Hal Lasko, affectionately called ‘grandpa’, creates amazing art pixel by pixel in MS Paint. Lasko worked for years as a typographer creates fonts by hand. Though now 98 years old and suffering from Wet Macular Degeneration – an affliction that causes blindness in his center of vision – Lasko never stopped being an artist. He was introduced to MS Paint by his grandsons and took to the program quickly. MS Paint allows Lasko to “zoom in” on his pieces and work a small part at a time, pixel by pixel. The process is laborious and time-consuming but works perfectly for Lasko, a patient artist. Check out the video to see a short but touching documentary on the artist and his work.
Hyuro has a very peculiar style of street art. Her work is highly detailed and uses subdued colors. It is her artwork’s narrative quality that makes it stand out. Each mural seems to be a very small piece of a much larger story. The viewer passing the mural almost feels like an interruption to some mysterious goings-on. The influential fellow Spain based street artist ESCIF poetically says regarding Hyuro and her work:
“Hyuro doesn´t paint on the street. Hyuro talks to the street. And she does it with such respect and affection, which are the others who, as we approached, we paint the walls that she just whispers.”
The installations of Dominique Pétrin are visually overwhelming. Images, patterns, and designs seem to cover every as much available space as possible. Walls are plastered from floor to ceiling often even covering ground. Her expansive installations overlay the outsides and insides of buildings alike. Pétrin accomplishes her pieces by using large silk screened panels of paper. The imagery recalls an internet of the early 90’s – a time when the overabundance of information and imagery the web had to offer was only beginning to come clear.
These GIFS from David Alexander Slaager, otherwise known as General Dikki, will mess with your eyes (and possibly give you a headache if you don’t quit staring at them). The GIFs use a technique called stereoscopy. Stereoscopic images create the illusion of depth by presenting two images that are very slightly different from each other. Each image is presented to each eye and the brain combines the two images to create a single image that seems three dimensional. Slaagers GIFs quickly alternate between these two images nearly creating the same three dimensional effect.
The artwork of Jillian Salik offers up understated surprises. Her new exhibit DUEL TINT features frames, window dressing, and other wall fixtures adorned with baroque ornamentation. However, the typically gilded and gaudy colors that typically accompany such adornments, the reflections and windows that should fit in such frames were no where to be seen. Salik only offers the bare structure of the frames and ornamentation. Also, Salik makes an interesting choice of material: cardboard. She contrasts high-society trimmings and embellishments with a decidedly “low” material and digital production processes.
Artist Aki Inomata asks “Why not hand over a “shelter” to hermit crabs?” and this is exactly what she does. Inomata carefully scanned the structure of shells used by hermit crabs and took note of their specific needs. Then using 3D modeling software she created new “homes” for these crabs. Drawing a connection between humans and the hermit crabs, Inomata decorated the shells with human structures and dwellings. Somewhat similar to humans, the crabs out grow their shells and must look for new shelter. The project underscores the basic need of a place to live, regardless of the seeming complexity behind the issue.
The art of the glitch has made its way off the screen out of the realm of the accidental. Perhaps it’s the aesthetic source of a new abstraction. The form has also made its way street art and graffiti. Polish artist Krzysztof Syruć incorporates explicit glitch stylings and subtler inspiration in much of his work. This first piece seems to use its background as a source image. The image is distorted, ‘corrupted’, and reduced to basic values. Other pieces seem to reference circuitry, code, and even biological systems.
Giuseppe Colarusso‘s photographs and their clever manipulations betray a certain sense of humor. His simple images of everyday objects are modified in such a way that they are rendered useless. He portrays flimsy handled silverware, cyclops sunglasses, bottle sans top. A commodity with out a use has no value – a sort of capitalist existentialism. On the other hand, perhaps its just funny.