Covered is a blog that posts reinterpretations of original comic book covers by currently working illustrators and cartoonists. Some are mostly faithful tributes, others are clever subversions that alter the meanings of the originals. Others still are completely bizarre, eschewing traditional comic aesthetics for something totally different. I’d love to see Kyle Thomas do one of these.
Scott Jarvie is an artist and designer whose works are unique in material and in concept. Jarvie runs a multi-disciplinary design consultancy, and most of the projects presented on his website involve furniture design with special attention paid to materials. The piece above, entitled ‘Clutch’, is a chair made from 10,000 drinking straws, a research piece commenting on our disposable culture. Jarvie’s work is fantastic, make sure you check him out.
James Kirkups is a 21 year old graphic designer, and he already has a portfolio bursting with great works. Kirkups’ geometric designs work so well because he’s great with simple colors. His posters are clean and effective, I find them to be striking in their simplicity. I can’t wait to see what else comes out of this young prodigy.
Dutch photographer Bas Princen is interested in capturing desolate landscapes throughout the world. Shooting in China, the US, and elsewhere, Princen seeks out areas where man has attempted (and usually failed) to shape a stark and harsh natural environment into a more livable space.
Currently showing at our favorite nearby art gallery/Japanese-maid-themed-cafe/store, Royal T in Culver City, CA, is “I Can’t Feel My Face,” curated by New York artist KAWS. As the website says, “I Can’t Feel My Face shares its title with a painting by KAWS and is a centerpiece of the exhibition, which explores the theme of contemporary portraiture as a vehicle of inherent emotive expression.” The show features work from over 25 artists, including Carol Dunham, Misaki Kawai, Hideaki Kawashima, Ted Mineo, and Takashi Murakami.
Icelandic designer Sveinn Davidsson has garnered some much deserved attention as of late, mostly for his work with demolished cars. Although most of his press has stemmed from the signage and promotional work in the ‘Cargate’ project for the ’07 Iceland Academy of the Arts graduation exhibition, I find his typographic work to be the most impressive. Davidsson’s typographic designs and logo designs are all so clean and polished, but not that sterile type of design that lacks the human touch, he adds illustrations to his type showcasing his capabilities with a pen and a mouse.
Japanese designer and all around nice guy Susumu Fukuzaki just sent us a cool little book of us work that he calls his “new anthology” on his blog. Some fairly unusual work…I’m sort of at a loss as for any possible references to describe it. It sort of reminds me the kind of stuff the Church of the Subgenius or Negativland did in the 1990s.