I’ve never been a huge Ryan McGinley fan but the last few bodies of work from him are just amazing. The Moonmilk series is no exception featuring some of the most dramatic, beautiful, and out of this world photography I’ve seen in a while. I’m officially impressed!
Christopher Kline is a Berlin-based artist doing some pretty interesting stuff with installation and performance pieces, collage, textiles, and limited-run publishing. Kline’s works, though disparately mixed in scale and platform, maintain a common thread through his personal, vibey folk mysticism and material-based focus. From his “Holy Ropes” zine to elaborate performances involving MMA fighters and battering rams, the artist’s particular vision is a constant presence. Kline’s art finds comfort in the unfamiliar by exploring far out subject matter through down-to-earth means.
Henri Darger left 15,000 pages of stories and more than 700 pages of illustrations created in the dark. A fantasy tale blending horrific scenes of war and colorful innocent boys and girls all drawn with penises as the main characters. A world full of meanings and feelings where the silver lining is survival.
In order to understand the illustrations painted by Henry Darger, we need to understand his story. His mother died while giving birth and his father sent him to an asylum where he was allegedly abused at an early age and from where he escaped at age sixteen. He spent the rest of his life working at Catholic institutions by day, secluded in his room by night where he would secretly enter his imaginary make-believe world, a pen in his hand. A self-taught man, he learned how to draw by collecting advertisements, newspaper illustrations. He made collages, layering and tracing the outlines of his precious characters.
The interpretation of the drawings, lets us inside of Henry Darger’s inner turmoil. The heroines are the Vivian girls, blond cute little girls defying furiously and heroically adults, the Glandelinians. They appear dressed up with colorful outfits or naked with a penis. They lead armies, hide, and spy on their opponents; crossing fields of strangled, disemboweled and dismembered children’s corpses. Suffocation and awkwardness emerges from the scenes and let us feel a glimpse of the strong harsh almost cruel and unbearable emotional state the author endured.
Henry Darger says in his autobiography, In the Realms of the Unreal that he hated the perspective to watch himself become an adult. He never wanted to to grow up. The chaos of his narrative, combined with his violent drawings all turned against adults are the terrifying trace of his past. Never able to recover, he chose to shut down this part of his spirit to any kind of other human beings only to let it come to life as pure art. He demonstrates the powerful reason to be of art: to express with any kind of means the distress trapped in a human’s soul into something beautiful.
When Gregory Ito is not attending to Ever Gold Gallery (which he co-founded and co-owns) or The San Francisco Arts Quarterly (of which he is the co-founder and editor) he produces fantastic mixed media installations. I especially like how he often presents the viewer with a painting and the physical realization of the object depicted in the painting simultaneously. In his own words celestial imagery “…references the humanly spiritual connection to time and the eternal…” Ito’s work evokes a physical representation of time and attempts to initiate dialogue about our search for meaning on earth.
The images of photographer Martin Kilmas are created by dropping porcelain figures at heights of 10 feet. The sound of the figurines hitting the floor triggers the shutter of the camera. The results are razor sharp images of disturbing beauty-temporary sculptures made visible to the human eye by high speed technology. (via io9)
Founder of Los Angeles-based architecture and design studio Urbana, Rob Ley has yet made another venture into the world of interactive architectural installations. This time large-scale. His project “May-September” features a field of 7,000 angled multi-color metal panels constructed onto the facade of Eskenazi Hospital in Indianapolis.
According to Ley, the project began when he started wondering about the typical notion of the parking structure. Often these huge concrete constructions are unappreciated and ignored by public. Ley posed himself a challenge to turn it into a dynamic system that would interact with the viewers as they pass it by.
Together with Indianapolis Fabrications, they’ve built a huge angular aluminum and stainless steel installation (12,500 square feet) that also features an east/west color strategy (yellow and blue). The visual experience of changing colors and patterns depends on observers’ perspective and speed when they move across the hospital grounds or drive along the street. The piece also interacts with nature as every sun beam or cloud can shape the hues and saturation of colors.
As in nature, the volume and shade offered by the piece shies away from harsh, geometric patterning – instead tending towards a gentle, dappled variability in form <…> [parts of installation] work together as brush strokes to create a dynamic façade <…>.
If you are hating your Monday morning, do yourself and favor and looks through these gifs- they will make your day! Not only will they make you laugh, but you will also relate to them. I’m sure you are slapping your face away on your way to work this morning. Wake up, sleepy !
These ironic, hilarious, and surreal animated portraits are part of commercial photographer Romain Laurent‘s photography challenge. Laurent’s desire to break the routine (of working on commercial photography) ended up on a quest to create silly-looking looped animated portrait each week since last September. He says the bizarre and often laugh-out-loud experiments are a low-pressure way to experiment and be creative without expectations.
“As far as the intention of the series, it’s a way for me to explore a hybrid medium, experiment and being spontaneous while still sticking to a short weekly deadline. There isn’t a common concept between each loop, I just ‘go with the flow’ and see what comes to my mind each week.”
You can keep up with Laurent’s weekly animated portraits on his Tumblr. (via Colossal)