What is more fascination than the moving image? How about a technique that creates moving images without any film? Artist Elliot Schultz has refined his own version of zoetropes, which is a method of filmless animation. This magic is created by taking a series of images and rotating them in a fast pace. Combined with the use of a strobe light, the sequence appears seamless as if it is the same image moving over and over. Schultz has taken this traditional technique and made it his own. He stitches wiggling worms, dripping water, and old men walking onto fabric in the shape of a circle. These ten-inch discs are the perfect size to be placed onto any turntable, and what is a turntable best for if not to spin! The embroidered images are rotated so fast that it appears just as if they are moving. Since strobe lights often go along with clubs, djs, and turntables, using this unique method almost seems a natural fit for a zoetrope.
Early inventions of the pin screen along with other alternative animation methods have deeply influenced Schultz’s work. He finds inspiration in engineers and animators involved with early cinema such as Claire Parker and Alexandre Alexeieff. Schultz is always experimenting with new mediums and techniques to further develop his interesting series. This incredibly innovative artist is somewhat of an engineer himself, bringing a bit of the history of animation into the contemporary world of electronic music and turntables. (via This is Colossal)
The current political situation in Greece is on everybody’s mind at the moment. So the installation by Madrid based artist SpY couldn’t be more poignant. Made up of €1000 worth of 2c coins, he glued the coins to a neighborhood wall in Bilbao, spelling out CRISIS in bold, eye catching capital letter. Not surprisingly, given the current financial state across the continent, the passing public helped themselves to the work, and in less than 24 hours, all of the coins had disappeared.
An active urban artist since the 80s, SpY has been long involved in making subtle social commentary for all to see. He often installs large letters or text-based work on the sides of buildings, or creates shapes in ivy on walls; has wrapped up a police car in plastic and has also formed inaccessible areas that make people look twice. He interrupts people’s daily routes to work, or comments on the urban structures that surround them.
The bulk of his production stems from the observation of the city and an appreciation of its components, not as inert elements but as a palette of materials overflowing with possibilities. His ludic spirit, careful attention to the context of each piece, and a not invasive, constructive attitude, unmistakably characterize his interventions. (Source)
No doubt SpY’s techniques are effective – his irony and positive humor draw attention to pressing social matters, and in a non-aggressive way, make viewers think twice about their political and physical environment.
SpY’s pieces want to be a parenthesis in the automated inertia of the urban dweller. They are pinches of intention, hidden in a corner for whoever wants to let himself be surprised. (Source)
The installations, sculptures and street art, of Jakub Geltner is subtle, disconcerting, and very in-sync with the Zeitgeist and hot topic of the moment. The Prague-based artist installs groups, or rather – herds – of security cameras, satellite dishes, and surveillance equipment in different outdoor settings. Drawing attention to the presence of being watched and filmed in some way or another, the groups of equipment is very creepy.
Geltner places the gear in absurd places – screens are tilted to look directly at a brick wall, or to spy on a moss covered rock at the beach. Satellite dishes are clumped together on the side of a church – obviously not much use for anything and cleverly parodies the aesthetic of so many apartment blocks littered with the dishes in our modern day, technology-obsessed cities. The artist explains a bit more about his work:
My project is simply called “Nests” and mimics the random human activity in the urban landscape. I was inspired by the characteristics of several cities on my travels around the world where I often found different unplanned, almost organically placed, elements that interfere with the typical facades of the buildings in specific cities.
Through this project I wanted to point out the extent of these “infections” to show how disruptively absurd as well as interesting the urban space can become. I have been working on these nests since 2011, when I set up the first “Nest 01″ in the city center of Prague. I installed it directly on the waterfront of the Vltava river while I was still studying at the Academy of Fine Arts in Prague. (Source)
So maybe next time you are walking on the street around your city, remember to look up and check out just what, where and how many technological ‘infections’ there are around you…..they may just spread their disease to you…. (Via Bored Panda)
Entering the studio of Joseph Walsh is like embarking on a vessel of imagination. His “Magnus Celestii” piece begins as a desk and then spirals upwards from the floor to the ceiling to end as a slender shelf. The great heaven; as the title of the piece translates in latin; is taking up the entire space, making the viewer the center of the sculpture wherever he is located in the room. Not only is the piece a beauty, but it’s also made out of ashes of wood. A detail that transports us to the premice of the creation, in the midst of nature, in a magical forest somewhere in Ireland, where the artist is from.
Regarding Joseph Walsh, the barrier between him being acknowledge as an artist or a designer is slim, almost inexistant. The fact that he is challenging the technical boundaries of wood carving demonstrates his talent and love for his passion.
He is a visionary redefining design as art. A piece of furniture created by his hands is a sculpture. He wishes to honor the collaboration man has had for decennies with the material of wood.
Once again through this sculpture he has our head swirling in a dream of wooden ribbons. Over the years, Joseph Walsh has created a language of curves, sensuatity and voluptuousness. There is not one way to appreciate his work. How the lines float and the silhouettes undulate leaves us in an eternal spin. No matter how many times we look at a piece, there will always be a new angle to discover it.The simplicity of the material and the complexicity of the lines are what makes his work so captivating.
Joseph Walsh has new work currently showing at Chatsworth House in Bakewell, Derbyshire, UK until October 2015.
