May 4th, 2012
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High in the Himalayan foothills, fearless Gurung men risk their lives to harvest the massive nests of the worlds largest honeybee. Photographer Eric Valli tagged along to document one of the most dangers jobs that is just business as usual to the people who live in the Himalayas. (via)

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May 4th, 2012
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In Polixeni Papapetrou’s work there is identification with the world of children that is rare and remarkable. She sees children themselves as ‘between worlds’, between infancy and adulthood. Yet she does more than identify, creating fantastical worlds that only adults can truly understand and relate to.

“Like fairy stories, Papapetrou uses absurdity to make symbolic sense of the world she struggles to understand. It’s that careful balance of autobiography, collective anxiety mixed up with wonderful and almost carefree fantasy that reverberates throughout the series and the combination makes for bold and unsettling works. “ Susan Bright – Between Worlds catalogue essay  (via)

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May 3rd, 2012
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I often wonder if art has benefited or been hurt by the invention of the digital camera. These easy to use machines have made everyone a “photographer”, giving a creative outlet to millions who otherwise would not take the time to learn the craft of photography. This has lead to millions of bad photos plaguing the internet of young hip 20 somethings, having fun, acting, out, getting drunk, and often times getting naked. These images get old after a while (even the nude ones!) but Spanish artist Juan Francisco Casas has managed to take these fleeting moments of excess, debauchery, and irresponsibility and slow them down in his magnificent hyper realistic drawings. By creating these detailed images Casas is asking us to question the very acts that so many of us took part in during our youth and at the same time pay homage to those fun years of reckless abandon. (via)

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May 2nd, 2012
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Tokyo’s subway is infamous for its cramped conditions but the psychological effects of the uncompromising close human proximity experienced daily by thousands of workers are rarely depicted.  Michael Wolf’s Tokyo Compression captures the moment and reaction when individuals are forcefully sandwiched between their fellow commuters and the parameters of the carriage. Heads are bowed, sometimes contorted unwillingly into unnatural positions of supposed rest. Noses, fingers and knuckles are compressed against the glass, eyes are almost always shut.

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April 30th, 2012

Beautifully framed visual deposits from the American heartland, courtesy of NYC photographer Jordan Sullivan.

Just when I thought Ryan McGinley had cured me of all need to see a collection of road trip photographs ever again, Sullivan’s stark, highly involved compositions draw me back into the familiar subject matter with a mixture of guilt and elation.

Sullivan is currently showing  at Clic Gallery in SoHo with an exhibition entitled ‘Roadsongs’. Read more »

April 26th, 2012
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Australian based photographer Simon Davidson has been documenting various aspects of car culture from drag racing to V8, to our personal favorite Australian past time, Burnout Competitions. Full of tire smoke, gorgeous cars, and passionate fans, the Burnout competitions are perfect photography subjects as well as one of the loudest and most aggressive ways one can spend a weekend. (via feature shoot)

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April 25th, 2012
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In the fall of 2009 artist Michael Anthony Simon left Chicago behind, and moved to the countryside of Korea.  He wanted to experience a new place and culture that would hopefully inform a fresh body of work that could exist beyond the constraints of the western art world.  In the spring of 2011, contemporary artist, Ai Weiwei was arrested on falsified charges of tax evasion by a notoriously conservative Chinese government.  The claims were suspect to say the least, and many silent protests were organized throughout the world by major museums and institutions calling for his release.  These silent protests became a louder gesture than anything anyone could have audibly said.  This act of defiant solidarity became a source of motivation for Simon in the year to come.  Realizing that by attempting to silence something you make it’s presence that much more apparent he commenced on a series entitled “The Silence Paintings”.  Analyzing the design and significance of the word ‘silence’ in different languages lead him to the creation of an intuitive process that would allow for compositions to develop naturally, but with purpose and intention.

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