Why is it that with the ease of publishing available today people so often choose to re-post content as opposed to create it? Jon-Kyle asks. We don’t take offense, as we make plenty art…. we just like giving unknown artists a little bit of light… anyway, Jon-Kyle has responded by creating a Repository, in curating culture. The above video, created by a computer that manipulates raster videos, is scary and amazing. Invented in the the 1970’s, the machine is refered to as a Rutt/Etra Scan Processor. We’re not sure you can find it on Ebay… but if anyone see’s one, nothing’s wrong with an early Christmas/Hanukkah/Kwanzaa present!
Art directors Anaïs Boileau and Samuel Volk are the dream team when it comes to creating short and snappy campaign ideas. This time around they have used their skills to benefit The World Wildlife Fund in a project called WWF/Botanimal. With flawless Photoshopping technique, they have camouflaged images of endangered animals into forested landscapes. With the tagline “Donate to save a tree and save 875,000 species for free”, this is one clever visual narrative detailing a worthy cause. Boileau and Volk show us exactly what these beautiful environments would be without the animals roaming around within them.
Boileau is also responsible for another campaign with a responsible message. Called WWF/WeWantFurniture.com, she imagined a brand and designed a corresponding website “selling” wood to customers. Apparently from all wood sold, 40 percent is made from illegal wood. She devised a very effective way to show customers the ecological effects of buying cheap furniture. The effects of deforestation can be devastating, as we are reminded in this new campaign also.
Working with creative directors in a commercial environment, Boileau and Volk are able to maximize their reach to a large audience, and come up with visually interesting answers to complex questions. Boileau sums her work up nicely:
[Impassioned] by craft and art direction; I have been lucky to work with talented photographers, retouchers and CGI artists. The best part of my job is to imagine visual universes, and find creative solutions.
Click here to see more of Boileau’s work, including her hilarious take on disfigured fruits.
Somewhere In The Fold is an exhibition that recently closed at the San Francisco Gallery The Popular Workshop. The show was curated by Luca Nino Antonucci who is an artist and co-founder of Colpa Press as well as the San Francisco Newsstand turned zine shop Edicola. The exhibition examines the intersection of fine art, design, book making and publishing. From the press release: “There is a broad dialogue between publication and art object, far more complex than the straightforward union of the two into the ‘art book.’ Somewhere in the Fold is a survey of the relationship between the current state of publishing and the art practices of contemporary artists. These disciplines have converged into processes of editing and editioning, making once disparate fields singular. The participating artists and publishers of Somewhere in the Fold approach this conversation by showing work that deliberately confuses the terms ‘publication’ and ‘art object’, while attempting to discover a place where they can exist together both in form and concept.”
Winter is coming! Well, not so much in Los Angeles (although it did get down into the 40s last week), but across the country it seems to be looking a lot like Christmas. One of any creative-minded individual’s favorite winter pastimes is making snowmen. The four artists listed below take the art form to another level, incorporating the usually ephemeral figures into their art oeuvre in unique and intriguing ways.
Tony Tasset’s snowmen are partly funny, partly sad and partly just amazing sculptures. Made from glass, resin, brass, enamel paint, poly-styrene, stainless steel and bronze the snow replicas are surprisingly convincing. Catching a viewer off guard in a gallery setting, the snowmen freeze (pun intended) in time a phenomenon that is never the same—unlike in real life, Tasset’s snow personalities might last forever.
Kristina Solomoukha lives and works in Paris, France. Her process is a reflection on urban space. She pulls from codes and vocabulary from urban environments, combining them with her personal ideological view to create individual works and installations. Playing with words and the absurd, her works, such as Discobaba, magnify and exaggerate existing aberrations.
Identified as a Young British Artist, Gary Hume, now 51, creates his snowmen images and sculptures by reducing them to their simplest forms. Stacked spheres, the shapes are mere implications of a snowman, allowing a viewer’s mind to complete the association. Titling the series “Back of a Snowman,” Hume’s works take on a melancholic mood. We suddenly picture the snowman contemplating his own mortality, which in turn, might make us reflect upon our own.
Described as a pseudo Pop artist Todd Hebert’s meditative paintings apply airbrushed acrylic and super-realistic renderings to common holiday imagery. The effects are narrative in a way that allows a viewer to be reflective about life at the various points of the year marked by the holidays.
Korean-born Brooklyn artist Timothy Hyunsoo Lee creates 3D escapades in a 2D format. The paper is both painted upon and sculpted: acted on as a canvas for gouache and watercolor, then the paper is cut into and reformed, creating shapes and 3D sculptures which the paintings move across.
Primarily intending to pursue medical school, Lee changed his mind after graduation and instead found a studio and continued working on his other passion, art. You can see traces of his past ambitions in the technical precision of his paintings. The symmetry is scientific.
Some shapes are forming, some dissolving, some reforming. Matter shifts between sections of his work, created in one area and destroyed in another. Rectangle cut-outs fan inward from the edges of the paper like waves of autumn leaves kicked up from the ground, like a school of fish flickering in unison. He paints with gradients, running in and out of them, some color, some grayscale. Faces and eyes are a prominent feature of his work. The Sabrina Amrani Gallery, where Lee has shown work, summarizes his technique rather aptly:
“Hyunsoo Lee’s works are inspired by themes of social stigma, identity, psychological disorders, and more recently, of spirituality and religion. He explores these themes through a novel vector – paintings and sculptures consisting largely of cell-like marks that vary in size, color, and saturation. His works are seen as ethereal and delicate, but the extremely labor-intensive compositions, marked by intensely obsessive repetitions, quickly betray that initial perception. Exploring his own history of anxiety disorders through his art, Timothy confronts and manipulates his tics and compulsions and channels them into his works. In responding to his anxiety with art, he has developed a novel system of mind-mapping – “a cartography of his psychopathology” – to study a part of himself that initially drew him to study developmental biology and neuroscience in college.” (Excerpt from Source)
At the intersection of art and technology Austria-based Ars Electronica Futurelab has developed a method for making responsive light art in the sky. “Spaxels (a portmanteau word from space pixels) are LED-equipped quadcopters. They make up a swarm of drones that can ‘draw’ three-dimensional figures in midair.” A cross between fireworks and a screensaver, the quadcopters move in precision routines to make 3d light sculptures in the sky.
Flying through the air, the Spaxels look like UFOs, strange glowing objects in the sky. Because they’re controlled, though, they are capable of creating endless permutations. In London, they drew the Star Trek logo near the Tower Bridge. 50 quadcopters performed “The Cloud in the Web” in Linz. The Emirate of Sharjah saw multiple formation flights in “Clusters of Light,” part of a celebration of the start of its term as Islamic Capital of Culture.
“Clusters of Light’ gives an account of the life of the Prophet Mohammed and the early history of Islam. While the cast acted out the narrative on stage, the LED-studded spaxels visualized it in the sky above. In this role, the spaxels formed visual elements such as an arc spanning the amphitheater and the words of God falling from the heavens like drops of rain.” (Source)
Gracefully swooping and swarming, guided by gesture, the Spaxels mimic nature while pushing the boundaries of technology. (via Juxtapoz)
Flickr is a great home for internet rascals of the creative type. Cody Brant’s wonky but eye-catching collage art definitely fit the bill. The magic randomness of cutting and pasting then committing the arrangement to permanence with a glue stick!