With found Flickr photos as his source, Jeremy Rotsztain‘s series Obsessions (Flickr Pets) “document the love and obsession that people have for their pets.” The individual images are color-blocked and reductive, verging on abstract in some instances, yet the subject matter keeps them recognizable and full of personality. Each still is the result of animations made in C++ using the openFrameworks library — which just sounds impressive for a series from 2008, right. Rotsztain’s catalogue has a wealth of series that explore the overlaps of technology, culture, behavior and art.
For their series Geolocation, Nate Larson and Marni Shindelman mined for Tweets with publicly available GPS coordinates. They then traveled to and photographed those data-suggested locations and present their photographs with said Tweets as captions. The results are sometimes funny, sometimes poignant, and successful in exposing perhaps how little people think of what data they are putting out into the world and how easily it can be appropriated.
Forgotten Boneyard is the 100% real animal bone work of artist Tim Prince. In addition to the one-of-a-kind handcrafted creatures in bone, Prince offers a growing selection of wet specimens through Etsy. To me the real standout of the entire collection is Audrii muscipula (pictured above), an homage to Audrey II, the carnivorous plant from 1986′s Little Shop of Horrors made of mink vertebrae/scapula, box turtle shells, a skunk skull, coyote teeth, and raccoon mandibles. A mouse skull and other bones decorate the soil.
Lutz Bacher‘s recent exhibition at San Francisco’s Ratio 3 included the series The Celestial Handbook: offset book pages taken from found copies of amateur astronomer Robert Burnham Jr.‘s 1966 handbook of the same title. Each page — there are 85 in the series — is individually framed, forever capturing timeless subjects in a dated format. What we see are images of things that surpass the power of imagery with captions that can’t help but fall short in describing things that surpass the power of language. (via)
There’s been a lot of talk of 2012 being the “Year of the Infographic”: visual representations of data as aesthetically pleasing as they are informational. Chad Hagen welcomes us to “the world of fictional information” with illustrations that explore what we’ve come to accept as infographic staples — a visual key, multi-dimensional shapes, a vibrant color selection — with none of the facts. Without the burden of telling a story culled from factual data, various dimensions, planes and colors are free to tell whatever story they choose. (via)
For twelve months, artists Victoria Lucas and Richard William Wheater collaborated on a series of neon signs that borrow snippets from well-known love songs. 12 Months of Neon Love fittingly began on Valentine’s Day 2011, atop Neon Workshops, and continued through the year — a sight to passers-by who no doubt Instagrammed the shit out of these. The public exhibition culminated in March of this past year but the images live on forever in a compilation.
Stephanie Tillman‘s designs match a subject, often an animal or two, with a matter-of-fact line of text. She applies the imagery to postcards and prints, but the embroideries are the most successful in capturing a sense of earnestness behind them. All handmade by the artist herself, each piece is permanently glued to a flexihoop — such a great touch as a frame — and finished with fabric to hide the stitching on the back. Available through her Etsy store.
There are many many dumb ways to die and the latest campaign from the Melbourne Metro illustrates a handful of them set to an original song for a video appropriately titled “Dumb Ways to Die.” Featuring a downloadable song by Tangerine Kitty, the video is one piece of a campaign that includes a website hub and tumblr full of gifs.
Bop your head along to the full video after the jump.