The images of photographer Álvaro Sánchez-Montañés‘ series Indoor Desert seem like elaborate installations. However, he actually found them this way. These buildings were once part of a town named Kolmanskop in southern Namibia. It had been situated near a gold mine. When the mine ran dry it was abandoned as was the town. The strong winds quickly overtook the town filling its buildings with the sand of the nearby Namib desert. The homes now filled with desert instead of families only emphasizes each photographs loneliness and underscores the immense power of nature.
It may surprise you to know that these are not real animals – they’re probably most accurately called paintings. Artist Keng Lye brings these aquatic creatures to life by creating layers of resin and alternating them with acrylic paint. Coupled with his expert play of perspective, the fish (and other creatures) seem ultra realistic. Keng Lye has since added three dimensional portions to his ‘paintings’ as can be seen in these first four images, making them seem even more unbelievably alive and real. [via]
Artist James Nizam calls photographs documents of ‘light sculptures’. For the series he captures the sun and manipulates it into various ‘structures’. Using precise cuts into the exterior of the house, small mirrors mounted on ball joints, and studying the movement of the summer sun Nazam was able to capture these images. A synthetic fog emphasizes the concentrated beams of light, making them almost palpable like floating fluorescent light bulbs. See photos of Nizam preparing the house after the jump.
The subtly subversive work of artist Roadsworth fits well in the long history of street art. However, rather than finding his art on the wall, you’ll need to look down. Roadsworth, as his name suggests, sticks to asphalt. Making slight additions with paint to the language of road symbols, Roadsworth provides drivers and pedestrians alike with brain-interruptions for the morning commute. Roadsworth explains:
“The ubiquitousness of the asphalt road and the utilitarian sterility of the “language” of road markings provided fertile ground for a form of subversion that I found irresistible. I was provoked by a desire to jolt the driver from his impassive and linear gaze and give the more slow-moving pedestrian pause for reflection. The humourlessness of the language of the road not to mention what I consider an absurd reverence for the road and “car culture” in general made for an easy form of satire.” [via]
After unknowingly purchasing fake pre-Colombian artifacts, artist Nadín Ospina gave serious thought to Latin-American culture and its ancient roots. His sculptures depicts pop-culture cartoon characters such as Snoopy, Micky Mouse, and Bart Simpson in an often pre-Colombian style. His work is a powerful but simple comment on the globalization of entertainment and information. How much of our personal and collective identities is lost to an increasingly global community?
Photographer Fong Qi Wei transforms flowers simply by dismantling them. Her series Exploded Flowers captures a variety of flowers picked apart petal by petal then carefully arranged. The meticulously arrayed petals closely resemble mandalas or celestial bodies. Each composition underscores the unbelievable symmetry packed into often small flowers. However, there is also subtle medical atmosphere to the photographs, as if they were autopsied flowers or like pinned butterflies. Her series has garnered her some awards including 2nd place in the International Photography Awards’ Nature category. [via]
Like its real-life counterpart, this coral reef is alive in a way. Organized by the LA based non-profit organization, Institute for Figuring, the reef was lovingly constructed by many hands. According to the Institute for Figuring, the institute is “an organization dedicated to the poetic and aesthetic dimensions of science, mathematics and engineering”, and certainly does this with its Crochet Coral Reef.
The public is invited to participate by crocheting different organisms that are added to the larger crochet habitat. The reef has grown to become one of the largest participatory science and art projects in the world. It does much more than organize a community to engage with visual art and craft. It brings attention to the biology of coral reefs, emphasizes their importance, and reminds us of the danger they’re currently in.
Artist and architect Hong Yi emphasizes ‘art’ in culinary art. Her simple white dishes are plated with food. However, this is more than a simple meal. Only using these white dishes and food ingredients, Hong Yi recreates famous works of art, light hearted scenes, and pop culture icons. The project began as 31 days of creativity in March – an exercise she began to encourage more creativity every day. Each day Hong Yi would create a new piece and post it on instagram. [via]