The paper cut pieces of Wendy Wallin Malinow reveal the deeper goings-on of animals. Malinow’s pieces are cut to expose an x-ray type view of various forest and ocean animals. In addition to the bone structure, a meal is visible inside each animal. While playful, there is also a sad quality to her work. Malinow’s work reveals the nourishment and effort to needed to survive as well as the violence at times inherent in that. A squirrel has ingested some acorn’s while a wolf seems to be filled with the ghost of a red riding hood.
Artist Fabienne Rivory combines photography, collage, and painting in her work. She often blends two images of landscapes or scenes by bisecting and combining them as if they were reflections of one another. A touch of gouache paint is then digitally added to the photos and completes each of her pieces. The effect on the landscapes is a bit disorienting but familiar. Her work doesn’t seem to document places or times as much as it documents a feeling. The bold color of the gouache contrasts against the black and white landscapes, each pulling something out of the scene, each evoking something different. [via]
The work of Chinese artist Wang Zhiyuan turns our attention to the overlooked and discarded. Whether he is using garbage to make art or making art look like garbage Zhiyuan’s art attempts to draw out a double take, a second slower look. Zhiyuan has also created giant pairs of underwear – some of huge swaths of fabric others carefully carved. Some seem like large and ancient bronze panties adorned with a relief addressing the AIDS pandemic. He’s also made use of refuse to create a dizzyingly high tower stretching to be nearly four stories tall. He says of the project:
“I thought it would be difficult to make these dead objects interesting or beautiful. But I discovered that if you bring order to them, you can create beauty.”[via]
The paintings of artist Charlotte Caron explores both the ancient tendency to humanize animals and the dreams of humans to transform into animals. Caron’s acrylic paintings of animal faces are set on the photographed portraits of people as if they were masks. The people of the photographs not only assume the appearance of the animals, but nearly seem to exude corresponding personalities. The hawk seems harsh, the fox mischievous the deer gentle. The literal anthropomorphizing of animals in the paintings emphasizes how this figuratively takes place. Caron also underscores the contrast between human and animal, and perhaps by extension civilized and animalistic, by also contrasting photography and painting.
This curious little structure is one of ten Free Little Library “branches”. Ten designer were chosen for the Free Little Library project – each designing and constructing a little library to place in Manhattan. This is the design created by the firm known as Stereotank. In the New York neighborhood of Nolita, the little library offers books and a bit of shelter to anyone passing by. Small portholes allow visitors to peek inside for a preview before being drawn inside. You can find Stereotank’s Free Little Library at St. Patrick’s Old Cathedral School in Nolita through September of this year. [via]
Sound artist Zimoun creates simple but arresting sound art installations. His stark installations use common objects to noise atmospheres. Zimoun often uses small DC motors with small cotton ball mallets in his work. His newest piece using the motors may be his largest yet. Utilizing over 300 motors, Zimoun neatly installed his piece inside an abandoned chemical tank. The drone of the cotton balls and the echo within the tank produces a hypnotic hum. Check out the video of Zimoun’s installation in action after the jump. [via]
The team behind Atelier Ted Noten blend design and art so well, it can be difficult to unravel. They explore issues usually relegated to art such as violence, beauty, private and public life through design. Ice picks and cocaine are sunk into acrylic and transformed into designer bags. Perfume sprays down the barrel of a gun, its silencer concealing nail polish. The atelier’s design seems to at once celebrate and chastise high fashion’s excesses. Its bold design sensibility and irresistible ambiguity make their pieces difficult to turn aside from.
These intriguing images have a gentle and surreal nature, with a clear affection for the natural world. More than just the scenes’ tiny subjects is surprising about these photographs. Their creator, a photographer who goes by the name of Fiddle Oak, is only fourteen years old. With assistance from his older sister, Fiddle Oak conjures these playfully dreamy landscapes. While his sister Nellie, also a photographer, helps Fiddle Oak with various tasks, the shooting and editing is exclusively done by this young photographer. [via]