Zhang Kechun‘s photography series The Yellow River keeps a watchful eye on a natural resource that has brought both support and devastation to the country it runs through. While Kechun agrees it is “improper for a photographer to make comments on mountains and rivers” a subdued palette offers a thoughtful visual documentary that needs no comment.
“As being alive, we all go by with time. But we are still here, and we may have a better consideration on the future after having a look at the past and present with heart.” — excerpt from artist’s statement (via WeWasteTime)
The title of Joseph Gerhard‘s series Unmade Beds is self-explanatory. Gerhard says he thinks of these photographs as “portraits by proxy of the person who just slept there.” It is interesting to think of these as art — no two alike, ever-changing, telling a story about your form and movement — a daily unintentional installation that speaks on your behalf.
Abraham McNally merges things. Things like powerlines and houses, industry and nature, drawings and photographs. The result is an exploration of what’s organic — organic in the sense of what’s natural and organic in the sense of what’s essential. McNally’s additional sculptural and site-specific work rounds an examination of the schism between “a romantic return to the rural” and “a return to the comforts and realities of American society.”
One solid consistency in Lado Pochkhua‘s work is the presence of people. Complexities lie in in the details of dress, color and landscape — objects that outlast the individuals they surround. In the vein of what outlasts what or whom, elements are selectively obscured creating, perhaps, one big memento mori. Pochkhua is a Georgian artist living and working in New York.
Lists are one of those things that just are, things few think to improve the experience of — ever-changing content with little change to the framework. With a simple layout and clean design, Tracks of the Year is a definite format upgrade. Billing itself as a “collection from those best-of lists, minus the reading,” it’s exactly what we want from a music best-of list: less words, more sounds. Each track was selected and illustrated by Montreal-based art director Michael Hagos.
Matt Rota‘s illustrations seem to mix reality and myth — equal parts Bosch and Ernst. Rota’s sensitive lines add a surreal approach to morality and belief systems and how we respond to them. Also they just look really cool (nod to you, Krampus).
Erick Swenson started creating lifelike sculptures in varying states of decay to prove that he could. Echoing set design, museum exhibits and model creation, Swenson conjures elaborate scenes with polyurethane resin and occasional elements of taxidermy.