The Queen of lush and juicy paint Allison Schulnik opened up her studio to Beautiful/Decay and Visual Creatures to give our readers insight into the world of sad hobo clowns and her painting and animation process. Allison discusses how her paintings inform her animations and vice versa, the long history of artists in her family, and how Los Angeles allows artists to have quiet time in the studio yet have a community.
Mathilde Roussel is a French artist based in Paris. Her work is a sensible and symbolic research about the nature of physical life. She is interested in the cyclic metamorphoses that transform organic matter, whether vegetable, animal or human. Furthermore, Roussel interrogates the ways in which time weighs on our body, leaving its traces as an imprint and thus creating an invisible archive of our emotions, a mute history of our existence. To do this, she uses a diversity of materials from paper to fabric, from rubber to graphite. For some of her ephemeral sculptures she uses organic matter such as wheat grass, pollen, sap or milk. Her work becomes a mapping of the body, an anatomy of the time and space inhabited by our fragile presence in the world.
Australian artist Troy Emery’s practice is an ongoing project of producing a series of artworks that investigate decoration and the aesthetics of craft associated with natural history and the animal form . In his sculpture practice, taxidermy foam bodies are covered in bright polyester pompoms and craft textiles such as tassle fringing. The artworks, non-descript predator animals with their playfully colorful pelts, become hyper exotic specimens in a menagerie of art / animal objects.
Watch a fantastic short documentary on Troy Emery after the jump.
Paul Cherwick approaches his subtractive wooden sculptures with the spontaneity of drawings, treating them as quick, multi-sided one-offs. Employing a carving technique, he chooses an art that runs the gamut, unchanged between folk art material, and the stuff of priceless antiquities. Cherwick creates his figures as allegories, each with an absurd background story; they show the classical grace of the commoner, rather than his or her banality. His cast of personal folklores draws from Classical Greek mythology, in which individuals serve as tropes, created to personify human qualities in ways that are often very literal. Though he is drawn to wood for its classical nature and inherent morality, his translations of the material often verge on Pop.
Dutch artist Edwin Deen works in a wide array of materials and situations from sculpture to found object groupings but his rainbow sprinklers caught our eye immediately. Consisting of a simple garden sprinkler that can be found at your local hardware store, some paint, and a little ingenuity Deen transforms entire rooms in minutes with the help of some water. It would be interesting to see this done with food coloring and in an outdoor setting but for now we’ll enjoy these colorful installations and wait for Deen’s next project. More works by him after the jump! (via)
Portland, Oregon based artist Storm Tharp’s fluid figurative paintings mix ornate patterning with a delicate “happy accidents” style of brush work that make his striking figures seem to be in motion yet completely still. This playfulness of medium creates an unsettling state in the work making each piece psychological portraits of figures who could be real or completely out of the artists imagination.
Serbian designer Bratislav Milenkovic’s imagery sits at the intersection of typography and illustration usually combining the two to create cleaver and playful images. Morre Typography fun after the jump.
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ post of work by Photographer Andreas Jakwerth.
Vienna based photographer Andreas Jakwerth set out to depict the evil beards of the world with One guy, 6 different beard styles, six villains and contemporary fashion!
The series ‘Beards of Evil’ combines the beard style of some of the more evil villains of mankinds history with contemporary, urban fashion. For us, it was interesting to see how nicely some of these styles would work with today’s fashion even though you cannot wear a beard like these nowadays.
I shot this series for the Austrian magazine thegap, which focuses on urban culture and music. One of their friends who had been growing a beard for about seven years, decided to finally get rid of it, so we jumped in and realized the series with the help of stylist Magdalena Vukovic and hairdresser Thomas Pavlidis. The model, a non-professional, changed his expression to fit perfectly with the style of beard he was wearing.
In the end the series never got published in the magazine because one of the fashion labels didn’t like the historical person we chose for their clothing.—Andreas Jakwerth