As the up-in-coming comix publisher, Drippy Bone Books, puts it:
“ Victor “Bald Eagles” Cayro has been working in the field of comix for several years. His work has been seen in various anthologies including, Kramers Ergot 6, Project Superior, Typhon, Rub The Blood, and several others… but he has yet to create his own stand alone comic. Until now… ”
Bittersweet Romance is that stand alone comic, and it can be ordered here. It is a color blasted journey.
David Kettner of Philadelphia, has amassed an incredible array of work from over 50 years of art-making on his new website. The conclusion of his tenure as the head of both the Fine Arts and Drawing/Painting program at the University of the Arts has given birth to a cataloging of his life’s work. In reference to his recent work, he provides a concise objective:
“The priority… is to secure a paradoxical and maybe enigmatic alliance between the world of the child and the world of the adult.”
Behold the “GOLDEN SOURCE POWER THREE”, a powerful union between Jesse Balmer, Niv Bavarsky, and Michael Olivo. The trio has been passing papyrus for a year now, resulting in over 50 drawings/paintings. If you are in the Bay Area you’ll be able to see this year’s work in the flesh at Needles & Pens. Stop in and observe these worlds of harmony and violence.
Darin Shuler just got one of the final Xeric Grants, and with it he is publishing Castle and Wood, his ongoing comic involving some grotesque, yet cute, anthropomorphic individuals. He has a lovely command over black and white. He’s got a great website, he tumbles, he flicks, and sells his comics.
Jesse McManus is pure speed. His skills are frightening. His beautiful line work captures demented children, gremlins, goblins, cats, and very often knives, or just pointy tools in general, with an incredibly demented precision. Listen to his interview on Inkstuds, read some comics, tumble alongside him, and/or tweet at him.
Look at these wonderful drawings/collages/paintings by Trenton Doyle Hancock. Watch this great Art 21 about him. Buy Me A Mound, a book telling the tale of the war between the Mounds and the Vegans. He can do no wrong.
Clay Hickson‘s work has got that “Saved By The Bell intro meets a Matisse collage meets a Lichtenstein painting meets Greco-Roman sculpture” feel to it. He takes you into simple rooms occupied by simple foods, simple men, and simple women, with great speed and pacing. He uses an ancient and modern language. It’s a pleasant viewing experience. He tumbles and flicks.
Kentucky-based Robert Beatty broke out with his cover design, and interior contributions, for the 8th installment of the esteemed Kramers Ergot comics anthology. And this foray was furthered with his recent sequential contribution to Space Face Book’s Rat Hex. His work is surreal. It’s funky. It’s creepy, and strangely erotic at times. It is often rendered with a soft fuzz and a hard edge, which is present in his most distinct work. It fits perfectly into the fields of poster and album design, and looks like a strange relative of the classic Fillmore posters. He also makes music, twittles, and flicks. Watch out.