Founded by artist Ryder Ripps, Internet Archaeology is a project that “seeks to explore, recover, archive and showcase the graphic artifacts found within earlier Internet Culture.” It’s essentially a repository of imagery from old Geocities and Angelfire sites, including a full few mirrors of some old homepages. This is an important service because, as their mission statement points out, Yahoo will be taking down Geocities in October 2009. I miss the pre-Web 2.0 internet!
Yesterday Los Angeles tagger Buket, aka 26-year old SJSU grad Cyrus Yazdani, was sentenced to nearly four years in prison after pleading guilty to one count of felony vandalism while on probation for 32 prior vandalism charges. Buket is apparently known for daredevil stunts, some of which have popped up in brazen, bravado-filled YouTube clips. One of these clips, which depicts Buket climbing onto a Hollywood Freeway overpass and tagging it in the middle of the day, is embedded in this post after the jump. While this particular stunt is clearly very dangerous to not only Buket but the drivers who were distracted by him, do the severity of his crimes justify the four year sentence?
Coming straight out of Cologne, Germany, design studio Lichtfront are working their magic all over the European electronic music scene. Their super-slick VJ work has been featured in events like Fib Benicássim, Monegros Desert Festival, Nature One, and Mayday. I don’t know anything about these events because I don’t really care for most electronic music, but they seem like a pretty big deal, with huge audiences and famous DJs.
The embedded video above comes from the latest project by Montreal-based media artist Jon Rafman. Kool-Aid Man in Second Life offers to give Internet users free guided tours of Second Life by Rafman’s avatar, the Kool-Aid Man. The aforementioned video is a promotional video showing scenes of the tour (by the way, apparently some of this may not be NSFW, though I watched the first minute or two and didn’t really notice anything bad). The subtlety of the video, and the entire project, is what makes it so engaging. There are all sorts of questions raised here: about the role of crafted pop culture icons in the new era of user generated content, about the nature of scenic beauty, about our interaction with kitsch. Someone take the tour and let us know how it is!
PS: Check out this essay Rafman wrote on Google Street View. Very compelling stuff.
I know virtually nothing about “Shih-Mao” except that he is from Taiwan and he is male (thank you, Flickr profile). His illustrations are fantastic, often depicting some kind of twisted alternate dimension where everything is incredibly weird and visceral.
Hailing from Houston, TX (home of the Geto Boys) and holding an MFA from Cornell, artist Mindy Kober paints scenes inspired by the images on the backs of those state commemorative quarters. Inspired is the operative word here – Kober uses a great deal of imagination in her humorous recreations of the scenes, often incorporating imagery from current American pop culture.
A graduate of the Milwaukee Institute of Art & Design, Jeremy Pettis is an up-and-coming graphic designer specializing in a sort of 1970s American style hand-drawn typography. As his 2007 thesis project, Jeremy created a sort of logotype for 26 different animals (A-Z), attempting to evoke certain characteristics of each animal through clever visual cues and tricks.