzoli.
Rizzoli has to be one of my favorite art publishers to date. They always release monographs on the best artists of our generation. And Dana Schutz’s book is no exception: it’s filled with over 200 pages of work and essays documenting her artistic evolution. If you’re a fan of Dana, or of painting in general, you need to add this book to your collection. I guarantee it won’t disappoint!
An in-depth and deeply interesting interview with Jeffrey Deitch conducted by writer & critic Carlo McCormick about Jeffrey’s NYC legacy and plans for his big move to Los Angeles as the Director of The MOCA. Presented by our Chicago art audio blog Bad At Sports.
One of the most influential artists (Did you know Beautiful/Decay is named after a Barry McGee quote) of his generation Barry McGee was recently asked to reinstall a work of his at the San Francisco Museum of Modern Art for their 75th Anniversary retrospective. What ended up happening was an installation that not only incorporated the original work created in 1996 but also sampled new work created days before the installation. In this piece we talk with Barry about the preservation of impermanent art and how reinvention keeps him excited.
In 2001 I was in art school, trying to make sense of how one gets into shows, sells art, and gets press. It was a daunting task for my peers and me–none of us knew where to start. Running into the art world’s countless closed doors, however, became the inspiration behind creating Beautiful/Decay. My dream was to expose and support all the great art that I was finding by unknown, young artists. I wanted to celebrate these “underdogs” and give them the credit that they deserved.
It’s been almost a decade since then and our mission hasn’t changed. We still strive to shed light on work that is underrated and unknown. So in the spirit of Beautiful/Decay’s dedication to emerging art, we present to you our first annual edition of “The Underdogs.” Each year, we will open up the magazine to you, our readers, so that you can have a chance to participate in Beautiful/Decay. For this issue, we asked artists to interpret our theme, “The Underdogs,” as they saw fit. Some literally interpreted the theme, while others imagined the concept abstractly to create their works. With just under 100 slots, and over 500 submissions, figuring out who made the cut was anything but easy.
Some of the artists you may have heard of, and others have never been featured in print before. We selected our cover artist, Allison Schulnik, for her beautiful depictions of anonymous, unsung heroes. For all their tragedy and isolation, Schulnik gives form to the world’s “fools and rejects,” who in turn transcend the page to become icons in and of themselves. This process of transformation and redemption, of attaining the spotlight against all odds seemed the perfect concept in which to encase Book 3.
Get your copy of Book:3, the ultimate inspiration/resource of emerging art at the B/D Shop!
Got this mini documentary in my inbox today about graffiti artists in Northern Italy. It’s so interesting how graffiti has been morphing, changing and evolving in the last 10 years. I’m not even sure if the name street art or graffiti applies to this. Is it outdoor art, street art, graffiti, illegal brush painting? I’m confused!
Last night I was invited to attend a preview of Exit Through The Gift Shop, the much hyped documentary by the street artist Banksy. By now, you all know that I’m an avid documentary junkie. I’ll watch a documentary about paint drying on a wall if it’s well made. I’ll admit, I went into the screening room expecting to hate it- so was Banksy able to win me over?
This video consists of a series of interviews with Julie Mehretu’s team of assistants.I’m not sure if I’m disgusted or just jealous about the massive space that Mehretu has as a studio. Something about this feels too sterile and emotionless. What do you think?