Deep Slumber Lake is an artist duo consisting of Todd White and Zachary Scheinbaum. Their imaginative wanderings into the ancient and epic themes of swordcraft, battle axes, and wizardry are grand in scale. These guys spent a lot of time in each other’s basements with 10 sided dice and Priest blasting on the record player. Overlaying this teenage-metal-shredder imagery is a beautiful sense of line work and composition. Read More >
Beautiful/Decay will debut our Spring ‘09/Summer ‘09 seasons at Agenda in San Diego this week, Jan. 22-24—booth #J3.
Spring and Summer 09 will feature iconic graphics from Beautiful/Decay Magazine Issue Y featured cover artist, Jesse Auersalo, and the hyper-colored psychedelic visions of previously featured artist Oliver Hibert. Designer James Callahan returns to the fold with some new, head-exploding graphics, alongside many other eye popping Beautiful/Decay artists.
For a sneak peak, check out the Agenda Tradeshow magazine, Antenna –they featured our wares in their product guide!
Our month long call for creatives to submit a t-shirt design to Beautiful/Decay Apparel has come to an end. While there were some great talents that submitted, we’re happy to announce that Deni Dessastra’s design, pictured above, caught our eye–no pun intended! Deni will be receiving a cash prize of $200 as well as have their winning design printed as an online exclusive Beautiful/Decay Apparel t-shirt. Second and third prize winners after the jump!
Nick Cave combines free-spirited motion exploratory modern dance with ostentatious sculptural detail to breath new life into contemporary art. In many ways, Nick’s work function within the vein of African art/costuming in the sense that they are intended to be “danced,” and enlivened within the context of performance and dance to illustrate and reflect upon societal mores and the cultural landscape. With references to haute couture, sculpture, performance, African American culture, costume, masquerade and beyond, Nick’s “Sound Suits” defy categorization. Beautiful/Decay recently had the opportunity to interview Nick Cave to discuss his background, inspiration and ideology behind the suits. Nick Cave is currently showing his latest works at Jack Shainman Gallery, until Feb 7, 2009.
Abu-Bakarr Mansaray creates futuristic images using an aesthetic similar to blueprints. Engineering plays a large role in these works that lay out a design for space-like machines and hybrid alien-robot figures. His works are intricately constructed with scientific precision and laboring detail combining image and text. While these futuristic prototypes draft the structure of machines and figures, they also reveal an inner narrative of conflict, war, and turmoil. Blueprints are highly neat and organized, yet Mansaray chose to subvert this aesthetic and portray his vision as chaotic, powerful, and in motion as though they have a life of their own.
Digital Design Collective eBoy Discusses their Limited Edition BD Apparel Shirt “Jerk”
The digital design collective eBoy, comprised of Steffen Sauerteig, Svend Smital and Kai Vermehr recently sat down with Beautiful/Decay to answer a few questions about their recent limited edition shirt, “Jerk.” eBoy’s design was one of our most technical cut and sews ever, taking months to produce! Only 250 of these exclusive shirts were produced and are selling out fast- visit our Online Shop to purchase one!
Read on to garner some of eBoy’s pixellated points of interest and inspiration behind their work and Beautiful/Decay Apparel design.
BD: Can you talk a little bit about your design collective and how it got started?
eBoy: We started in 1998 with eboy.com. The concept was to only show our free projects and art. The first feature about eBoy was in a Japanese book, from there the level of awareness for eBoy grew steadily.
BD: Can you describe your aesthetic, how you became interested in the pixel-by-pixel look, and what you think it says about the current visual digital climate today?
eBoy: One of our previous projects was a digital picture book series called Ogdig(c)’s, which was distributed on diskettes. It was that project that made us start to work for the screen only and use pixels as the technique of choice. When we went online with eBoy.com it was justnatural to go on using this technique.
eBoy work for Coke
BD: What are some of your inspirations, whether visual, musical, ideological…?
eBoy: ffffound.com … TV Shows like The Wire, Sopranos …
BD: What was the inspiration behind creating the Eboy shirt?