Interview Project is a new web-based video series presented by David Lynch and created by his son, Austin Lynch, as well as Austin’s friend, Jesse S. Austin, Jesse, and their team took a massive road trip around the US, traveling on back roads and interviewing the people they encountered. Some of the interviews are striking for the crazy stories they have to tell – one man, Tommie Holiday (pictured above), talks about his true love who is in jail for killing an ex-boyfriend. Other people have more ordinary stories, like Clara, who is a mother and grandmother to a perfectly lovely flock of offspring in Colorado. They all, however, have some rather profound things to say about life.
Unfortunately the videos were rather difficult to embed, so you can either see some video stills after the jump or click here to go to the Interview Project site.
Fashion illustration meets inky goodness in Erin Flannery’s large scale paintings. She notably works with stencils and dewy ink, pen and paint to create these ethereal pieces. Each of her series are full of equally strong, striking portraits of mysteriously lovely ladies. She’s preparing for her 2nd solo show at Anthea Polson Art which is open July 2-16 2011 ( Shops 18-20 Mariners Cove Seaworld Drive Main Beach QLD 4217 )
Photographer Alma Haser has often incorporated origami into her work. However, in her series Cosmic Surgery the origami is brought to the forefront. For the Cosmic Surgery Haser photographs a series of portraits. She next makes multiple prints of the portraits and folds them into complex origami objects. The origami pieces are placed back into the portrait and a photograph is taken of the final composition. Haser mixes the meditative nature of origami and transposes it onto the face of her subject, somehow injecting simple portraits with an esoteric atmosphere.
Thanks to all the artists who submitted work to our Future Perfect call for submissions. We had well over 250 submissions for every single state in the US varying in medium from kinetic installations to drawings. It’s going to be extremely difficult to select only 70 artists from all the amazing submissions. In the next week we will be contacting artists who have made it into the book as well as announcing the grand winner who will get their very own exclusive interview in Beautiful/Decay Book: 6. Thanks to our sponsorToyota Prius Projectsfor working with us to make the Future Perfect book happen and to promote and support new and emerging artists!
In the future buildings will crumble and burn, graffiti will warn about the end of the world, drugs will be rampant, creepy guys with black eyes will lurk in the dark, and skinny european bgirls with airbrushed t-shirts will roam earth. Oh and faint electronic music will be the soundtrack to our lives.
Short Order Cook | Marathon, TX | 2-Person Household | She can bench press over 300 lbs. | 2007
In his “You Are What You Eat” portrait series, Mark Menjivar examines the interiors of refrigerators in homes across the United States. The result is an exploration of hunger issues, of “how we care for our bodies, for others, and for the land.” The result is a full spectrum of interpersonal connectivity in which everyone is truthfully represented.
In his statement, Menjivar claims, “A refrigerator is both a private and a shared space. One person likened the question, ‘May I photograph the interior of your fridge?’ to asking someone to pose nude for the camera. Each fridge is photographed ‘as is.’ Nothing added, nothing taken away.”
When people observe art, the try to find a purpose, a message behind the whole thing. In many art pieces, the message may not be obvious or clear. Within the work by Ripo Visuals, their clear, easy-to-read, simplistic messages are powerful. Catchy, funny, truthful, clever phrases have been left on buildings all over Europe and South America. Courtesy of Ripo Visuals.
Cuneyt Akeroglu’sRed Room series is a polished exploration of love and sex through the lens of fashion. Akeroglu enlisted top models like Lara Stone, Anja Rubik, Natasha Polly, and many more to enact scenes meant to convey the many facets of love through nude portraiture. The photographs are each stunning in their own right. Nude women (except for one male model) with ideal figures set in front of a striking red backdrops with sometimes extremely suggestive props, like Natasha Polly’s red rose spilling white liquid – read semen – down her leg, or Lily McMenamy entangled in a snake.
I’m particularly drawn to the photo of Anja Rubik where she squats on top of a mirror looking down at herself with curiosity/rapture, and holds her breast while covering the portion of the mirror that would (presumably) reflect her vagina. Akeroglu captures a moment of discovery for Rubik’s character in the photo, as well as demonstrates the complexities of being able to reach out and touch someone or oneself, and the confusion and excitement that comes from the attempt.
The only problem I have with the series is Akeroglu’s approach to the male portrait. I acknowledge right off the bat that the precedent for the subjects of nude portraiture in both fashion and art history is predominantly female, and so it’s entirely expected that his subjects would be a majority of women. What I find strange is that every woman is on full display with her entire body in the frame, where the male model, Arthur Grosse, is taken only from the shoulders up, not even baring a nipple. It’s barely a nude portrait, and only addresses the themes of sex and love using tiny beads of sweat that could indicate physical activity of a sexual nature. Although I enjoy the subtle tones of the photo in contrast to the overt sexuality of some of the female portraits, I question the decision to include a male portrait where the subject is treated with such hesitation.