Cillie Barnes performing at the Troubadour in W. Hollywood, CA on May 7, 2013. Photo by Raymond Lew.
LA based singer Cillie Barnes (aka Vanessa Long) released a video for her very catchy song, “Brainwash” late last month and I’ve been having a hard time getting it out of my head. You’ll definitely be seeing and hearing a lot more from her once her debut record comes out on Loma Vista/Republic Records later this year.
I caught her last week supporting British singer Tom Odell at the Troubadour and was instantly taken by her refreshing voice and relaxed stage presence. Backed by a guitarist and keyboardist she had no problem engaging the sold out crowd and even got us to sing-a-long for her final song.
She’ll be performing again on May 28th at a Red Bull Sound Select concert with DIIV at the Echo in Los Angeles so try and check her out if you’re in the area. Watch the video for “Brainwash” and follow her on Facebook and Twitter to stay up to date on new shows and of course her debut release, “Happy Valley”.
Before his untimely death, even before he was taken under the wing of Andy Warhol, Jean-Michel Basquiat was something of legend. He’s since become an enduring art icon. His street art sensibility, youthful energy, and handling of themes of racism, class, psychology, and popular culture keep his art relevant from year to year. However, Basquiat’s popularity is enjoying a special renewal over the course of 2013. The hugely popular Basquiat retrospective at Manhattan’s Gagosian Gallery will be followed by another at Gagosian’s Hong Kong gallery later this month. Additionally this month, Basquiat’s painting Dustheads is expected to fetch up to $35 million dollars in auction at Christie’s. In conjunction with the auction, Christie’s has released a three-part video series on Jean-Michel Basquiat. The first video features Basquiat’s early partner in graffiti, Al Diaz. The second in the series speaks with fellow contemporary artist Toxic on Basquiat’s transformation into an art-star. The third installment (featured after the jump speaks with Macklemore, one of many contemporary rappers to express inspiration from the late artist. [via]
From subliminal messages to product placement, advertising is no stranger to double meanings, and this is just what the Aid to Children and Adolescents at Risk Foundation (ANAR for short) had in mind when they teamed up with Grey Spain to create a new cutting-edge campaign which speaks directly to children suffering from abuse– even in the presence of their abusers.
Just how is this possible?
Well, using “outdoor lenticular” technology, a dualistic message is transmitted. Adults see a simple clean awareness message while children see a slightly bruised variation on the advert, directing them to a help crisis line.
When creating his reinterpretations of Technicolor masterpiece The Wizard Of Oz, German artist Dennis Neuschaefer-Rube didn’t limit himself to a singular medium. Dabbling in video manipulation, installation and printed ephemera, his “experiment” exists as a deep dive into what happens when the artist points the focus away from narrative, and instead zeroes in on visual velocity. He chooses to takes a step back, and re-imagines the film as a series of frames—laid side-by-side in a technique he refers to as “stilling film.”
In this 2-minute preview of Neuschaefer-Rube’s video piece, you can see hundreds of copies of the film, playing simultaneously in a hypnotic wave of color fluctuation. In the exhibited form, this work is accompanied by a printed version of the investigation, a singular film still, and a large (somewhat ominous) black box designed for viewing. Neuschaefer-Rube’s ability to steer the viewer’s attention from piece to piece is masterful, with each element of the experiment hitting just the right notes—perhaps making a slight nod to the Great and Powerful himself.
Django Django‘s crazy new video for “WOR” features India’s Wall of Death Riders in Allahabad. Our friends at Noisey shot the video in a documentary style standing right in the middle of all the action.
I was able to catch the Django’s last show of their US tour at the Fonda Theatre in Hollywood last month. “Hello citizens of Los Angeles”, yelled out singer Vincent Neff before they jammed into “Hail Bop”. The band was a lot of fun to watch since they barely came up for air during their hour long set except when they went acoustic for their song, “Hand of Man”.
Nathan Kaso‘s series Miniature Melbourne takes a tilt shift look at the Australian city. Tilt shift is a photographic technique that essentially “corrects” the distortion created by perspective. The technique has the effect of making an scene resemble a miniature version of itself. Tilt shift photography has been featured on Beautiful/Decay in the past. However, Kaso transformed 10 months worth of his tilt-shift Melbourne photographs into a time-lapse video. Miniature Melbourne captures the work and play, the large life of the city. Watch the video after the jump. [via]
Megan James from Purity Ring performing at the El Rey Theatre in Los Angeles on April 18, 2013.
A little dream-pop, a bit of hip-hop, and a lot of bass, that’s what Canada’s Purity Ring brought to the very sold out El Rey Theatre last week in a show that was sandwiched in between the two weekends of Coachella. The crowd lined up early to get a close up spot to see this highly anticipated appearance, myself included.
The bone-rattling bass during Blue Hawaii‘s opening set almost drowned out singer Raph Standell-Preston, so I was hoping that Purity Ring’s sound wouldn’t be as bass heavy. After a very strange Taylor Swift sing-a-long during intermission (yeah, that happened). I didn’t know the indie kids knew all the lyrics to “I Knew You Were Trouble”, but they do and sang along very loudly. The lights finally dimmed and the alien-like stage set of Purity Ring started to glow. Unfortunately, the heavy bass continued for the first few songs, but then finally got toned down and the incredible voice of Megan James rang out clearly. Watching bandmate Corin Roddick work magic on his custom-built sound and light instrument was just as mesmerizing.
They played most, if not all all of their 2012 4AD debut, “Shrines” including my personal favorites “Obedear” and the set ending “Fineshrine” that had the entire crowd dancing wildly. The band is currently in the midst of a US tour so you still have an opportunity to catch them live. Check out their very cool cover of Soulja Boy & Ester Dean’s “Grammy” which they also played to perfection live and try to catch them at one of their upcoming performances.
Paraglider Gill Schneider had thought a while about arranging an unusual pair: his love of flying and the circus. After the jump a video captures the combination. At first Schneider incorporates his parachute into various circus acts. Before long, though, he takes a performer into the air, juggling gliding over the beaches. The highlight of the video, however, is trapeze artist Roxanne Gilliand. Hanging below Shcneider, Gilliand gracefully performs high over a small lakeside town. The pairing, though unlikely, is a fascinating one.