Perhaps more so than any other form of art, street art has the capacity to engage with the neighborhood its found in. The work of artist Ernest Zacharevic, also known simply as ZACH, takes this to a literal extent. ZACH’s murals are often found interacting with features of the building or objects nearby. A bike leaning against the wall becomes a vehicle for a spray painted child or dock posts become giant pencils. ZACH highlights the life of the city in a way by actually making it come alive. The walls seem poised to interact with passersby, and encourage engagement.
The photographs of Jan Erik Waider seem to turn natural formations into abstract sculptures. His series Ice on Black captures icebergs in stark black and white photography. The textures, movement, and shape of the floating ice is surprisingly sculptural. The graceful masses of ice juxtaposed against the larger field of open sea nearly seem like a painterly decision. Waider is a graphic designer by trade, but his passion if for photography and the northern landscape. He specifically captures the majority of his photographs in and near Greenland and Iceland.
The street artist Basik has a singular style. Though often sparse in color, his murals don’t lack in detail. The compositions seem extensively planned. No component is set without intention as if its precise creation were some sort of ritual. Basik’s extreme attention to line is rare in the aerosol can wielding medium. He says of his work:
“I found human and animal bodies, especially hands and weird face expressions, very captivating. I started a research about lines, shapes and solid aspects of the colours. Subjects painted are often idealized and slightly surreal. Strokes become bones, while paint’s matter turns into flesh. I love to make my works on useless and broken items. Painting becomes more intense and dramatic whilst the support gets a whole new dimension and dignity.”
Artist and desinger Fabrizio Lamoncha works with more than a little bit of humor. His Pooprinter project statement begins with the quote “A common idiosyncratic habit in all birds is their inevitable punk nature to shit over our most precious belongings.” The project is as innovative as it is gross. Lamoncha slowly prints an alphabet on large sheets of paper by using strategically placed perches and the birds own droppings. Check out the time-lapse video of the bird poop in action above and enjoy Lamoncha’s toungue-in-cheek explanation the project:
“A group of male zebra finches underwent this experiment with rigorous commitment. The author/captor, taking the role of some kind of 1984´s Big brother, is providing the implementation guidelines for the transformation of this countercultural attitude into a marketable artsy product. The observation of this group of non-breeding birds in captivity and the experimentation with induced behaviors has been rigorously documented for this task.” (via booooooom)
Artist Steve Kim‘s series Perfect (2) draws from an unexpected inspiration. These elegant portraits are based on the avatars of Tumblr users. Kim sourced material from the blogging platform that attracts so many creatives. Avatars are often quickly executed and little thought over photographic portraits. Kim rededicates time to each photo in order to render each as a proper piece of art. Interestingly, each portrait’s title is also the repective blogger’s username.
Artist Katrin Sigurdardottir offers unexpected perspectives by way of her installations. For this first installation High Plane, Sigurdardottir set up two ladders in the gallery for visitors to climb. The ladders lead to a hole for the visitors to insert their heads. Once visitors peek through the holes they see they are at eye level with a miniature landscape. Pale blue islands seem to dot a white sea, the visitor looking from god-like perspective. However, the viewer also encounters another viewer peering through the other hole, reminded of their absurd size and situation. In another installation titled Boiserie, she sets up an entirely white parlor-type room adorned with period furnitutre. Mirrors mark the corners of the room which create an endless loop of reflections of the rooms interior. The mirrors, though, are interrogation mirrors visitors can use to look inside the room. The parlor is essentially only a set and roughly hewn from the outside.
The installations of Elmgreen & Dragset are a special brand of humorous – they are absurd. The art duo blend installation art, design, and even performance to turn a skeptical eye toward the familiar. The duo often begin with familiar objects and situations of habit. A slight variation seems to make the situation absurd, the behavior required silly. For example, a series of crates presumably contain art either resting in precarious positions or are already ruined. A botched art delivery becomes a commentary on the value of art.
The architectural firm Tetsuo Kondo Architects makes creative use of a unique material: clouds. They carefully manipulate the humidity and temperature in buildings to create indoor clouds. This eventually creates three distinct layers within the room with actual clouds gathering in the middle. The firm uses the space to allow visitors to experience the cloud from below, within, and above. In a way clouds are architectural components of the natural world that serve several practical purposes. Tetsuo Kondo Architects pull these clouds inside not only as a strange material, but also as a symbol of the relationship between architecture and the surrounding environment. (Via Collabcubed)