Brian Vu’s latest collage series, No Bad Days, cleverly juxtaposes religious iconography with skyscapes to shield the identity of its subjects. Stunning!
Delilah Jones‘ ‘Portal’ collage series forms entrances into other worlds through ripping and layering found photography. The artist, currently residing in Portland, uses traditional techniques in the digital world to seemingly travel through time itself with her fantastical juxtapositions. More after the jump.
Brooklyn-based artist Julia Dault manipulates tangible materials, such as plexiglass and formica, to form site-specific sculptures shaped into giant cylinders and held by rope. Although she has also created a series of oil paintings, her sculptures are particularly captivating for their transient quality, as they seem to be almost collapsing in both time and space; this element of time is key to her work as each piece is named after the time stamp of its creation. More after the jump.
Los Angeles-based artist Aaron Smith‘s bearded portraiture combines rough brushstrokes and bright colors in this spectacular series. By using photographs of Victorian gentlemen, Smith re-imagines the men in vibrant colors with the thick impasto showing a modern sensibility. More after the jump.
The Over Time series by Jonathan Zawada depicts landscape topographies in bright colours, evoking other fantastical worlds. However, the work was actually derived from graph data of earthly landscapes, which Zawada modelled in 3D to create this beautiful work. Each piece was displayed with the graph data nearby, as seen in the last image showcased here. Absolutely stunning.
Luis Dourado‘s Departure series’ digital manipulation of photography contorts and distorts geography to explore the power of imagination. The photographs of Spanish and Portugese mountains are regarded as departures away from civilisation, as the once formidable are changed into beautiful geometric patterning by Douardo’s imaginative capability. More after the jump.
New York-based artist Lucas Blalock constructs images that are photographed in film and then uses digital overlapping and editing to distort. The work’s overlapping elements, merging and mutilation of pattern and playfulness of colour show Blalock’s clear experimentation with humour and absurdity. Check more out after the jump.
Adrian Ghenie‘s paintings play with texture by distorting the works’ figures as an allegory for the abuses of power. By drawing on figures from history – such as Marcel Duchamp and Holocaust doctor Dr Josef Mengele – Ghenie scrapes and washes away their features to explore the brutality at the core of human nature. More after the jump.