Italian photogprapher Lorenzo Vitturi describes his work as “hand-made visions” where each body of work consists of a completely constructed new world where each visual element is hand crafted with the utmost attention to detail. For his latest project Anthropocene Vitturi created a strange industrial world filled with debris, strange colored horses, and surreal body builders. Vitturi say’s about this project:
“This project is the result of a reflection about the relationship between man and nature, as it proposes – in line with 16th Century naturalistic painting – a symbolic system able to visualize the intersection between this two dimensions.
Up to the early 20th Century nature had been represented as an unspoiled, pure space animated by uncontrollable forces;
today, after just one Century, nature has proved to be a fragile system whose survival is highly dependent on an increasingly pervasive and destructive anthropization.
In such a context, where all equilibria and “rules of the game” are being overthrown, how can we still depict nature and men? Nature is loosing its natural features, while men are increasingly taking control over the whole cycle of life.
Starting from this paradox, my project consists in a series of images where site-specific installations built within a derelict location play a central role. In this visions the “mis en scene” becomes a tool for representing a nature which appears less authentic and indeed more and more a cultural product.
Each image is the result of a meticulous process of scene design and construction. The materials used were scattered construction and industrial remains, natural pigments and fake plants.”
See more images from Anthropocene and some very nice behind the scenes photos of the construction of the shoot after the jump!
Madrid based design studio Patten pushes typography and playful layout to the forefront of all their work regardless of whether they are creating bold digital illustrations that jump off the page or delicately drawn fashion illustrations by hand.
Deenesh Ghyczy’s fragmented figurative paintings take the human figure and weave it in and out of itself as if dozens of film negatives were laid on top of one another to create a constant state of motion. This technique serves as a metaphor for multi-layered identity and a look at individuals as living structures with more than one center. (via)
Taiwan based Hsiao-Ron Cheng’s work alludes to the deformation that physically separates humans from plants and animals. The environments and situations that she paints are often surrealist in nature nature, reminiscent of her life as a student in school, and partly based on fantasy. Hsiao-Ron’s aim is to create more complex worlds with complicated stories of childlike and cruel creatures, showing the fragility of life.
On top of the Sierra Madre mountains of Mexico there is a town called Taxco where literally everyone participates in a massive reenactment of the last days of Christ with elaborate costumes, processions, and scary hooded men that look more like klansmen than holy men. Photographer Paul Alexander Knox has documented this bizarre religious parade in all its glory complete with Roman soldiers, Judas, baby angels, and of course virgin girls.
Danish artist Rose Eken’s miniature drum kits and guitars are tiny monuments to rock and roll. With over a 100 drum kits and 100 guitars made out of cardboard and arranged in neat grids, these miniature objects are delicately made by hand showing Eken’s fascination, adoration, and passion both for the music and for the people who make it. Like a true music junky Rose Eken has created the ultimate shrine to rock music with replicas of every rock legends instrument from Jimi Hendrix’s guitar to John Bonham’s drum kit.
I’m completely blown away by the illustrations of Finland based Riikka Sormunen. Her delicate lines, amazing earthy color schemes, and dense patterning make me want to stare at these forever. I also love the subtle influence of Japanese woodblock prints that comes through in some of the works. (via)
According to a famous anecdote, three pioneers of modern art Constantin Brancusi, Marcel Duchamp, and Fernand Leger are said to have visited the 1912 Paris Air Show. Observing a propeller, Brancusi said, “Now that is what I call sculpture!” A hundred years later, Paola Pivi’s How I Roll suggests that the modernist romance with industrial design lives on.
Pivi’s sculpture (made possible by the Public Art Fund) incorporates an entire six-seat plane that has been specially modified, enabling it to rotate through 360 degrees while held aloft on its wing tips. The artist’s transformation allows this Piper Seneca to be seen in an entirely new way. Airborne but flightless, its steady circular movement is mesmerizing. The shift of context from airport runway to New York City plaza is equally dramatic. It creates the striking and surreal experience of a familiar object seen in an unexpected place doing a very unfamiliar thing. Like a child’s dream come to life, How I Roll is typical of the artist’s bold and playful imagination. Watch a video of the sculpture in action after the jump. (via)