Peter Schuyff’s favorite terms to describe himself are “irreverent,” “obsessive, ” and “spiritual. ” By irreverence, he means his confidence in what he is doing, his casual acceptance of an abstract vocabulary. The obsessiveness is in his technique. And through this process, his work becomes imbued with a kind of spirituality an apparition seems to build up within the layers of paint, and the light emanating from the canvas is, perhaps, a hint of its presence…he began painting one patterned surface over another, and then began to add semi translucent white grids to the two layers, further confusing the relationship between the patterns. Slightly claustrophobic, these paintings have been described as padded cells, albeit ones through which light mysteriously penetrates.
My favorite painters, the Singh Twins, talk about their commissioned works for Liverpool European Capital of Culture 08. The Singh twins recontextualize a traditional style of Indian Miniature painting with pop culture references to create something lovely and new.
From February-March 2007, the artists installed ‘Antarctic Village’ in Antarctica, travelling from Buenos Aires aboard the Hercules KC130 flight on an incredible journey. Taking place during the Austral summer, the ephemeral installation coincided with the last of the scientific expeditions before the winter months, before the ice mass becomes too thick to traverse. Aided by the logistical crew and scientists stationed at the Marambio Antarctic Base situated on the Seymour-Marambio Island, (64°14’S 56°37’W), Jorge Orta scouted the continent by helicopter, searching for different locations for the temporary encampment of their 50 dome-shaped dwellings. Antarctic Village is a symbol of the plight of those struggling to transverse borders and to gain the freedom of movement necessary to escape political and social conflict. Dotted along the ice, the tents formed a settlement reminiscent of the images of refugee camps we see so often reported about on our television screens and newspapers. Physically the installation Antarctic Village is emblematic of Ortas’ body of work, composed of what could be termed modular architecture and reflecting qualities of nomadic shelters and campsites.
The dwellings themselves are hand stitched together by a traditional tent maker with sections of flags from countries around the world, along with extensions of clothes and gloves, symbolising the multiplicity and diversity of people. Here the arm of face-less white-collar worker’s shirt hangs, there the sleeve of a children’s sweater. Together the flags and dissected clothes emblazoned with silkscreen motifs referencing the UN Declaration for Human Rights make for a physical embodiment of a ‘Global Village’.
Based out of England, Marc Kremers is a designer/net-artist who manages to incorporate the same sense of schizophrenic randomness apparent in his works to all facets of his internet persona. The website itself is a long scrolling photo-dump of projects (flash clips, audio files, etc) and more or less half-formed thoughts. Personally, I think his website is really clever, it transforms the monotonous text and image portfolio into something more resembling a museum and Marc, posited as the curator.
“La Chapelle des Calvairiennes, the field of sculpture that it will invest. A unique piece, which, as the exhibition title suggests, we will return to the job of carpenter. A full implementation of allusions, which will take an architectural form in which you will be prompted to enter and help both the framework that calls, but his work completely change the existing space. A glance over this formerly Bible Chapel resolutely shifted …”
So I’m in this VJ group called Collabo (Nice Combo, because the combos are oh-so-nice) and we’re going to be doing visuals for the whole night at the RERAX event tomorrow. Come check it out. An asinine flyer, for your reference below.
Pae White often uses graphics and decals in her works and she has produced a series of graphic treatments, unique to each vehicle, entitled ‘Rover Momentum’, using an interpretation of the dusks and dawns of the countries represented at the Fair. Her designs create a striking and dynamic ‘vehicle’ for the Fair as the vehicles move across London during the days of the exhibition.