“X marks the spot” is an ongoing series, which is about looking for the hidden possibilities that are related to form and function and the game between the reality and my fantasy. My inspiration is my house and my environment (it’s a kind of a kitchen chemistry), that becomes a playground. I like to work with common objects and discover their possibilities, give a new function for them. I try to play with the borders of the nonsense; something that looks foolish at the first place can always find its right place at the end. But like in every game and story it is impossible to tell what will happen and how the end is going to be. The whole project can become a tea party or a toy story. It doesn’t really matter how we call it, because eventually it is just a game, which is about the fact that you can enter to an other world.
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As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ article on Photographer Daniele Buetti.
In his new series oh boy oh boy, photographer Daniele Buetti, utilizes existing documentary photos of terror, war, and conflicts, and transforms these troublesome scenes into abstractions reminiscent of mosaics and stained glass windows.
Through this work Buetti exposes the viewer to scenes such as those from Abu Ghraib and Guantánamo that many have become desensitized to through repeat and constant media exposure. He uses many different filters to distract and distance us from the original scene as he strips away large parts of original information in favor of an immediate beauty— thus presenting a new way for these images to be seen.
Eddie Martinez,Untitled 2012 Oil and spray paint on paper, 10" x 7"
Arches and Rembrandt, leading fine art material manufacturers, present Against the Grain, a one-night art auction to raise grant funds for one Los Angeles-based student artist. With more than fifty participating artists, Against the Grain will feature works on paper that showcase diversified studio practices through a shared medium. Unlike any other charity arts auction, Against the Grain pioneers an artist community-based project in direct support of the next generation of emerging artists.
From the frenzied tableaus of Eddie Martinez to the illusory oils of Annie Lapin, the works donated to Against the Grain will have a humble starting bid of $100. Each participating artist will be provided with newly developed archival paper by Arches paper mill (France) that does not require gesso before painting with oil colors, a key advancement for the painting practice. Additionally, the artists will be given a selection of the finest quality Rembrandt oil colors from Dutch color maker, Royal Talens. Additional sponsorship of gift certificates and cash awards will be provided by local participating fine art stores, announced the night of the event.
Local curatorial entity, 5790projects, and curator Amir H. Fallah will select one student artist from a surrounding university to award funds raised from the silent auction– a grant that can be used for studio practice, tuition, or supplies. A pool of student artists will be nominated by each participating university’s Studio Art faculty, each of which will receive a studio visit from event producers 5790projects and Fallah in order to determine the prizewinner. The grant recipient will be announced at the close of the event on August 25th, 2012 at the sponsoring venue, Mark Moore Gallery (Culver City, CA).
The opening reception will also feature live DJ sets, food trucks, and beer tasting by Brouwerij West. Event tickets are $10 – and can be purchased at the link below.
See more preview images of work on auction after the jump!
We’ve all seen photographs of cadavers with the skin pulled back to see the anatomy or accidentally clicked on a medical tv show and see a birthing video but Claudiu Cândea’s beautifully drawn and incredibly grotesque drawings depict this in the figures of young girls, beautiful (and very alive) ladies laying about casually with their skin pulled back to reveal every muscle, vein, and organ. Disturbing? Yes. gorgeous artwork? Absolutely!
Since the end of 1989, Michal Macku has used his own creative technique which he has named “Gellage” (the ligature of collage and gelatin). The technique consists of transfer the exposed and fixed photographic emulsion from its original base on paper. This transparent and plastic gelatin substance makes it possible to reshape and reform the original images, changing their relationships and endowing them with new meanings during the transfer.
“I use the nude human body (mostly my own) in my pictures. Through the photographic process [of Gellage], this concrete human body is compelled to meet with abstract surroundings and distortions. This connection is most exciting for me and helps me to find new levels of humanness in the resulting work. I am always seeking new means of expression and, step by step, I am discovering almost unlimited possibilities through my work with loosened gelatin. Photographic pictures mean specific touch with concrete reality for me, one captured level of real time. The technique of Gellage which I am using helps me to take one of these “time sheets” and release a figure, a human body, from it, causing it to depend on time again. Its charm is similar to that of cartoon animation, but it is not a trick. It is very important for me to be aware of the history of a picture and to have a sense of direct contact with its reality. My work places “body pictures” in new situations, new contexts, new realities, causing their “authentic” reality to become relative. I am interested in questions of moral and inner freedom. I do what I feel, and only then do I begin to meditate on what the result is. I am often surprised by the new connections I find in it. Naturally, I start out with a concrete intention, but the result is often very different. And there, I believe, lies a hitch. One creates to communicate what can not be expressed in any other way. Then comes the need to describe, to define.” (via)
Sometimes simplicity is key such as in the paired down color schemes and minimal compositions of Amy Feldman’s paintings. Through subtle color shifts and iconic geometric imagery Feldman gets us to look a little bit closer at all the variations in the color black and the beautiful imperfections of the human hand.
David Mach‘s incredible installations spill and pour into the spaces they inhabit with the fluidity of water and the compositional precision of a laser. Created out of discarded magazines and other found objects these larger than life installations take over entire buildings in every shape possible from immense columns to organic round piles of mass that pick up everything in its path. (via)