Photographer Bing Wright‘s newest project, Broken Mirror/Evening Sky, is a series of images that capture the reflections of sunsets on shattered mirrors. Its colors, textures and overall composition resembles the appearance of luminous stained glass windows. The cracked glass seemingly generates doubled reflections, disjointed gleams and refracted light into shards of images that instantly reminds the viewers of an abstractive painting. The final prints, recently displayed at the Paula Cooper Gallery in NY, are displayed quite large, measuring nearly 4′ across by 6′ tall.
This new body of work is Marks Wright’s first return to color photography in almost a decade.(via Colossal)
Boston-based photographer Caleb Cole creates self-portraits that are not so much about himself. Cole’s curiosity about the live (introspective lives) of others inspired him to come up with Other People’s Clothes, a photographic series in which the artist becomes the stranger, the ‘Other’, in order to further understand his desire to know more about the unknown.
“Though I am the physical subject of these images, they are not traditional self-portraits. They are portraits of people I have never met but with whom I feel familiar, as well as documents of the process wherein I try on the transitional moments of others’ lives in order to better understand my own.”
By using scavenged clothing and various themed setting that matched the clothing, the artists creates characters that resembles people in real life – I assume, people by whom he is intrigued by (he fails to portray people of color/other ethnicities, although he does not exclude women). Each photograph evokes a story, which Cole makes possible by arranging and creating the set of each and every one of these images.
The artist’s facial expressions, however, seem static; he seems to hold about the same face, one of despair or discontent, throughout the series. The reason behind that specific characteristic is unknown, however it can be speculated that he might be channeling his own beleifs about the people he is portraying…can all his characters be this unhappy and apathetic about life in real life, or are those just his impressions?
Whatever his reasons may be, there is no doubt that, through his representation of the ‘real people’, Cole is demonstrating an understated sense of empathy. (via Feature Shoot)
Mark Andrew Boyer, a Graduate student at UC Berkeley’s Journalism school, met Bob Anderson (the man featured on Boyer’s photographs), a former professional boxer, while on a walk through The Albany Bulb, a landfill situated on a fist-shaped peninsula that juts into the San Francisco Bay.
The Albany Bulb, serves the community’s poorest, as many homeless men and women call it, home.
“I was walking on the shore and heard some hammering in the distance. I followed the sound, and there was this guy building this huge structure.” -Boyer
That guy, as Boyer recalls him, is Bob Anderson, a man who has lived in the landfield since 2011 when he was forced to move out of his Berkley home after his mother’s death-since then he has become homeless. Before that, Anderson had been a professional boxer living and fighting in Las Vegas.
Bob is certainly not your average homeless man.
Anderson’s current place stands strong and tall amongst the highest of trash mounds found at The Albany Bulb. Its astonishing look- one that contains unintended artistic merit- captured the eye of Boyer whom was later compelled to photograph the life of Anderson is his landfill mansion.
The journalist spent a week with Anderson photographing him and his three-story domain, which upon closer inspection was even more amazing than it looked from the outside.
“There could be a shipping pallet next to a mirror next to a piece of plywood next to a mandolin that he’s shoved in between the cracks. It’s a really interesting mix of objects, it’s ever changing. Every time I went back it looked completely different. I went out for a walk once and he had stuck a wind surfing sail on the top of it.”
Faig Ahmed, a visual artist from Baku, Azerbaijan, reworks the aesthetic of carpets, an “indestructible symbol of the Eastern tradition”, by weaving digital patterns onto the already conventional recurring patterns of the traditional Azerbaijani rug.
“Tradition is the main factor creating the society as a self regulated system. Changes in the non-written rule happen under influence of global modern culture.”
Ahmed’s interest in extending this traditional practice to one that alludes to today’s relevant digital imagery is his way of creating new boundaries. By mixing and matching two different aesthetics, Ahmed creates a rekindling of tradition and progress.
In order to create the illusions of glitchy carpet bits, Ahmed superimposes digital patterns onto traditional weaving compositions, these combinations either create rugs with bold optical illusions and/or generate transformations that leave carpets looking like unconventional sculptures.
“To be honest, things I do are not always right and beautiful. I do things without thinking- it’s my instantaneous expression. Changes in the world are instantaneous as well, and that is what I am channeling-ideas that have been formed for ages are being changed in moments- that is what I hope to do with me work. I just make bold experiments, putting them into the art scene, trusting myself and the viewers of my art.”
