Moscow-based Uno Moralez creates mysteriously creepy bitmap narrative works that spin tales of sex, magic, dark humor, and other-worldly creatures. At times the perspective recalls early 90′s computer video games (not this one specifically, but that just needs to be seen), and at others, the thrill of horror manga. Something fantastic is added by the crunch and texture of the bitmap effect, and his use of highly dramatic scenes cause him to stand apart from much of the pixel art the internet has to offer, which tends to play up the flatness of its screen origins. Don’t miss his loops over at his site, and you can get physical with his comic in Chameleon 2.
NJ-native Matthew Charles Crabe pulls his imagery out from the deepest parts of his mind-gutter. There’s all sorts of fleshy things teleporting out of, or going into, strange orifices, then there’s the spillage of lactated milk, 40oz malt liquor, doo-doo, female and male juices, complete with the ageless beauty of symmetry. This wonderful mixture makes me think of one of his horrific, yet funny, images being diagrammed for there beautifully symmetrical properties in the way a celebrity’s face might be. Be warned, all images after the jump are certainly incredibly gnarly.
As a part of Rhizome’s Seven on Seven, Ryan Trecartin and David Karp created riverofthe.net, a collection of 10 seconds or less community submitted videos. Trecartin, probably today’s most important video artist, and David Karp, creator of tumblr, were brought together, along with several other artists and technologists, by Rhizome back in 2010. Anyone can easily submit, and the more videos the better, because one of the only negative aspects is seeing videos you’ve already viewed before. It’s an incredibly simple and effective idea, which showcases videos that are typically more interesting than most video art out there.
Benjamin Marra, perfecter of awkward angles and radical tangents and exploding heads and 80′s boobies, recently re-visualized American Psycho in a crisp Pettibon-ish series of drawings. They provide a nice contrast to the way Marra often works his comics, which tend to be explosively high-speed and feverishly paced. He excels at both approaches, and further proves why he is one of the best action comic artists out there. Get deeper, read his blog, visit his website, frequent his webstore, and amazingly, you can buy a bunch of his comics, released from his very own Traditional Comics, for only 16 bones. I bought ‘em. You?
Straight out of Rutger’s MFA Painting program, Paul DeMuro is creating some wildly thick paintings. The first time I ever saw his work was at Jolie Laide’s Tri-State show, and he flat-out stole the show. These paintings are way too physically powerful for the internet to capture any of the ka-pow they possess, but you can still get a general feel for these high-energy works. Unfortunately, he just finished up a two-man show with Alex Da Corte at Jolie Laide, entitled BLEACH, but I’m sure he’ll have plenty of future shows so you can get a chance to check out his work in its proper environment (a primer).
SF-based Shalo P manhandles the space occupied by figurative pop references, and slices up the time it takes for skin and blood to drip out of frames inside of frames. It’s heaps of muscles, genitals, childhood idols, and crushed steel, for the eyes to get sloppy with. I especially enjoy what he has been doing with his coloring method, which has a lo-fi Photoshop (MS Paint aspirations) collage feel. He must be, he just has to be, having a great time. You can go deeper in this Fecal Face interview, catch his latest tumbles, or flick it, and no matter what path you choose you are bound to get excited about this guy’s work. To get physical, pick up DEATH TRIP, a collaborative zine with Peter Gray Hurley, put out by Drippy Bones Books.