When all else is gone, it is often the things we most take for granted that endure, like an old, torn t-shirt. For her collaboration with writer and actress Hanne Steen, photographer Carla Richmond collects intimate portraits of the brokenhearted, women wearing shirts left behind by ex-lovers. Hanging loosely about the contours of bodies they do not quite fit, the shirts and their wearers remain anonymous, their words recorded only in unending, stream-of-consciousness style poetry.
Alone in Richmond’s tight frame, against a simple and unembellished background, the women clutch at the forgotten fabric, hugging themselves and bracing against the intrusions of memories. The irresistible poignancy of the work lies in the inextricable nature of the banal or incidental with the profound and monumental. The shirts’ unexplained tears, accidental stains left by the passage of time, and obscure graphic lettering collide with mournful faces, eyes both resolute and pleading. These t-shirts, gifted by accident or on purpose, serve as the painfully insufficient evidence of great loves, irretrievable losses, and things unsaid.
At times, the shirts themselves become integrated into the very fabric of their wearer’s being. A woman wears a grey-blue shirt and dusts her eyelids with shadow of the same hue; similarly, a scarf or ring might match the color of a now-faded garment. As the only tangible remnants of something that exists no longer, the shirts become reminders of something in danger of being forgotten, a soft comfort that may be turned to in quiet, private moments. (via Feature Shoot)
Pantone colors seem to be all the rage these days with licensing deals being made for everything from messenger bags to stationary. However this collection of images designed by French food designer Emilie de Griottes takes the cake (or tart!). Commissioned by culinary magazine Fricote, Griottes created tasty tarts based around the gorgeous colors that creatives depend on to make all sorts of design magic happen. We’re hoping that with the popularity of this photo spread we’ll soon be able to order a Pantone 7507C tart with extra banana from your favorite dessert spot. (via junk culture)
German street artist 1010 uses tromp l’oeil technique in murals that occupy the sides of buildings and gallery spaces. The abstract shapes have rings of color and have just enough shading to give them the illusion that they’re different layers. It gives them the appearance of paper cutouts, with multiple colorful “sheets” highlight the incredible depth that’s on flat surfaces.
1010’s illusion makes the entire side of a building feel like something that’s as light as paper. Their scale is large enough to create a cavernous feel, like you could venture inside of these paintings. In this way, he creates a fantasy within the ordinary urban environment. You start to ponder: what if these structures really were made of something as delicate as paper? Where would this dark abyss lead, and what would be there? Considering the oddly-shaped holes, it could be anything.
Proliferations of mixtape-themed things exist in the art & design world, having hit a high point in the mid-2000’s—where images of “vintage” cassette tapes covered everything from pillow cases to USB drives. What got lost somewhere in there was the sentiment that was originally attached to the archaic plastic medium, the sense of pride that comes from crafting (and usually gifting) someone with a perfect, personal selection of songs. Portland-based illustrator Kate Bingaman-Burt has embarked on a long-running series of mixtape drawings, where she picks up long-since discarded cassettes and makes a quick, humorous sketch…and she’s taken submissions for the project for a while now. As a series, the fresh, expressive drawings reveal an intriguing cross-section of personalities, musical tastes and long-lost good intentions.
Caleb Brown paints real things — sharks, diving tigers, track stars — in a realistic manner. Deviation lies in the implausible situations he inserts his subjects into. Brown uses what he calls “elements of contemporary life” to set the stage for a bigger, more interesting angle on current events.
Kate Smith, based out of Melbourne Australia, was raised on a farm and makes work where everything feels precariously balanced, built on her experience with struggling on her parents’ farm. Art tries to grow like plants, which makes the work feel alive – or – depending on your perspective, emphasizes its deadness. There’s a dystopian element to Smith’s project, but there’s also a smeared, warm-hearted vulnerability. Kate’s got a way with words too – her compact, slippery, and foreign use of the English language reminds me of the ultra-violent punks, the “droogs,” in Clockwork Orange – read her artist statement after the jump.
Zero Cents is a Tel Aviv-based artist with a furious repertoire of grotesque, figurative imagery. Found both in galleries and on walls, these works go beyond the average “get-under-your-skin” fare, as they are rendered in a seemingly care-free, playful fashion. Taking us right to the point where we may be too overwhelmed by subject matter to connect, Zero Cents redeems everything with light dustings of spray paint, undeniably human brushstrokes, and sardonic installations.