Snaggs’ Nostalgic Sewn Vinyl Sculptures Of Star Wars And Atari Video Game Cartridges

Snaggs lives and works in Seattle. Inspired by stuffed Nauga Monsters from the 1960′s, she uses vinyl and felt to create pop culture monuments. Her Star Wars heads immortalize a time when action figures dominated and large character cases were made to organize a collection. She also frequently produces large Atari cartridge works that are ripe with nostalgia. In this increasingly digital age we are moving away from the days when packaging meant everything and a physical object was needed to entertain. By increasing the size of these cartridges she allows the viewer to perceive imagery from the 70′s and 80′s in a whole new way.     

Joshua Cobos’ Photographic Athropological Investigations

Joshua Cobos lives and works in San Francisco. He has a knack for capturing subtle irony and humor wherever he takes his camera. The implications in his photographs range from bitingly satirical to piercingly veritable. His work is the most successful when presenting a scene that was in some way affected by human intervention. Our actions on this planet run the gamut from inspirational to downright bizarre. Luckily there are photographers like Cobos who present our faults and triumphs honestly.    

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The Marbled Reams Print Project

Marbled Reams is a print project initiated by Tom Godfrey in the UK in 2009. The idea was simple: Produce a single 11.7 x 8.3 inch work and photocopy it onto an entire ream. The reams are then marbled along one edge and displayed in a stack. The result is a miniature monument that consists of 500 multiple works of art. The project has grown and these days new reams are produced on a bi-monthly basis featuring guest artists. The faux marbling enhances visual impact and lends a sculptural quality to the editions.

Andrew Laumann’s Facetious Installations

Andrew Laumann utilizes multiple media and presents the viewer with tongue-in-cheek installations that are witty and often irreverent. He seems to revel in destruction and humor.  In one piece we see The Wipers logo combined with that of The Wu-Tang Clan. I find it interesting that elements from both emblems appear on albums released in 1993 (Silver Sails and Enter the Wu-Tang 36 Chambers).The resulting composite of 90′s punk and rap iconography speaks of his youthful energy and disregard for the conventional. It takes an astute artist to simultaneously mock and enlighten.

Lana Dumitru’s Art Inspired Hyper Fashion

Lana Dumitru is a Romanian fashion designer who creates surreal futuristic clothing. There are classic references to Dali and O’Keeffe but the majority of her work adresses the hyper saturated digital age of information. Things get meta with garments made up of repeated images of her models wearing pieces she designed. Seen elsewhere are giant zippers that are printed and non functional. Her collections combine the stunning and the absurd as a way to revitalize. Lana’s models are wearing her influences on their sleeves and helping to push the boundaries of the fashion world.

Stacey Rozich’s Macabre Folk Tale Paintings

We have featured Stacey Rozich‘s delightfully macabre paintings (here) in the past. She continues to explore various themes with her pattern clad creatures and masked figures. Her work is mostly fantastical although she occasionally delves into the mundane. Her characters can be seen wrecking cars, shooting rifles, playing records, and consuming alcohol. This is a welcome addition to her scenes of magic and mythical beasts in the midst of various adventures.       

Malin Gabriella Nordin’s Slight Structures

Malin Gabriella Nordin lives and works in Bergen, Norway. She creates subtle compositions in multiple media with a focus on modest shapes. Natural and manmade textures are sourced and assembled to compose elegant collages. These collages then inform her sculptures that are as meek as they are monumental. 

Benjamin Edmiston’s Constructed Chaos


We have featured the work of Brooklyn based Benjamin Edmiston in the past (here). His recent pieces project a heightened confidence in collage making. His work looks as if he utilizes absolutely everything he can find. Scraps and swatches of paper litter his wacky folk art worlds. The viewer is presented with a scene of meticulously constructed chaos. In dissecting the layers one finds zany circumstances presented with precision.