It’s no surprise that everyone at B/D is obsessed with bizarre hippy, psychedelic references in art. However Charles Glaubitz work differs from the usual psychedelic hookas pokas as it mixes in character based imagery more in line with japanese magna. The resulting work is bizarre, funny, and imaginative.
Born in Tokyo and living in NYC since 1996, well known as founding member of art collective FAILE. In 2006 she started her solo career and has been exhibiting her stencil/silk screen paintings in major cities such as NY, LA, London, Berlin, Tokyo and Barcelona.
Sneak peak of a part of the front cover for issue:1
Everyone has been asking us what we’ll do after Issue Z. In our tradition of innovation, Beautiful/Decay will reinvent itself in a brand new, expanded format with Issue 1 in July.
Beginning as a hand-photocopied, black and white ‘zine over ten years ago, Beautiful/Decay has always proudly put artists—and quality content—first. We are re-launching Beautiful/Decay to have all the benefits of traditional magazine subscribership, while taking the form of an expanded, limited edition, more voluminous publication.
In keeping with the spirit of our independent DIY philosophy, we have decided to break the mold of traditional magazines and change the way we do business. In this economy, most publications are either going out of business or watering down their content to appease advertisers. Rather than conform to the publishing industry’s new rules, we’ve decided to create our own business model that allows us to flourish and increase the quality of our content.
One thing we’ve always disliked about the mainstream print industry is that it can be wasteful. Newsstands throw away all unsold magazines, averaging a 40-60% waste rate. In keeping with our commitment to staying green, Beautiful/Decay will instead send issues straight into the hands of subscribers, rather than dumpsters.
Here’s what the new B/D will look like:
• Eliminated ALL traditional advertising
• Made an 50% increase in page count, meaning 164 pages of pure, unfiltered content
• Features now have double the page space, with more full-color images & articles
• Articles now run 16-20 pages, providing some of the most in-depth coverage of emerging artists available today
• Released in limited edition format of only 1,500-2000 copies, each one hand numbered
• Each issue comes with a limited edition collaborative artist projectranging from inserts, stickers, posters, to original artwork
• Presented in new format & size, including French flaps and multiple printing processes within
• Released 3 times a year (once every 4 months)
To celebrate our new expanded format, Issue 1 will feature a hand-drawn, original artwork by previously B/D featured artist Kyle Thomas. These will sell out, as we already have 1000 subscribers on our list so be sure to subscribe in order to reserve your copy.
I hope that you’re all as excited about this as we are at Beautiful/Decay. I’d love to hear your thoughts on the new direction.
Winner of the Special Jury Prize at the Hot Docs International Documentary Festival, Without
The King tells an astonishing story of Africa’s last absolute monarchy, the Kingdom of Swaziland. King Mswati III, a distant figure out of touch with his home and country, rules by decree and lives a life of luxury together with his 12 wives, while his subjects suffer from crushing poverty and the world’s highest HIV infection rate. With unprecedented access, we
meet headstrong first wife Queen LaMbikiza, eldest child and teen rapper, Princess Sikhanyiso, King Mswati himself, as well as many Swazi citizens who are plotting his downfall. Filmmaker Michael Skolnik captures the birth of a nation’s revolution, and the dawning awareness of a
young Swazi princess as she realizes the contrast between her impoverished country and her lavish lifestyle.
Jim Callahan is a multi-talented creative who lends his bold pop-icon vibrant graphic style to a potty-mouthed vision of vulgar humor and the macabre. His humorously outlandish take on his subjects disarms their gritty gore visuals of exploding skull & brains, guts and the spray of blood. James Callahan also runs his own fledgling deck company: Nowhere Skateboards, and has illustrated comics, such as Strange Detective Tales and Rotting In Dirtville. He is also responsible for the DVD covers to the daybyday films, among art for piles of records, CD’s, shirts, toys, posters, and beyond.. James was interviewed in issue: D of Beautiful/Decay magazine and designed the three-dimensional stunner “Barf 3d” for Beautiful/Decay Apparel- which featured, of course, a three-dimensional skull puking a cacophony of vile beasts. Most recently he contributed the mind-blowing (no pun intended) graphic “Kersplat” that shows someone’s brain literally exploding from reading B/D!
Another gripping documentary recently watched care of Netflix.
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed Americas image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few bad apples?