The work of Italian artist Franco Clun may lead you to believe he’s a photographer. Clun’s artwork, though, are created simply by putting pencil to paper. Clun carefully crafts each drawing to an unbelievable realism. Each drawing he completes seems to expand on the skill of the previous one. He says, “For each new drawing I dedicate more time and attention and I try to push forward my technical limitations. I learn something new every time I take a pencil in my hand.” [via]
Artist Alessandro Lupi seems to capture ghosts in his eerie sculptures. Lupi begins with simple thread to create his artwork. He paints each strand one at a time with fluorescent paint. The threads are then arranged and lit with black lights. Lupi often arranges the thread in the form of a figure – a person that at once seems to inhabit a space and in the process of disappearing. He calls his work ‘Fluorescent Densities’. The designation alludes to the way he uses his medium to “investigate” and play with light and space.
Italian artist Francesca Pasquali uses a common household item as a point of departure: straws. Perhaps because we typically use and see straws one at a time, Pasquali’s simple work can be especially intriguing to look at. She cuts the straws to varying lengths and arranges them one by one into a large mass. The fields of straws almost appear to be organic, similar to coral or bacterial growths. However, the reality that the sculptures are decidedly inorganic and plastic never entirely escapes the viewers attention. Pasquali achieves an interesting play between natural formations and industrial materials.
Nathan Kaso‘s series Miniature Melbourne takes a tilt shift look at the Australian city. Tilt shift is a photographic technique that essentially “corrects” the distortion created by perspective. The technique has the effect of making an scene resemble a miniature version of itself. Tilt shift photography has been featured on Beautiful/Decay in the past. However, Kaso transformed 10 months worth of his tilt-shift Melbourne photographs into a time-lapse video. Miniature Melbourne captures the work and play, the large life of the city. Watch the video after the jump. [via]
These photographs are images of a unique museum collection. The Museum of Broken Relationships originally began as a project in Croatia by Zagreb based artists Olinka Vištica and Dražen Grubišić now tours internationally. While many may destroy the painful mementos of a failed relationship, the museum seeks to transform the impulse into a creative one. The museum points out other rituals such as funerals, marriages, and even graduation farewells while break-up do not have a formal ceremony. In a way the museum offers one to assist with the emotional impact of an ended reltionship. For this reason, the museum encourages people to donate personal belongings to be exhibited as “their love legacy as a sort of a ritual, a solemn ceremony.”
Artist Sun K. Kwak paints with tape. She had begun her career as a painter but had felt disconnected with the medium. After experimenting with black masking tape Kwak had found her choice medium. Speaking of her first experience working with the tape, she says, “It felt like black ink pouring out over my fingers. It was very fresh, alive, and free.” The large installation pictured here is found at the Brooklyn Museum and is titled Enfolding 280 Hours – a reference to the amount of time needed to install the work.
The work of legendary street artist Banksy is now iconic, even throughout the larger art world. Photographer Nick Stern uses these easily recognizable images as a starting point. Stern literally brings Banksy’s pieces to life. He restages the wall art using real people and objects in place of the spray paint and posters. Using living subjects adds emphasis to the often powerful and startling art of Banksy.
These incredibly realistic birds are not alive – surprisingly they’re only paper models. In fact, artist Johan Scherft out of only paper, glue, and paint. He models each bird’s unique shape on his computer than constructs and paints the rest by hand. While the fold-and-glue-tabs model provides each bird with their distinctive body shape, the realism is in Scherft’s careful painting. He says of the painting, “For this part, I take the most time. With very fine brushes, I try to achieve the most realistic effect in color and detail. I use watercolors or gouache paint. It’s always an exciting moment once the template has been painted to assemble the bird and see what the result is.” [via]