Chester Gould

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In late 1978, an exhibition of cartoonist Chester Gould‘s (d. 1985) art for his strip, Dick Tracy, was held at the Museum of Cartoon Art (now defunct) in Port Chester, NY. In the catalog published to coincide with the show, there is a massive appendix of 200 characters Gould created for the strip over the years. Now I’ve never read Dick Tracy as it was a bit before my time, but I had absolutely no idea it was so weird. The characters have bizarre appearances and names like Flattop, Nothing, and Vitamin Flintheart. Matt Masterson, the man who put the appendix together, says:

When I asked Chet Gould where he got the names for some of his characters, he told me he used to ride the train from his home in Woodstock, Illinois to his studio in Chicago and sketch various people he observed on the train. He would exaggerate upon certain features or characteristics. The name would follow, with he one exception being Flattop, whose name came from the popular aircraft carrier of World War II.

Some of my favorites are after the jump, but if you want to see the whole collection, click here.

Reid Peppard

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Yes, that is a guinea pig comb/head piece. It was created by Reid Peppard, a British taxidermist. Her pieces take animals commonly perceived as vile pests and turns them into fashion items. Peppard says, “…when they become sculptural headpieces, necklaces and cuff-links, the specimens cease to be waste and become objects to behold. RP/ENCORE makes use of the city’s leftovers.” Would you be comfortable wearing this stuff?

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Aoi Kotsuhiroi

Wet Moon - Aoi Kotsuhiroi

Aoi Kotsuhiroi’s Wet Moon collection is quite dark — made up of real human hair, crystals and pit fired ceramic skulls her “body ornaments” merge high-end fashion with Gothic craft. I love these pieces, and am surprisingly not put off by the use of real human hair, I’m impressed by how versatile hair is and how it can be transformed in many different pieces.

Kimiko Yoshida

Torero by Picasso

Torero by Picasso

“Painting” is the name of this recent series of self portraits from Japanese artist Kimiko Yoshida. In each photograph, she attempts to replicate a character from a painting. More after the jump.

Masashi Kawamura

“日々の音色 (Hibi no neiro)” is the name of this new music video for the band SOUR, directed by Japanese designer/art director/video guy Masashi Kawamura. The amount of choreography involved in this video, which is comprised of clips of fans shot on their webcams, is so staggering I don’t know how they possibly could have done it…but I also don’t know how they could have faked it. After the jump, more work from Kawamura, who’s done a lot of other cool, clever stuff in various mediums.

Robin Burkinshaw

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Above is an image capture from Alice and Kev, a project from British game design student Robin Burkinshaw. The project, presented as a frequently updated blog, tracks the lives of a homeless father and daughter family Burkinshaw created in the Sims 3. She guides the two characters as little as possible, instead relying on AI and their set personality traits (the father is insane, while the daughter is compassionate). The amount of conflict created by these two characters is on par with pretty much any soap opera – and despite being completely artificial computer game characters, the humanity of them is plainly evident in the entries’ comments, in which readers express sympathy for various characters and contempt for others.

Murray John

“Goodbye London” is the new music video from Luke Jackson, directed and animated by London-based animator Murray John. It combines stop motion photography of London with some nice hand-drawn animation added with After Effects. “I set out to capture the bitter sweetness of London life, using urban sketchy drawings on walls,” says Mr. John.

Peter Funch

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This series, entitled Babel Tales, is a recent work of Danish photographer Peter Funch. To create each photograph, he sat at an NYC street corner with a tripod and snapped away, eventually finding common elements amongst all the pictures and compositing those elements into one shot. The result is something familiar yet very artificial – feeling almost as if each photo is staged.