What’s in a word? That’s what the prolific and internationally known Asian-American artist Omocat has been faced with lately. In the midst of her recent “shota” t-shirt release (pictured here), the artist’s intentions have in instances been taken widely out of context. Embraced by Japanese fans that understand the context, some others have used it as a brutal platform for Western backlash. In this instance something got lost in translation between hemispheres, and it is increasingly important that we explore the context and origin of the Japanese word shota and, above all, what this illustrates about western views on sexuality and gender.
Omocat’s continuum of work includes illustration, comic-books, clothing and merch with her designs. Her imagery and content is often based on shota (which loosely translates to mean “pretty boy”) or loli (an expansive style and sometimes fetish originating in Nabakov’s Lolita). All of these artistic expressions stem from Otaku, an umbrella term for the Japanese manga-centric subculture that also informs the work of artist Takashi Murakami. It is important to note that Omocat is quite vocal and literal within the work on her feelings towards social justice and self-empowerment in gender and sexual identity, with a strong personal stance against bullying. This is illustrated fully in her comic “Pretty Boy,” featured here. Omocat is even working on a collaborative artistic effort against bullying set to launch later this fall.
Remi Rough has been incredibly active in the past few years marking the globe repeatedly with his juicy geometric art on huge urban buildings, other unlikely structures and in numerous galleries and museums. The prolific international artist returns to SOZE Gallery in Los Angeles July 19th to open his latest installment of work in his solo exhibit “Remi Rough: Further Adventures in Abstraction.” This exhibit, featuring a mother-load of over fifty new works on canvas, wood and paper, continue the evolution of Rough’s aesthetic, adapted from the mammoth swallowing scale on the streets to intimate smaller works in juicy vibrant palettes. The crisp clean lines and darting yet fluid sense of movement in these works create a tension in their depth, while maintaining a minimal pristine quality in their draftsmanship.
Like most people, when I was a kid I loved playing with a kaleidoscope. Pointing it at different light sources and twisting the chamber caused a morphing geometric mandala to take shape before my eyes, magically shifting sunshine and the colored bits inside into a series of hypnotizing designs. The same part of me that was enamored with a kaleidoscope is the same part of me that loves juicy colored highly geometric contemporary art.
As the highly influential artist and color theorist of the Bauhaus, Josef Albers, says so succinctly in his classic book Interaction of Color, “As with tones in music, so with color- dissonance is as desirable as its opposite, consonance.” The dance of tension and fluidity in an ever changing kaleidoscopic pattern is a rhythm of light and hue, which there is an abundance of in contemporary art. There are so many artists out there these days who use these components in their visual art, however the five artists included here emerge with unique strength, vision and technical ability that is worth noting. Artists include: Dalek (James Marshall), Maya Hayuk, Richard Colman, Amanda Airs and Jeff Depner
Celebrated artist Alberto Giacometti once said, “The object of art is not to reproduce reality, but to create a reality of the same intensity.” Giacometti was an artist noted for his abstraction and deconstruction of the human form, which he depicted through a multitude of sculptures, paintings and drawings in elongated shape and scumbled lines. Figurative paintings and portraiture are nothing new, yet subgenres of portraiture continue to emerge, survive and move us. The common phrase “Beauty is in the eye of the beholder” aptly applies, and the activation of perception, observation and process are represented in beautiful and intricate ways in the four contemporary artists whose work is featured here. Featured artists include: Karim Hamid, Colin Chillag, Borondo and Angela Fraleigh.
We are a society mesmerized by extremes. In our fascination with art this generally translates into obsession with magnitude, scale and sheer quantity, while our consumption tendencies of technological objects tends to swing the opposite, manifesting in compact phones-computers-everything else in one hand held device. The works featured here are as mind blowing as the compactness of current computer software programs, packing so much detail into such tiny confines. All of the works here are created on standard matchbooks, with the painted or drawn imagery measuring in at no more than four inches of length on any given piece. Joseph Martinez, Mike Bell, Jason D’Aquino and Krista Charles all demonstrate immense technical skill in their matchbook art.
The end of 2013 is just around the corner and we are in the mode of individually and collectively reflecting back on the past year and looking towards the coming year. The List is one of the ways we do this and the practice of making lists is in full force right now. Lists like 50 Best Albums of 2013, Top Five Artists To Watch In 2014, Highest Paid Actors/Actresses Of The Year, the classic new years resolutions lists, and so on, are everywhere. We are obsessed with lists. And as I personally began compiling categorical articles that are essentially lists in their own right on Beautiful Decay in 2013, covering topics like 8 Heavy Metal Artists and 6 Artists Who Work With Trash, I felt it only appropriate to finish the year with a list based article covering artists who have used the format of the list in their artworks.
In the midst of the holiday season, with record cold temperatures in parts of the world and Winter Solstice, the shortest day/longest night of the year, upon us, I’ve been spending time studying work made with a simple organic material: Ice. Truth be told, despite spending my childhood in Minnesota, I now live in the desert, and the only ice I see is in my drinking glass. After studying art works made with ice as a central material, I am struck by a number of repeated inclinations by a number of artists. Much of the works I present here demonstrate that the transitory and temporal qualities of ice lend it to meaningful works about the body, time, climate, a sense of place and elements of endurance. Though this list is in no way exhaustive, artists included are: Marina Abramovic, Jay Atherton and Cy Keener, Nele Azavedo, Kirsten Justesen, Greatest Hits (a collective), Julie Rrap and Tavares Strachan.
Artists are magicians in their own right for making something from nothing, for infusing the everyday mundane tools and objects with poetic meaning and creating a whole new experience from it. In the holiday season, with a good part of society taking part in excess shopping, people are becoming increasingly conscious of what we discard. Our relationship to the accumulation of stuff and the level of waste humans produce seems to be collectively shifting. The artists whose work is shared here: David Ellis, Vik Muniz, Gabriel Kuri, Song Dong, Tim Noble and Sue Webster demonstrate the way individual artistic voices arise from this consciousness and the beautiful and often magical work that is informed by our accumulated or discarded stuff.