Chinese artist Ye Hongxing tries to bridge the gap between the ideas of East and West; traditional and contemporary; spirituality and commercialization. She plays these different ideas off of each other in her new work called Prajñāpāramitā. This new piece is a reinterpretation of the traditional art form of a Mandala, but made from mass-produced plastic toys, beads and stickers. The title Prajñāpāramitā actually means the Buddhist concept of Perfection of (Transcendent) Wisdom, and is a fitting cynical commentary on just how bizarre our worlds have become, filled with shopping and consuming commodities and objects.
Hongxing’s stickers are otherwise seen as disposable and ephemeral objects—a comment on the disposable nature of contemporary culture. The sheer volume of the stickers echoes the overload of information that we are presented with on a daily basis. (Source)
Based in Beijing, Hongxing is frequently reacting to the ever-changing culture surrounding her, and the pace of which it happens. Using opposing traditions and systems to comment on each other, she draws our attention to our own actions. By methodically placing thousands of plastic, secular, pop-cultural, commercial objects down in a systemic fashion to build a spiritual motif, she brings two very different practices together in a head on collision. We are reminded of the Buddist traditions of meditation and repetition, but instead of being geared toward serenity and peace, this time it is in the name of glitz, glamor and garishness.
Hongxing’s other projects include fusing Chinese and Western artistic practices together – creating luscious oil paintings filled with decorative Chinese porcelain patterns; making marble sculptures of kitschy blow up animal balloons; and layering hundreds of glittery stickers on each other to form surreal, OTT interpretations of modern day life. (Via The Creator’s Project)