In the series Paint Job, Spanish art director Nico Ordozgoiti infuses some color onto Renaissance statues. He digitally paints them in a hyperrealistic style and brings them to life. Iconic sculptures like David and Venus de Milo are now fair-skinned with chestnut brown hair instead of their usual off-white exterior. The visual effect is similar to the colorization of black-and-white photographs, and Ordozgoiti’s vibrant colors are offset by a gray base.
Ordozgoti writes, “When Renaissance masters discovered and copied the hyper-realistic sculptures of ancient Greek and Rome, they didn’t know that some of these works had originally been painted to make them even more life-like.” Ultraviolet light reveals how these pieces really look. He goes on to explain, “This made me think about how adding color to classic and neoclassical sculptures could give us an interesting look at what some of those artists might have had in mind.” (Via Ufunk)
"(Bounce Room 2), 2009". Digital video projection, watercolor on canvas
Took me a while to figure out what was going on in this image (well actually, they’re almost all videos) but it’s an awesome visual trick. The rest of Michael Guidetti’s work is along the same vein. Kind of 2D into 3D…so 2.5D?
The artwork of Cassandra Smith exists in the space between juxtapositions. Taxidermied animals are often a bit creepy. However, Smith’s stuffed forest friends are also playfully decorated – fish covered in rhinestones, and fur in bright paint. The natural plays with the synthetic, old with the new, and utilitarian with the decorative. She says of her work:
“My work is about manipulations and transformation. It is about exploring the ways that I can enhance and change found objects to give them something they did not have in their former life.” [via]
Washington artist Justin Gibbens combines his training in both scientific illustration and traditional Chinese painting to envision new animals and create a new take on nature in his paintings. These paintings, rich in color and somewhat melancholic in content, exist in a time all their own. Gibbens received a bachelor’s in drawing and painting, then went on to complete a certificate for Scientific Illustration before studying Chinese painting in China. That, and further travel to the Asian continent, reflects many of the stylistic and color choices you see in his paintings. His work beautifully implements and unifies all of the niche skills he studied.
Gibbens creates work that is hard to describe. You can’t take your eyes off of it. The coloring is poetic, the symbology is striking and bold, the line work is subtle and delicate. There is something so simple and yet so involving in these compositions. They are completely encompassing. They mean something to you, even if you cannot articulate what, there is a connection. Perhaps it is the austerity of the animals and birds, their graceful poses, perhaps it is the subdued tones, or even the archaic setting: like it is not just a depiction of a bird flying, but a study of the entire history referenced within the ephemeral gesture of a wing, a bee, a last breath. These works are layered in meaning; and there are many tiers to explore in search of the words for your own story or his, or you can just step back and appreciate these paintings for the beauty of what they are.
As said on his artist statement: “Gibbens’ stylized and embellished beasts speak of evolution, mutation and biodiversity, and perhaps serve as cautionary tales and stand-ins for our anthropocentric selves. By lifting the formal conventions of classic natural science illustration, Gibbens imagines legendary and diabolical beasts through the lens of a 19th century field artist.”
To see his current show, “Avatars and Shapeshifters,” which will be up through September 27th in Seattle, go and visit PUNCH Gallery.
Artist Kat O’Sullivan spent a large amount of time dazzling up her home in upstate New York to be the psychedelic retreat she had always dreamed of. This run-down 1840s residence that she recently purchased is no longer a run of the mill home! O’Sullivan, who specializes in adding a dash of color to nearly everything she encounters, lit her home up like a rainbow. Working with her partner Mason Brown, they added oddly shaped windows and a unique color scheme. The interior, which is not finished yet, will surely prove to be something entirely unique. The house looks like a candy colored structure out of a fairy tale. As O’Sullivan said on her website:
“This is our crazy home, Calico, the House That Sweaters Built! It’s been quite a renovation journey to get it to its psychedelic rainbow state. This is just the first coat. It will only get weirder.”
That is bound to be an understatement. We can’t wait to see what you do with it! (Excerpt from Site)
There is an unnerving quality to Shi Mohan‘s paintings, as though they are capturing daydreams, complete with all the surrealness and subconscious metaphors that come with the territory.
According to Art Seasons, a gallery in Singapore and Beijing that has previously shown her work, “Shi Mohan jocularly calls herself a life Illustrator. Pleasantly and sensitively, she documents the nity-gritty of her own life, portraying many bizarre and outlandish thoughts and desires on the canvas.”
There is a certain playfulness to Mohan’s art, though the off-kilter imagery can make it seem more sinister. Her paintings are snapshots of a more innocent yet stranger time: the weird days of youth. (via Supersonic Art)