A humble kingdom of mountains dominates the geological park of Zhangye Danxia in China. The images are surreal, hard to believe they haven’t been photoshopped. Naturally formed of multi-colored layers, the mesmerizing rocks echo the intoxicating installations of Katharina Grosse. She creates an environment of massive abstract installations on where she sprays vivid horizontal and vertical colored lines.
The mountains are overlooking the world and we are observing their similar version in the work of Katharina Grosse. A bizarre unpredicted three way which leaves us, humans, feeling very small face to face with the immensity of creation.
They are both the result of a performance, nature’s on one hand, the artist’s on the other; leaving on site a charismatic scene. The colors on the mountains are the result of deposits of sandstones and other minerals that occured over 24 million years ago. The regularity of the juxtaposed colors is shocking, as if a human hand had meticulously traced those lines. Unthinkable; yet nature did it on its own.
Katharina Grosse, already featured in Beautiful/Decay for her incredible installations, uses space without any limits. Her art is, at times, perceived as graffiti art or outdoor paintings. Means by which she expresses herself as a vision and avoids to think about a separation between what’s inside and what’s outside. “When I’m painting I show what I’m thinking about the world I live in. I don’t make up a world”.
Kirk Cheng invites us to stop and smell the roses at his new solo exhibition “Circle of Life” at the Above Second gallery in Hong Kong. Cheng being a floral artist, he constructs fantastical floral sculptures that appear as if they derive from ecosystems from another planet. Flowers, which are often used as just a decoration, are now in full bloom as the main attraction. Cheng uses striking, vibrant colors with unique plants that are arranged in circles, taking over the gallery space in all their glory. Like every plant, these magnificent flora pieces will start to die, whither, and decay. Although this death is bittersweet, the artist intentionally shows this process, hence the title of the exhibition “Circle of Life.”
An organic beauty can be found in seeing different stages of the lifecycle of Cheng’s floral arrangements. Death is natural, but it always stems from life. The decaying plants have their own unique aesthetic, as their colors are now dark and their texture changed. Seeing the flowers transform into different colors and their pedals turn hard and crispy is both intriguing and interactive, as the exhibition becomes ever changing. No doubt if you saw Cheng’s work at the end of the exhibition, it would look like an entirely different show than at the beginning. Perhaps displaying the dead flowers next to the thriving ones makes the living flowers seem even more full and vivacious. Seeing such an honest example of the cycle of life holds its own tragic beauty, allowing us to experience the magnificence of life. (via Hi Fructose)
The art of pencil carving is becoming more and more widespread, intricate, and skilled. Over the past few years we have come to see many incredible things being carved from the humble pencil. Whether it is colored, or plain graphite, a leaden tip can be transformed into many icons, symbols or dioramas. Artist Tom Lynall‘s effort sees him shaping pencil tips into emojis, tiny characters and landscapes. From an artist’s paint palette, to idyllic pastoral views, to Rapunzel in her tower, to the hearts, lightning bolts and happy faces from our smart phones, Lynall is capable of achieving great detail on a minute scale.
A bespoke jeweler by trade, Lynall is no stranger to working at this level, or at the pace required to finish a delicate piece. But only having started his pencil carving hobby last November, he is quickly adapting to his new material. Being malleable and dense, graphite is an ideal material to carve intricate and complicate details into. He says about his new time consuming hobby:
I love art but I have never been able to draw so this is a good way for me to create things with the limitations of my skill. The main tool I use is the scalpel blade shown in the pictures as well as a few pins which I have altered the end of to give me different blades.
This is great fun to do so if you would like to give it a go the best advice I can give is to not get annoyed when they break, they are extremely fragile but once your done they are fantastically satisfying. (Source)
If you can’t get to a beach this summer, then you will be thankful for design duo Snarkitecture‘s new installation at the National Building Museum in Washington DC. The space is filled with 1 million translucent polystyrene balls in a massive wading pool, the floor is carpeted and scattered with deck chairs and beach umbrellas, inviting the beach goers to enjoy a day reading, wading, or playing paddle ball. There is even a summery snack bar available selling popcorn, candy, chocolate bars and soda pop. Every Wednesday the Museum offers different events where the snack bar will also offer bar service.
The Beach is a part of the program the Museum likes to offer each year – they dedicate the 10,000 square foot space to a gimmicky exhibition that will draw the crowds. And this year the honor went to Snarkitecture to produce something that would entertain the masses. Established by Alex Mustonen and Daniel Arsham, Snarkitecture is a design studio that focuses on minimal and intelligent design solutions, not only for spaces, but for objects as well. Drawing their name from Lewis Carroll’s The Hunting of The Snark, the team like a challenge and enjoy re-imagining existing objects and architecture. The poem describes an “impossible voyage of an improbable crew to find an inconceivable creature”, and Mustonen and Arsham take on this idea quite literally. They state their mission as:
Snarkitecture’s approach focuses on the viewer’s experience and memory, creating moments of wonder and interaction that allow people to engage directly with their surrounding environment. By transforming the familiar into the extraordinary, Snarkitecture makes architecture perform the unexpected. (Source)
The duo have been responsible for some very clever installations in many different spaces. You can check out their back catalog here. Or take your bathing suit and towel and head to their artificial paradise. The Beach is open until September 7. (Via Washingtonian)