Sam Burford lives and works in London. Inspired by such films as Star Wars and Blade Runner he creates photographic work in multiple media that encapsulate entire films within them. Take for example his sculpture made out of jesmonite that consists of a time-lapse photograph of Star Wars IV transformed into a surface relief. The film is condensed into an abstract pattern and presented as a three dimensional sculpture. In another piece a time-lapse photographic detail from Blade Runner is highlighted on hand printed film and allowed to curl for a dimensional effect. With his work he serves to reveal the optical patterns inherent in the moving image that can be captured with modern technology.
Photographer Joanne Leah works in “seduction, ritual, and tension”. Her pieces capture relationships, between two people or art and its viewer, as it alternately relaxes and strains. In the series featured in this post the angle of the light is severe recalling the chiaroscuro of baroque painting. The light, though, is cold, almost lonely, emphasizing the solitary figure in each photograph. Whether, the subject holds teeth in her palm or wields a knife a drama is clearly unfolding.
The photography of David Brandon Geeting is a new kind of still life. His photographs capture everyday objects, found or arranged. The compositions of the pieces almost seem to reference classical art. However, the content reflects an ultra-modern obsession with objects, picture-taking, and boredom. His pieces have a definite fine art aesthetic though they’re populated with banal household items. Geeting’s work reflects a new kind of still life, that in turn reflects a new kind of modernity.
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Amanda Gorence’s article on Christine Chin.
New York-based artist Christine Chin often explores contemporary issues of technology and the environment. She received an MA in Visual Art from Purdue University and an MFA in Photography from the University of New Mexico.
“Sentient Kitchen examines the convergence between technology and biology. As the machines that assist our lives become smarter and more architecturally complex, they borrow increasingly from the biological realm. Sentient Kitchen takes inspiration from some of nature’s most ingenious engineering. What better way to dispense salt than through an organ that is highly developed to taste, and why not take advantage of the mammary gland’s unique relationship to milk? While it is the nature of the human ego to cast suspicion on a challenge to human intellect,Sentient Kitchen products offer a non-threatening environment to explore the benefits of smarter, more sensitive solutions to our daily dining needs.”
Photographer Thomas Jackson captures every day objects traveling in packs. His series Emergent Behavior features plastic cups, leaves, sticky notes, gathering into swarms. These mundane objects fly through city streets and forests, mostly whimsical but at times menacing. They reference self-organizing systems often found in nature such as herding, swarms, insect mounds, and so on. Regarding this Jackson says:
“The images attempt to tap into the fear and fascination that those phenomena tend to evoke, while creating an uneasy interplay between the natural and the manufactured and the real and the imaginary”. (via)
Love these book alterations and rearrangements by New York based artist Kent Rogowski. Make sure to also check out his puzzle manipulations and inverted stuffed animals also featured on his site. (via)
“Everything that I wish I could be is an exploration of language, emotions and the desire to change and improve one’s self. There is a self-help book for almost every moment and problem in life; from relationship advice to dealing with the inevitability of death. Each large format photograph, pictures an arrangement of title pages and spines, from up to 100 self-help books that are based around a central theme. Together, the titles create larger narratives, which become portraits of emotions, people and events in life.
Because of the ubiquity of the books, an entire lifetime of events can be outlined and made to unfold using the books that were written to sooth those transitions and moments. Since advice often differs, the narratives in the images can change depending on which direction the viewer’s eye moves through the image. Some images have linear narratives (e.g.: From Birth to Death or Side by Side) while others look at patterns in language and resemble the random connections inherent in the thought process (e.g.: You and Me and Am I the only one?).
I am interested in the larger questions of how we communicate and deal with moments of pain and change and the commonalities of those experiences, as well as, the patterns and contradictions that are often inherent in language, advice and differing philosophies.”
Joshua Cobos lives and works in San Francisco. He has a knack for capturing subtle irony and humor wherever he takes his camera. The implications in his photographs range from bitingly satirical to piercingly veritable. His work is the most successful when presenting a scene that was in some way affected by human intervention. Our actions on this planet run the gamut from inspirational to downright bizarre. Luckily there are photographers like Cobos who present our faults and triumphs honestly.