Artist Ed Fairburn is using maps and star charts as a base to draw detailed portraits. Inlaid in the weave of the roads, signs and lines, the faces appear textured and emotional.
Ed Fairburn draws dashes or fills up a specific area on the map. Playing with the existing colors symbolizing lands, water or housings. It takes him a couple of days to a month to complete a drawing. The artist draws on vintage road maps looking forward to discovering uncommon names or places he once visited in the past. The star charts drawings confer a different atmosphere, a poetic mood to the faces trapped in the constellation. He chooses his ‘canvas’ himself. The patterns and orientations are key for him to start drawing. In terms of details, lines, names printed on the maps; the more cluttered, the better outcome.
The more contrast exists between the lines, shapes and shadows on the portraits, the more depth it creates on the overall drawing. Not two inches are ever the same, and yet the accumulation of dashes and small lines create a pattern inherent to a part of the face. For either the road or star maps; the association of a land, a space with a human face resonates with evasion and travel. The possibility for the viewer to escape from reality and dive into a foreign land, a dream destination. ( via Booooooom)
Ed Fariburn’s drawings will be displayed at the Mike Wright Gallery in Denver, Colorado until December 19th 2015.
Walter Robinson creates amusing sculptures that work as witty social criticisms about consumerism and popular culture.
I’m fascinated by the human drive to possess material objects and by our intransigent attachment to the things we own. In my work I investigate the ways that consumer products have been crafted to perpetuate hunger for more. Brand and corporate logos, mascots, cartoon characters, advertising text and signage are the semiotic sources I draw from.
Robinson subverts meanings of familiar brands and Western cultural symbols by tweaking their scale, context and color.
With marketing and adverting psychology in mind, Robinson uses seductive surfaces, saturated color, bling and glitter to draw his audience to examine their own relationship to consumer culture and it’s effect on the environment and world events.
A few months back one of the busiest freeways in Los Angeles was closed down so that a bridge could be taken down. The entire city was in a panic dubbing the weekend of closed freeway access Carmageddon. Luckily the traffic wasn’t too bad but I always wished I could see the process of taking down such a large bridge in just a few days. Filmmaker James Miller recently heard about a similar situation in the UK and jumped on the chance to videotape the process. Shot in gorgeous time lapse you can now witness what it’s like to take down a major bridge in just 24 hours. Watch James’ video after the jump.
Recent Ontario College of Art and Design graduate Sarah Joncas already has a distinct, characteristic style that has earned her several awards, as well as garnered the attentions of top galleries around the US. Her paintings often focus on a lone woman, drawing out her narrative in a combination of bold hues and shadowy tones. The themes explored in her works are at times dark but at other times quite whimsical. Currently, the Toronto-based artist is representing Canada in an all-female group show entitled ‘International Woman’ which can be caught at the UK’s Warrington Museum now through July 7th. Living on this side of the pond, as they say? Then check out the artist’s upcoming joint show with fellow painter Caia Koopman, opening June 16th at Thinkspace Gallery in Culver City, California.
We normally think of the Playboy Bunnies as busty blondes with smiles on their faces. Taylor Marie Prendergast, however, shatters that stereotype in her pen and ink drawings that feature the women in a much different light. The models that she depicts, while still in “sexy” poses, aren’t glowing. Instead we see every brush stroke that’s paired with muddy, dirty-yellow hair and a blank expression on their faces. While Prendergast has handled the media well and demonstrates a variety of techniques, we can’t escape the fact that these women wouldn’t be the “Playboy type.” And, according the artist, that’s the point. From her statement:
I’m challenging the contemporary zeitgeist by incorporating historically loaded images and abstracted figurations. The juxtaposition of the glamorous and the repulsive are necessary tools in order to create this reaction in the audience. At first the piece entices the viewer with aesthetically pleasing elements, and as the viewers settles into the work they’re confronted with disturbing details.
While the ink is still wet, Prendergast loads the drawing with more pigment and allows it to bleed onto the paper. It creates a dripping effect that’s both beautiful but in the context of a figure, a little gruesome. This allows the artist to subvert popular culture, and as she explains, “They [the viewer] are invited to re-consider the cultural state of both themselves and humanity. As the viewer inhales the work, there is a subtle yet significant revolting shock.”
I’ve said it a million times but I’m always blown away by the talented artists we have in the Beautiful/Decay community. I discovered Alnya’s work while going through the B/D Creative Pic Pool on Flickr and fell in love with the rich textures and shadow Alnya creates with hatching and stippling. This work is serious!!!
MRI technologist Andy Ellison spends his days scanning human brains, searching for abnormalities. He began scanning fruit on a whim, using an orange in a test of the machine’s settings; the results were so stunningly beautiful and transfixing that he began bringing produce to work, scanning our favorite fruits and veggies on his time off, and posting animated sequences of cross-section images onto his blog, Inside Insides.
The high-resolution black and white sequences apply the imaging tool to the arts, highlighting the geometrical perfection of organic objects. The slow motion animations are imbued with a sense of life and vitality; like pumping ventricles, the matrices of a pineapple seem to gape open and shut. A tomato resembles a microscopic cell, seemingly splitting and reproducing with astonishing speed, and a head of garlic seems to emerge, its cloves flawlessly woven together, from nothingness.
Ellison’s slow motion animation allows mesmerized viewers to be seduced by the rhythmic revelations, and the everyday is elevated to cosmic levels; an scanned eggplant seems to explode into a complex network of stars. These food products, these mundane miracles, get a moment to shine in the imaging machine’s dense whites and pure, weightless blacks. The uniqueness of each fruit takes center stage (can you find the bruised onion?), and together, they paint a rich portrait of the natural world. These elegant plant structures, viewed in this way, don’t seem so different from our very own organs. So the next time you stroll down the produce aisle, take a moment to consider the miraculous visions that lurk beneath the surface. (via Salon and Offbeat)
London photographer Juno Calypso’s self portraits as her alter ego “Joyce” are hilariously deadpan images of the artist as bored receptionist, unenthusiastic sexy girl in a cake, porno modeling agent, and deranged housewife looking for the next beauty miracle. The meticulously staged retro scenes are created perfectly with the artist posing with her signature blank stare that says “My life is exhausting and void of joy.” The result is an unsettling take on the extreme efforts that women go through to be everything from homemaker to career woman and the draining effects that it produces. (via feature shoot)
Calypso states about her work:
” I recently began working with self-portraiture, which led to the creation of a character named Joyce. Within elaborately staged large format photographs and videos I draw upon personal experience to perform critical studies into modern rituals of beauty and seduction. We find Joyce alone, consumed by artifice – trapped inside pastel-coloured encounters with beauty masks, cream cakes and polyester negligee; her glazed appearance acting as a mirror to the exhaustion felt whilst bearing the dead weight of constructed femininity.”