Mark Rubenstein has spent the last 6 years developing his multi-part series Common Place. A personal testament to the emotional challenges inherent within his “coming of age” narrative – set in a surreal world that uniquely encompasses what it means to grow up and examine life in a new way. The series presents a cast of characters that seem to manifest themselves as one being, uniting to embark on a grand journey.
Zach Johnsen‘s use of graphite and watercolor in his work such as Coffee Break, and many other pieces, is what really attracts me to his work. I like how he doesn’t use the watercolors in the most traditional style. The watercolor and graphite work well together and individually, and his subjects plus style just make me want to study all the details of his different pieces. Zach Johnsen also has a really interesting style and way of working because he uses coffee as a medium in a lot of his pieces which give them a really unique look and makes him stand out as a artist.
The lovely and talented Erin from Design For Mankind has done it again with a brand new Mankind mag- the “Pretty Issue,” an interesting thematic idea for a zine! I love that the model on the cover also has super short, androgynous pixie cut- not your typical depiction of “pretty” and yet she is gorgeous! More of our favorite spreads below- go HERE to download the latest issue!
Artist Roxy Paine will be having his opening reception tonight at James Cohan Gallery called Dendroid Drawings and Maquettes, on view May 1 through May 30, 2009. The exhibition includes a scale model of Maelstrom as well as drawing studies from the artist’s well-known series of stainless steel Dendroid sculptures. This show runs concurrent to Roxy Paine on the Roof: Maelstrom, a site-specific installation at The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden on view from April 28 through October 25, 2009
Michael Kontopoulos, a grad student at UCLA Design|Media Arts has created a system of sculptures that are constantly on the brink of collapse. His intention was to capture and sustain the exact moment of impending catastrophe and endlessly repeat it. This documentation gives me the chills, makes me sweat, and I almost scream when each machine comes close to collapse. Good job Michael.