New York artist Kevin Cyr finds beauty in derelict cars and unkempt landscapes. He has always been interested in painting vehicles and scenes that have defined the evolution of the American landscape. A lot of his work has to do with the commemoration of commercial and recreational vehicles barely the signs of over-usage. He enjoys finding the character of these old cars and giving them a portrait-like importance by removing them from their everyday context. I love the way he discusses certain issues with the present lifestyle we lead with a subtle touch of humor.
Danielle DeFoe, young photographer based in Los Angeles, adores mask fashion and semi awkward teens. I like the sometimes I-don’t-give-a-fuck attitude in her photos. She also wrote us a nice postcard with the printed version of the image above which I scanned and is after the jump. It’s a great idea- the photo kind of says to me “I’m coming to get you, watch out you’re going to enjoy it”.
Beautiful/Decay is calling all artist and designers! We are teaming up with Plywerk to offer one talented person the opportunity to get their own artwork printed and mounted on a 12″ X 12″ environmentally friendly bamboo Plywerk panel worth $63.
Submit your artwork to our B/D Flickr Pic Pool (become a member first) and after all the artwork as been submitted, we will choose the most interesting piece as the winner. Artwork may be submitted in any medium, so long as it is scanned or in some digital format.
Deadline: August 25th, 2009 @ 6:00pm PST
- Join the B/D Flickr group if you haven’t already and submit to our Flickr group pool
- Title your work with “Plywerk Contest Art” after uploading it so we will know to count it for the contest
- Any genre of artwork is acceptable but it must be in some digital format (scanned or photographed)
Good luck to all! We look forward to seeing your submissions!
James Quigley, aka Gunsho, is a new breed of occult warrior attempting to restore the grandeur of epic mythology back into the awesome realms of the unreal. Paying homage to legends and ideas whispered down through alchemical charts and ancient texts, Gunsho materializes his vision of the other side. Many of his works tap into supernatural themes, from demonology and the Goetia to the black arts. Gunsho—first seen as a sign in the waking world, and later materialized in a dream, epitomizes his unique aesthetic, that plants one foot on the ground and a third eye gazing firmly at the stratosphere beyond. Gunsho recently created the shirt design “Chomp” for Beautiful/Decay Apparel.
I’m really excited about the The Flux Super 8 show (first annual showcase that celebrates eight of the most exciting and emerging filmmakers, video artists, and design collectives from around the world) launching at the Scion Installation Gallery in Culver City this Saturday August 14th- tomorrow! Unfortunately I’ll be in SF for the weekend, but youuu can still check out these 8 artists who will develop site-specific installations created exclusively for or premiering for the first time in Los Angeles for the exhibition. You can also see interviews about artists involved with Flux at their Flux Journal.
The Flux Super 8 are: The Blackheart Gang (Cape Town, South Africa); Max Erdenberger (Portland, USA); Saam Farahmand (London, UK); Sophie Gateau (Paris, France); Miwa Matreyek (Los Angeles, USA); Terri Timely (San Francisco, USA); United Visual Artists (UVA) (London, UK); YesYesNo (Amsterdam, NL + New York, NY + London, UK). More info about Flux and the installation after the jump!
Amii Stewart, disco legend, and starring in possibly one of the most decadent music videos I’ve seen. I’m not sure what the pinnacle of video technology dictated in the late-late 70s but digital media artists like John Whitney were already starting to make fairly advanced films out of just graphics programming as early as the ’60s. “Knock on Wood” lyrics are after the jump if you were so inclined to watch the video and sing along…
Paris-based Lebanese Illustrator and artist Lamia Ziadé has a “Pop Art” style identified by bright patterns and childishly feminine materials. She is a fan of playing with the historically and socially inappropriate- depicting women flaunting their sexuality, engaging the viewer’s curiosity in the subject’s (often deadpan) gaze. Her work seems to also be concerned with war: she participated in an exhibition titled “Hotel’s War”, addressing the 1970s when different militias involved in the war took over several luxurious hotels in Beirut and forcefully transformed them into their own territory.