April 26th, 2012

Heeseop Yoon‘s large-scale installations explore storage and debris — items that occupy space in our lives. Yoon’s method varies between collage and pen, and plays on notions of memory and perception of clutter over time. The finished work doesn’t feel finished as it swells over the space it inhabits, sketched and redrawn, different from every angle and space.  Read more »

April 24th, 2012

Portland artist Josh Orion Kermiet creates mixed media, collage, and video/animation works that provide a sense of being right on the brink. With swirling, interwoven texture and color, Kermiet illustrates that transient, awesome “breaking point” period when we are able to sense both planes of existence; when the tangible material of earth is propped right up against  dark matter and shadows. The artist creates images that testify to the beauty of the moment right when everything begins to fall apart. Perhaps it is only in such moments that we are able to experience the clarity derived from simultaneously envisioning what things once were, and what they are going to become.

In 2011, Kermiet released Free Spirit, a collaborative zine with Jeff Kriksciun and Raf Spielman (of Portland label Eggy Records) through Container Corps.

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April 23rd, 2012

Luis Dourado‘s Departure series’ digital manipulation of photography contorts and distorts geography to explore the power of imagination. The photographs of Spanish and Portugese mountains are regarded as departures away from civilisation, as the once formidable are changed into beautiful geometric patterning by Douardo’s imaginative capability. More after the jump.

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April 20th, 2012

Feast your eyes on the highly amusing creations of Massachusetts-based photographer Nadine Boughton. When the artist came across a collection of vintage men’s adventure magazines (…think “Weasels Ripped My Flesh!” and “Chewed To Bits By Giant Turtles!”) at a flea market, she was inspired to combine their over-the-top renderings of burly men saving damsels-in-distress with the clean interiors spotted in contemporary Better Homes and Gardens.

About the series, the artist says: “Here is a collision of two worlds: men’s adventure magazines or “sweats” meets Better Homes and Gardens. These photocollages are set against the backdrop of the McCarthy era, advertising, sexual repression, WWII and the Korean War. The cool, insular world of mid-century modern living glossed over all danger and darkness, which the heroic male fought off in every corner.” (Via Flavorwire) Read more »

April 16th, 2012

New York-based artist Lucas Blalock constructs images that are photographed in film and then uses digital overlapping and editing to distort. The work’s overlapping elements, merging and mutilation of pattern and playfulness of colour show Blalock’s clear experimentation with humour and absurdity. Check more out after the jump.

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April 13th, 2012
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Chad Kouri always dreamed of being a designer, and he took the first major step towards making that dream a reality with a freelance gig at the age of sixteen.  Ten years later, he has become what some refer to as a cultural engineer.  A founding member of the Chicago-based art and design incubator, The Post Family, previous Art Director of Proximity Magazine and recognition as one of Chicago’s Newcity Breakout Artists of 2010 are only a few of his numerous accomplishments.  Kouri has been involved with more than thirty different projects over the last two years, and shows no signs of slowing down.  For many, there is still a huge chasm between the worlds of design and fine arts, but this distinction is of no interest to Chad Kouri.  Un-phased, he continues to breakdown the walls attempting to separate the two industries.  A recent collaboration with artists Stephen Eichhorn and Cody Hudson at the Patty and Rusty Rueff Gallery marks his first foray into exhibiting at an institutional level, but with an upcoming solo show at the Rochester Museum of Fine Art slated for the winter of 2012 it will obviously not be his last.  Kouri describes his practice as having, “equal interests in conceptual art, consumer culture, typography, design, jazz and the gray areas between these fields, my body of work is more a collection of various ongoing projects, thoughts and experiments tied together by a strong sense of composition, concise documentation and an overall vibe of optimism than a seamless display of a style or genre.”  I am excited to watch this process evolve, and I wish him good luck for the future – but somehow I don’t think he’ll need it.

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April 5th, 2012

Brussels-based Hélène Jeudy consistently pumps out magical graphite drawings that never cease to dazzle the eyes with the banal and the demonic. From the kitchen to the pits of hell you will go, with your eyes being blasted by her beautiful tonnage. She recently, had a book released by POGO Books. Support. This. Lovely. Dream.

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April 5th, 2012
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Australian illustrator Stuart McLachlan works in a variety of styles but his cut paper pieces for fashion and editorial are the most powerful.  These intricate hand made pieces have been used extensively on the fashion runway and have been published in Vogue, Karen magazine, on book covers, posters, editorial and commissioned art.

“Paper is a medium without boundaries, it can be molded, formed and cut into almost any form imaginable, I endeavour to push its physical boundaries and create imagery and art that is not expected from such a delicate structured material. The goal of art is to surprise and excite, to bring something new to the table.

Art is our universal language, one which all of us relate to in one way or another, be that sculpture, painting, film, music or even sport. The practice of ‘hand making’ my work is integral to what I do as I believe this is what fascinates people, they love rediscovering that it is still possible to create arresting objects and images by hand, and I get great joy from the challenge of bringing them to life.”

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