When looking at the work of Alex Passapera, the first words that come to mind is chaos. He offers an intense and playful ride using skillful illustrative visuals and chaotic narration to portray the intangible something, “mainly instinct”, which becomes a common theme throughout his work.
I don’t normally go in for crafty stuff, or faux-vintage design, or, um, purses, but I have to say I am really digging these embroidered purses from Olympia Le-Tan. They may appear to be books, but as style.com reports “The ‘books’ in question are actually rectangular box clutches that feature hand-knit copies of the covers of some favorite reads.” These make me wish I carried a purse, err, “rectangular box clutch.” Maybe she can make some laptop bags or something? Or some actual book covers? Come on Penguin, commission this woman!
Los Angeles-based animator Miwa Matreyek completed the above film, entitled “Dreaming of Lucid Living,” as her thesis in the CalArts Experimental Animation program. I am completely blown away by it. I’m not entirely sure how it was made, but it seems to combine live performance with both pre-made animations as well as semi-autonomous, rule based animations that update based on what a camera is seeing. The result is unlike anything I’ve seen before, completely living up to the “experimental” aspect of the program.
At this summer’s TED Conference, photographer Taryn Simon gave this excellent talk (which is having embed problems) about her work. TED’s description: Taryn Simon exhibits her startling take on photography — to reveal worlds and people we would never see otherwise. She shares two projects: one documents otherworldly locations typically kept secret from the public, the other involves haunting portraits of men convicted for crimes they did not commit. I’m not sure which is more impressive – the photos themselves or Simon’s gall in asking to document some of these subjects. Some of these photos are after the jump, many more are included in her lecture.
Artist Tristram Lansdowne is a Canadian born artist currently living and working in Toronto. His paintings focus on “ideas of permanence and function inherent in our constructed environments”. Lansdowne references the 19th century Romantic ruin and juxtaposes it within an isolated urban setting, thus exhibiting his pessimistic view of human progress.
Le Goff & Gabarra is a design agency based in Paris. Their work demonstrates an understanding of bold colors and strong typography. I’m partial to their physical typographic works, especially their work for 6 scope. That 6 made out of water looks pleasantly scientific (check that one out after the jump). Good job to you Le Goff & Gabarra, keep ‘em comin’!
Kim Winderman is a California based photographer, capturing delicate subtleties is her forte. While it’s easy to say that all photography is a vehicle for nostalgia, Winderman’s photos actually embody the feelings that are attached to remembrance. There is a subdued feeling of sadness in all of her photos, especially from the “Immediate Growing Anamnesis” project, where overlay images act out her perpetual attempt to cling to fading memories.
I was first put off by Esther Stocker’s wall works, immediately categorizing it as an evolution of those tired string installation made by anonymous hipsters. But after looking at a few more images, and exploring her site, the 3-D graphs started to grow on me. Stocker’s simple use of black gaffer tape and foam core pulls from scientific imagery and successfully transforms space into a fantastic alternate reality where perceptions are shifted. Stocker’s work demonstrates a fascination with human perception and cognition, and judging by the title, “What I don’t Know About Space”, she doesn’t claim to understand how it all works, which is a refreshing to hear from an artist.