With a toxic mix of oil-based paint, the surfaces of artist Claire Falkenberg‘s large-scale photos are transformed into mysterious and eerie clouds. The ominous, milky clouds obscure the space directly in front of the photographer, delaying the viewer’s ability to understand what lies just under the surface of each picture plane. This inclusion is generous, because it offers another layer of surface detail to the viewer who is willing to inspect the ghostly swirls of oil paint. The slick, snapshot-style images of trash slowly begin to reveal themselves—vanishing almost entirely at the center, and bringing into question just exactly what Falkenberg has chosen to cover up in her series.
Whether through painting, illustration, sculpture, or installation, Kenny Scharf displays an aesthetic saturated with bright colors and playful figures. Think: Pee Wee’s Playhouse + Keith Haring on acid. With his work, Scharf seamlessly integrates pop culture into fun and fluid forms. With his pop culture appeal, it’s no surprise that Scharf has been commissioned to do commercial work by companies such as Kiehl’s, Vans, and Swatch. While other artists might have a different viewpoint on commercial work, for Scharf, the opportunity to bring his playful forms into everyday products is of significant cultural value, “One very important and guiding principle to my work is to reach out beyond the elitist boundaries of fine art and connect to popular culture through my art,” Scharf writes in his artist statement.
Artist and designer Haley Ann Robinson has a passion for exploring shape, color, line and simple forms—something that translates well into her hand-shaped wooden objects. She treats some of the smooth, angular sides of each object with a vibrant selection of colors, designed to highlight specific visual planes and grain patterns in each piece. Robinson pulls a great deal of inspiration from geometry and nature, resulting in objects that display a playful engagement with shape, medium and surface.
César Biojo defines his work as the controlled result of multiple accidents; the coexistence of two opposites: creation and destruction. Biojo starts with the figurative— constructing a character—and when he feels it is perfect he destroys it with the abstraction of extra paint and spatula rips and drags. The result is a perfect imperfection: a focus on the fragility and ephemerality of the human existence that asks if we were perfect for a moment? And then reassures you yes… but that moment has passed.
Biojo’s process is also outlined in this short video: César Biojo • His Work
Initially inspired by an accidental discovery of Marilyn Monroe’s image embedded within the frames of Shinobi—a classic SEGA console game from 1987 Japan—Atlanta-based artist Ashley Anderson‘s multi-media exploration of the icon’s 8-bit image skims across the realm of painting, drawing, collage and animated gifs. The glitchy, pixelled-out nature of the images is indicative of Anderson’s 8-bit aesthetic, but this new body of work somehow begins to morph, to twist, and to move into something more obscure. Loaded with fragments of late 1980′s digital culture, some pieces only offer the faintest recollection of the image, requiring a bit more visual extraction to pull out the digitally reduced visage of Warhol’s Marilyn. As a whole, the investigation is an intriguing peek into the nature of digital reproduction and image appropriation.
This week we’re bringing you another talented artist as part of our partnership with premiere website building platform Made With Color. Each week we bring you some of the most exciting artists and designers working today who are using Made With Color to create clean and sleek websites. Made With Color sites aren’t just easy on the eyes but feature powerful yet simple backend which allows anyone to create a professional site with just a few clicks.This week we are excited to share the layered paintings of Los Angeles based painter Britton Tolliver.
Where does abstraction and geometry meet? In what field do they cease to be independent systems and gel into one hybrid – something new altogether? Britton Tolliver’s idiosyncratic paintings are deeply rooted in this intersection. Neither solely abstract nor geometric, his paintings really entertain another idea, which is difficult to pin down. It is in the amalgamation of these different ideas and processes that Tolliver’s paintings find their own identity, somewhere in the middle of both.
It would be too easy to suggest that Grace Mikell Ramsey‘s work only illustrates moments of science fiction or fantasy. This is not what draws us into her narratives. Instead, it’s her ability to capture subtle anticipation– insular moments of contemplation where reality gestures goodbye. Her characters stand on the precipice, holding their breath, surrendering to dreamy whims only young children or covens of three are capable of conjuring, unable to shake a certain heaviness of the pending trade and what is at stake.