Russian photographer Katerina Plotnikova creates, what she calls ‘another tale about wonderland’. The various photographs bring forth a beautifully shot series that includes images of human/wild animal interactions and whimsical fashions.
Evoking a mythical, fairy-tale world, the images transport the viewer to a place outside of modern settings. The gentle and serene colored landscapes turn these images into something that, upon observation, takes the viewer to a world familiarized though childhood stories; the images can go both ways though; it can remind them of the latter, or of a high-fashion, fantasy photo-shoot.
The subjects’ interaction with wild animals are what make these photographs more surreal than not; in one of the photographs we see an auburn-haired young woman hold out her hand to a grizzly bear, as though the majestic creature is asking her to dance. But, how can a a small figured girl be dancing around with a live, three-ton bear you ask?
Plotnikova was able to pull off these incredible shots with the help of two professional animal trainers.
At 13 Mark Cloud tried acid in Santa Barbara, an experience that merited the epic summation: “I was blind, but then I could see.”
It wasn’t until then, around 1968, that acid imagery became popular and McCloud started collecting and cataloguing the many acid stamps he encountered.
“At first I was keeping them in the freezer, which was a problem because I kept eating them,” McCloud explained to VICE, “but then the Albert Hofmann acid came out, and then I thought, Fuck, I’m framing this. That’s when I realized, Hey, if I try to swallow this I’ll choke on the frame.”
Today, Mark McCloud is the world’s leading collector of “Blotter Art” (the fancy way of saying that he collects the small, stamp-like papers that used to transport acid, or LSD). McCloud’s collection, one that is bigger and more varied that those owned by the FBI and DEA, is now hanging in his Victorian home in San Francisco- a home turned museum that you should definitely visit!
Photographer Ramona Zordini creates images that tastefully and powerfully channel sexuality and eroticism between lovers and oneself. Zordini is interested in both showcasing pairs of naked bodies floating on murky water as they interact with one another and portraits of single bodies as they emerge from whitish liquids. Although Zordini’s sensual photography carries an undeniable sexual energy, they embody an aesthetic that resembles organic textures and lines, as well as a concepts (of love, sex and self-discovery) that are poignant and relatable.
In her recent series, Changing Time III, Zordini creates images of posing nude couples in a variety of positions that imply imitate moments. A man wraps his arms around a woman who curls up, head down, under water. In another photograph, a man with an undercut wraps his arms around his nude partner who faces upwards and appears to be pushing against a confining force. Their legs intertwine and one feels their desperation, their need to cling and hold on to one another. The aesthetic and composition of Changing Time IIIrepresent a clear development from the Italian artist’s previous engagement with the human form as beauty and sculpture, into a more nuanced interest in the body as communication.
Zordini’s earlier works, on the other hand, feature single bodies and complex colors and compositions; these are more intriguing and less straightforward that the couple shots. In many of these photographs, a single female twists and contorts her body to reveal a breast, hand, or leg above the obscuring smoky surface. (via Hi-Fructose)
On March 29, 2014 19 artists gathered at Loakal Gallery to live-paint 19 different works that would later be part of Carpe Diem, a 24-hour art show. Each artist was given a 4′ by 8′ panel and 24 hours to complete their work. The gallery was open to the public all 24 hours of the painting day so that people could engage with the artists and observe them at work.
From street artists to classically trained painters, they all showcased their process in a way that resembled a happening- the idea of the painters’ performance was one of main ingredient is the uniqueness of this show. The artists, challenged to complete a 4′ by 8′ panel within a tight time frame, had the opportunity to perform and, at the same time, engage with spectators. Viewers not only had the chance to observe but actually participate in the process- chance was very much a part of this 24-hour art making extravaganza.
Apart from creating and sharing the process with spectators, the artist were able to engage and work with each other. For many of the artists, art is typically a solo act, done alone in one’s studio, while street artists and muralists like Ian Ross, Hueman and Nite Owl had more experience with being out in the open while creating their work. During the event, the artists involved turned to each other with a more social approach.
Full list of participating artists: Jessica Hess, Ian Ross, Hueman, Reggie Warlock, Chris Granillo, Eddie Colla, Cameron Thompson, Brett Amory, Lisa Pisa, Nite Owl, John Wentz, John Casey, Marcos LaFarga, Jet Martinez, Cannon Dill, Lauren YS, Zoltron, Max Kauffman and Daryll Peirce.
Loakal is located in the Jack London Square district of Oakland and is open 7 days a week to the public. The entire show is on view until April 28,2014. (via Huff Post)