Ever wonder what would happen if the ground you’re used to walking on had the consistency of a waterbed? Well French artist collective Raum has and decided to create a pavement that wiggles, waves and reacts to movement much liked the beloved 80’s bedroom staple, the waterbed. Collaborating with the National Art School of Bourges and the FRAC Centre, a slice of pavement-like material was filled with water on a regular street transforming the mundane patch of land into a fluid wonderland where every step meets not so stable reaction. The project, called “La Ville Molle” (The Soft City) questions the stability of the city and it’s ability to change and accommodate motion and evolution. We’re not sure if the world is ready for endless sidewalks filled with water just yet but this sure does look like a fun project that makes you rethink your environment and the permanent nature of the stable ground that we all take for granted.
Watch a video of the fluid “La Ville Molle” in action above and watch a short “making of” video after the jump to see how you can make your very own waterbed sidewalk! (via)
Swedish artist Michael Johansson is the Tetris master of art. His brilliant assemblages of found objects such as books, luggage and other everyday materials into tight geometric shapes is absolutely brilliant. Filling empty spaces in buildings, between shipping containers and entrances, Johansson transforms voids into color coordinated shapes of wonder. (via)
Brooklyn, NY based painter and sculptor Lisa Beck creates reflective, Rorschach like abstractions that function simultaneously as murals, paintings, sculptures, and installations.
“My work has always been driven by certain preoccupations and obsessions, that can be seen as divided between the particular and the universal. The particular is shorthand for the observable aspects of reality, the stuff around us (the landscape, our bodies). The universal is a shorthand for things that are too vast or too tiny for us to grasp completely ( space, atomic physics)— that necessarily become a kind of abstraction. Those are the things that I think about, with an emphasis on the relationship between those things — the place where they meet or interact, rather than the divide. I’m concerned with where I stand, or where anyone stands, in relation to these aspects of existing reality … the act of observation of the place in between; visual awareness and perception as a way of understanding existence, like a filter.
I tend to be attracted to opposing but related visual phenomena like positive and negative, pattern and randomness, color and grayscale, flatness and depth, representational and abstract imagery. I always want to go in both directions a once and much of my work has involved trying to find ways to integrate these opposites. My most prevalent motif has been the circle in all its forms and references. Atoms, dots, spheres, solids, voids, cells, selves, stars, eternity, emptiness- it’s amazing how much can attach to this form.” (via)
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Amanda Gorence’s article on Jean-Yves Lemoigne.
“Modern man has become a cog in a very complex society. We live in a society that praises individuality on the one hand and conformity on the other. Man is an elementary particle in the global mass. The Zentai suit fits perfectly with this vision of man as an elementary particle. It makes any individual as uniform as possible. We stop distinguishing between faces, races and genders.
To begin with, the army seemed like a relevant social entity for this series. The army already has a uniform and a color. The individual is subsumed by the larger military corps. This allows me to put these characters into action in nature. I often position myself high above these little men in brightly colored suits. They can make one think of little toy soldiers shot in a hyperrealist panorama.”—Jean-Yves Lemoigne
Jean-Yves Lemoigne is a French commercial photographer. Human Project is his personal work, stemming from a desire to capture man in space. The series consists of two different bodies of work, Human Project / War, featured here, and Human Project / Tourism, in which Lemoigne juxtaposes these same suited men with emblematic places of mass tourism.
All good things have to come to an end and such is the case with our annual holiday sale. You have until Midnight Pacific Standard Time to take advantage of our massive 50% off sale on all books, magazines, and accessories on the B/D shop. Just enter the discount code ” creative50 ” during check out and get your hands on high quality artist products at half the price! Time is running out quick so stop what you’re doing and visit our shop now!
Spanish artist Alica Martin’s dynamic installations of books flowing out of buildings is the perfect example of how a pile of mundane objects can be transformed into a powerful installation. Creating a wire and aluminum structure with thousands of books attached to the outside frame, Martin’s creates a waterfall of literature that spill into the streets as if a crazed librarian turned on the mother of all book faucets. Pages and book jackets flap in the wind mimicking the spontaneous and erupting movement of water materialized in solid form. (via mymodernmet)
Freelance photographer Guillaume Megevand’s Blood & Firecrackers series Blood & Firecrackers is a truly beautiful and gruesome series of images. Here is what this self taught and world traveling documentary photographer has to say about this body of work.
‘This series of photos was taken during the Vegetarian Festival in Phuket, Thailand. Over nine days local residents of Chinese ancestry strictly observe a vegetarian diet for the purpose of spiritual cleansing and merit-making. Sacred rituals are performed at various Chinese shrines and temples. The festival involves various processions, temple offerings and culminates with walking on hot coals, climbing knife-blade ladders, self-piercing the skin and so on.
Their special 9-day diet seems to allow the participants of the festival to be inhabited by the gods since they apparently feel no physical pain. This seems difficult to believe, but they really appear to be possessed and also to be beyond being hurt or feeling pain despite what they go through.
The most amazing moment for me was the last evening of the festival when thousands of citizens came out of their homes to throw firecrackers on the participants of the final procession. During these few hours, Phuket was more like a war zone rather than the quiet tourist town we all know. Luckily for everyone involved, this war zone is one of joy and faith and the culmination of nine incredible days.” (via feature shoot)