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Felipe Pantone’s Hi-Gloss Works Blur The Line Between Graffiti, Design And Hallucinogenic Patterns

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Complete with slick, bold colors and lens flares, artist Felipe Pantone livens up walls and urban environments with his murals. The neon-colored creations are text based and often coupled with geometric and monochromatic patterns. Their energy can’t and won’t be ignored, and it conjures up an aesthetic that’s contemporary, yet feels like it’s out of the late 1990’s thanks to a rainbow combination of gradients that fill the letterforms.

Pantone’s graffit straddles the line between traditional graffiti, typography, and design. It’s this mixture of popular cultures that gives a unique voice, and simultaneously looks familiar but is something all its own.  For someone who might only be familiar with one aspect of Pantone’s multifaceted inspiration, they can find something interesting and meaningful within it (aside it just being fun to look at). (Via The Fox is Black)

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CalArts Opening Tonight: Zach Kellogg

My friend at Zachary Kellogg at CalArts is having an opening tonight. It looks really great- whoever in the area should go check it out. I’m probably going to attempt the 357875445 mile treacherous drive as well.

Zachary Kellogg’s practice revolves around an ever changing fantasy typically using motifs involving fictitious relationships, masculine symbolgy, queer aesthetics, love/ obsession, and sadness/ hope.

 

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Charles Fréger’s Wilder Photographs Explore Folk Traditions On The Edge Of Wilderness

For his series, Wilder Mann, photographer Charles Fréger traveled to 18 different countries to capture the costumes and masks of folk festivals and traditions. Creatures like bears, stags, mysterious hybrids and the occasional Krampus appear otherworldly—fashioned from materials like animal hides, bells, antlers, twigs and leaves. Photographed within their natural settings, the results are more film still than portrait instantly conjuring primitive stories and fairy tales. (via)

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Ivan Cazzola

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Photographer, film director, and international dilettante Ivan Cazzola takes photos of “models, artists, rock bands, cinema stars, gipsys and gangastars, posh ladyes, whores and transexuals”. His voyeuristic portraits are beautifully candid, subtly intimate, and just plain fresh. Almost reminds me of Diane Arbus, but more sexy and less creepy.

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Jeremey Geddes’ Lonely Astronauts

Artist Jeremy Geddes paints with considerable skill.  His highly detailed oil paintings depict surreal, often lonely scenes.  Many of his panels picture a lone astronaut in an empty urban landscape.  Its unclear whether his subjects are falling or floating, in trouble or asleep.  Geddes communicates the haunting silence of each scene as effectively as textures and light. He clearly has an ease of technique and personal aesthetic.

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Noa Kaplan’s Giant Dust Bunny

Noa P. Kaplan is a visual artist living in Los Angeles, California. Last year I had the pleasure of walking through Kaplan’s giant dust bunny, installed at UCLA. It was a weird feeling, feeling both small and large at the same time… Her larger body of artwork examines the impact of technology on production processes, material structure, and scale. This piece in particular, however, is specifically interested in providing a new scale to something small, a dust bunny, in order to design new associations and emotional connections with the clump of dust that we would otherwise sweep under the rug in disgust. The artist explains the context of this piece so beautifully: “Though mundane, a dust bunny bears unexpected symmetry to the most complex and baffling systems, such as the accretion of cosmic matter or the organization of memories in the brain.”

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Phil Hale

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Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.

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Stefan Strumbel

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Black Forest, German native Stefan Strumbel is another urban fine artist represented by the Circleculture Gallery of Berlin. Strumbel reinterprets embedded regional folk classics of his personal past: the cuckoo clock, the pre-lentan Alemannic Carnival mask… familiar objects of home transformed with pop-culture flair, bright colors and iconic substitutions; a confrontation to cultural cliches. Strumbel’s work will be on exhibit in October as part of Escape 2010: Escape the Golden Cage, International Exhibition of Urban Art, Austria.

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