Colombian painter Jesus Leguizamo combines realistic elements of portraiture with abstract, creating surreal pieces that sing with emotion. His paintings look almost like oil-on-canvas renditions of glitch art, his subjets interrupted with splotches of colors and smears of paint.
Leguizamo’s paintings feel like intimate peeks into someone’s emotional state of mind, and his expressive brushstrokes seem to convey a raw sense of confusion or mental tumult. There’s a dynamism to his paintings, as though they’re a motion capture camera snapping just one frame of his subject. According to Saatchi Art, Leguizamo explores human fragility with “his depictions of people [that] erases and blurs that which defines the human being – the face. ” (via I Need a Guide)
Scout Paré-Phillips is an artist and musician based out of Chelsea, New York, and Baltimore, Maryland. In this fabulous and rather erotic series of photographs, the artist removes the model’s clothing leaving us with fleshy tones and only impressions. The imagination is allowed to run wild with the before and the after. (via)
Photographer, film director, and international dilettante Ivan Cazzola takes photos of “models, artists, rock bands, cinema stars, gipsys and gangastars, posh ladyes, whores and transexuals”. His voyeuristic portraits are beautifully candid, subtly intimate, and just plain fresh. Almost reminds me of Diane Arbus, but more sexy and less creepy.
Juan Arata is an artist from Argentina now living in Berlin. His paintings are nothing other than imaginative and provocative.
In the “About” section of his website, Jo Wilmot writes: “Juan Arata’s nihilistic paintings explore the contemporary consumer culture and installation. He state that we are almost completely shaped by the brands we interact with. The characters in Arata’s paintings are miserable, trapped, branded and confused. The miserable, ugly subjects appear to be attempting to copy the lifestyle they have seen depicted in the media but fall short. They are just not good looking enough, they are too unhappy, too stupid or too old…”
Elisa Johns has a new selection of oil paintings up at Mike Weiss Gallery. Within the exhibition, entitled “Huntress,” Johns draws from mythology, in particular the female goddess/heroine, for her subject matter. Her fragile, waifish women reference today’s “revered” paradigm of female beauty, the high fashion model, while her delicately dripping washes set within soft, sparse canvases call to mind the minimal compositions of Japanese scroll art. The exhibition will be on view until May 9th.
Michael Bevilacqua current exhibit at Gering &Lopez Gallery in NYC showcases a single, monumental painting titled An Ideal For Living; a canvas that the artist has spent more than the past year painting. As with a number of Bevilacqua’s works, the title references a particular source of music, in this case the 1978 debut album by the post-punk rock band Joy Division. The band became an obsession for Bevilacqua, so much so that the painting grew along with his focus, consuming his attention and mirroring his state of mind. Each song, each lyric began taking on particular significance for Bevilacqua, who found many parallels to his own life and reflected his outlook on his surroundings. An Ideal For Living in fact created the rhythm of the artist’s life over the past year, further loosening his painting style and bringing about a series of work that he refers to as ‘the New Dis Order.’ Clearly diaristic in nature, the 30’ painting features an eclectic mix of color, text, visual styles and process. As rich as one would expect a yearlong work to be, the painting is also nuanced, with areas of sharpness and clarity layered upon washes of color and moody hues. Juxtaposed against this singular outpouring, other new works take a different approach, becoming extremely minimal and hauntingly symbolic, drained of color or highly textured.
I am absolutely in love with these gorgeous posters created by young Swiss designer Felix Pfaeffli. Borrowing from the cannon of art history and mixing in his own blend of pop illustration and experimental typography, Pfaeffli creates compelling graphics that jump off the page and demand your attention. (via)
New York-based German artist Markus Linnenbrink has created an enchanting installation which envelops visitors in a disorienting colorful pattern. Although not exactly in a ROYGBIV formation, this rainbow room, made of bold hues of acrylic paint covered in epoxy on resin, creates a unique experience for viewers. The piece above is named “WASSERSCHEIDE(DESIREALLPUTTOGETHER)” and is currently up in Germany at the art center Kunsthalle Nuernberg until October 12th.
Linnenbrink has worked within this use of line work and colors for much of his artistic career. While some of his shows have featured conventional paint on canvas work, he often utilizes the space to its maximum effect. Linnenbrink composes a piece of art one walks into, is a part of, and can see from all vantage points. One really intriguing work of his, shown below, features colored line paintings hung on walls that are doused in lines of grey and black.
The artist toys with color and boundaries of separation. The colors bleed into one another, drip lines form from gravity, and each layer is pulled into subsequent layers. Despite the rigidity of the lined patterns, there is always this aspect of chaos and an unwillingness to be contained. Boundary breaking, inside of the canvas and outside of it, stretching his vision across whatever parameters may be set architecturally. The dramatized effect of this work becomes atmospheric; how one relates to the space then changes, as the lines and contours of walls are abstracted, nearly dissolved, through the blanket of pattern. The piece is primarily dictated by the space it is shown in, but ultimately the space is taken over by the artwork, creating an interested and entirely unique interaction between the two within each and every installation.