Within the setting of his captured vistas Vasilis Avramidis typically paints an arrangement of symbolic motifs, rendered in a way to be suggestive of neglect. These depicted scenes and objects are overgrown with moss and ivy, alluding to an overriding sense of decay that the paintings’ inhabitants desire to control and maintain. These characters are gardeners, keepers of sites, land and buildings. They are the caretakers.
The paintings express a repetition of varying hues of green, a reference to the duality between sickness and growth and how the land eventually reclaims everything that sits upon it. Objects being imbued with foliage confirm these concepts of the ongoing and endless conflict between the forces of destruction and the forces of philosophical cultivation. This force of nature against man-made structures and ideologies not only conveys a relentless struggle but also comments on the history of art and architecture being overwritten and unearthed with the passing of time.
Alberto Tadiello’s works explore the possible forms of autonomous function associated with different objects and mechanisms as they undergo a parossistic conceptualization of their own functional logic. This logic is altered and tampered in order to start reflecting upon those deeper and psychological aspects which connect people to things and technologies.
Shay Kun’s paintings push viewers to challenge their philosophical and aesthetic limitations. While the paintings use appropriated images from the internet, glossy magazines and daily life, they question where fantasy begins and reality ends. Our dreams and thoughts are capable of taking us on journeys beyond reality, but when do we actually cross that threshold? Could we have actually experienced scenes as we remember them?
Each piece in the exhibition explores fantasy and escapism not only with evocative imagery, but also with a variety of source materials and methods of display. In Brief Encounter, Kun offers a film noir still of a car driving into the depths of a rainy night and invites onlookers to remember not only familiar films with similar atmospheres, but their own experiences with departure and loss. Kun also manipulates the foreground into a complex, dramatic tableau; the foreground presents an almost surrealist puddle without the literal interference of a window. Condensation from precipitation, however, is reserved for the background; the scenario is physically impossible, and the painting teases the mind to understand its dissonance.
Objects like ropes, hot air balloons and old-fashioned cars accrue an almost satirical element with their nostalgic references to a pleasant past and childhood. These idyllic environments are predominately kept in the background of these pieces, but the masterfully painted objects feel at once fresh with their photo-realistic qualities. These are contemporary works that challenge the effectiveness of memory and suggest that nostalgia shapes and colors our interpretations of the past.
“X marks the spot” is an ongoing series, which is about looking for the hidden possibilities that are related to form and function and the game between the reality and my fantasy. My inspiration is my house and my environment (it’s a kind of a kitchen chemistry), that becomes a playground. I like to work with common objects and discover their possibilities, give a new function for them. I try to play with the borders of the nonsense; something that looks foolish at the first place can always find its right place at the end. But like in every game and story it is impossible to tell what will happen and how the end is going to be. The whole project can become a tea party or a toy story. It doesn’t really matter how we call it, because eventually it is just a game, which is about the fact that you can enter to an other world.
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As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ article on Photographer Daniele Buetti.
In his new series oh boy oh boy, photographer Daniele Buetti, utilizes existing documentary photos of terror, war, and conflicts, and transforms these troublesome scenes into abstractions reminiscent of mosaics and stained glass windows.
Through this work Buetti exposes the viewer to scenes such as those from Abu Ghraib and Guantánamo that many have become desensitized to through repeat and constant media exposure. He uses many different filters to distract and distance us from the original scene as he strips away large parts of original information in favor of an immediate beauty— thus presenting a new way for these images to be seen.
Eddie Martinez,Untitled 2012 Oil and spray paint on paper, 10" x 7"
Arches and Rembrandt, leading fine art material manufacturers, present Against the Grain, a one-night art auction to raise grant funds for one Los Angeles-based student artist. With more than fifty participating artists, Against the Grain will feature works on paper that showcase diversified studio practices through a shared medium. Unlike any other charity arts auction, Against the Grain pioneers an artist community-based project in direct support of the next generation of emerging artists.
From the frenzied tableaus of Eddie Martinez to the illusory oils of Annie Lapin, the works donated to Against the Grain will have a humble starting bid of $100. Each participating artist will be provided with newly developed archival paper by Arches paper mill (France) that does not require gesso before painting with oil colors, a key advancement for the painting practice. Additionally, the artists will be given a selection of the finest quality Rembrandt oil colors from Dutch color maker, Royal Talens. Additional sponsorship of gift certificates and cash awards will be provided by local participating fine art stores, announced the night of the event.
Local curatorial entity, 5790projects, and curator Amir H. Fallah will select one student artist from a surrounding university to award funds raised from the silent auction– a grant that can be used for studio practice, tuition, or supplies. A pool of student artists will be nominated by each participating university’s Studio Art faculty, each of which will receive a studio visit from event producers 5790projects and Fallah in order to determine the prizewinner. The grant recipient will be announced at the close of the event on August 25th, 2012 at the sponsoring venue, Mark Moore Gallery (Culver City, CA).
The opening reception will also feature live DJ sets, food trucks, and beer tasting by Brouwerij West. Event tickets are $10 – and can be purchased at the link below.
See more preview images of work on auction after the jump!
We’ve all seen photographs of cadavers with the skin pulled back to see the anatomy or accidentally clicked on a medical tv show and see a birthing video but Claudiu Cândea’s beautifully drawn and incredibly grotesque drawings depict this in the figures of young girls, beautiful (and very alive) ladies laying about casually with their skin pulled back to reveal every muscle, vein, and organ. Disturbing? Yes. gorgeous artwork? Absolutely!