April 17th, 2012
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Red Room - acrylic and oil on canvas, 36" x 60" 2009

Los Angeles has always held a special place in the hearts and minds of Americans, but for most it exists in an almost fictional capacity.  Hollywood isn’t a real place – it’s a postcard, a huge sign on the side of a mountain bracketed with strategically placed palm tree silhouettes.  Certainly not a place to call home, but for artist Justin John Greene that’s exactly what it is.  Hollywood is a part of his heritage, and the work reflects that.  Born and raised in the Los Angeles area, Greene’s work is strongly imbued with the history of the most romanticized industry in American culture.  In his most recent solo show at Actual Size (an exhibition space he co-runs in the Chinatown gallery district of east L.A.) the influence of the film industry is in full focus.  You Oughta Be In Pictures is a comprehensive installation that utilizes painting, sculpture, and video to create a truly immersive experience for the viewer.  Installation may seem like a bit of a leap from Greene’s primarily two dimensional practice, but a closer look into the artist’s process bridges the gap seamlessly.  His work is a distinctly enjoyable blend of sly historical references, direct compositional tactics, and cleverly applied humor.  If you have the opportunity to see the work in person I strongly encourage you to do so.

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April 13th, 2012
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Chad Kouri always dreamed of being a designer, and he took the first major step towards making that dream a reality with a freelance gig at the age of sixteen.  Ten years later, he has become what some refer to as a cultural engineer.  A founding member of the Chicago-based art and design incubator, The Post Family, previous Art Director of Proximity Magazine and recognition as one of Chicago’s Newcity Breakout Artists of 2010 are only a few of his numerous accomplishments.  Kouri has been involved with more than thirty different projects over the last two years, and shows no signs of slowing down.  For many, there is still a huge chasm between the worlds of design and fine arts, but this distinction is of no interest to Chad Kouri.  Un-phased, he continues to breakdown the walls attempting to separate the two industries.  A recent collaboration with artists Stephen Eichhorn and Cody Hudson at the Patty and Rusty Rueff Gallery marks his first foray into exhibiting at an institutional level, but with an upcoming solo show at the Rochester Museum of Fine Art slated for the winter of 2012 it will obviously not be his last.  Kouri describes his practice as having, “equal interests in conceptual art, consumer culture, typography, design, jazz and the gray areas between these fields, my body of work is more a collection of various ongoing projects, thoughts and experiments tied together by a strong sense of composition, concise documentation and an overall vibe of optimism than a seamless display of a style or genre.”  I am excited to watch this process evolve, and I wish him good luck for the future – but somehow I don’t think he’ll need it.

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April 13th, 2012

A collection of illustrations from Brian Rea‘s ongoing series for the New York Times‘s SundayStyles column about love and heartbreak. Nailed it.

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April 12th, 2012
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Pixels and Polaroids is a series of images created by Jherin Miller that combines pseudo-Polaroid photography and retro 80s era video game graphics. The concept behind Pixels and Polaroids was to blend these two elements into one world where pixelated characters live through the eye of a Polaroid camera. Miller’s goal was to combine retro film photography and retro digital graphics into one interesting world, where you get to view this world and it’s inhabitants through these this hybrid of new and old. (via oriental)

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April 12th, 2012
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B/D pal  Lyndsey Lesh recently created a series of illustrations for The Rattling Wall, a literary journal published by the PEN Center USA & Narrow Books. To kick off the books release Lyndsey has teamed up with our favorite alternative art venues Synchronicity Space for a one night show of artworks from the book. Come see a selection of works by Ms. Lesh, get a signed copy of the book, and eat some free Strawberry Chardonnay Ice cream from LA’s best ice cream shop Scoops! If doing all the artwork for the book wasn’t enough Lyndsey decided to add more work to her plate by creating a writing and drawing process blog of her very own called Off Thee Wall. Read more about Off The Wall and see more of Lyndsey’s illustrations after the jump.

LYNDSEY LESH: THE ART OF THE RATTLING WALL
featuring the art pieces from the journal’s second issue.
Synchronicity Space | 7-10 PM
713 N. Heliotrope,
Los Angeles, CA 90029

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April 11th, 2012

Antwerp-based Sam Vanallemeersch has that rare ability to work in two distinct styles that feed and grow off of each other’s strengths. His one style, full of nuanced detail and dense atmospheres, can entertain the eye endlessly. His other style, which relies on simplified forms that tend to become entangled in a puzzle piece manner is equally as effective. Consistent throughout is an accessible body of work that retains all integrity no matter what approach he takes. His unstoppable production is the reason he has two separate websites packed to the gills, here and there. Jaw-droops.

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April 6th, 2012
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Chicago based artist Montgomery Perry Smith finds beauty in the unexpected.  His process often includes taking discarded elements of once functional objects (i.e. the base of a papasan chair or a broken lamp) and coupling them with meticulously handcrafted details.  The end result of which is a strikingly sophisticated body of work.  Smith’s sculptures are as sexual as they are formal, but he is never hitting you over the head with it.  Drawn forms are delicately paired with altered materials to create elegant compositions that reveal subtle references to sexuality.  Since graduating with a BFA from The School of the Art Institute of Chicago in the spring of 2008, Smith’s artistic career has been steadily gaining momentum.  A recent solo show at Sabina Lee Gallery marks Smith’s first foray into the Los Angeles art scene, but if the prediction of Smith’s future success by Chicago publication Newcity as one of nine “Breakout Artists” to watch in 2010 is as prophetic as I think it might be – we will be seeing much more of his work in the years to come. Read more »

April 5th, 2012

Brussels-based Hélène Jeudy consistently pumps out magical graphite drawings that never cease to dazzle the eyes with the banal and the demonic. From the kitchen to the pits of hell you will go, with your eyes being blasted by her beautiful tonnage. She recently, had a book released by POGO Books. Support. This. Lovely. Dream.

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