I like how UK based artist Anthony Zinonos plays with substitution- many of his pieces play with Minimalism and subject by playing off size, color and shape variations. I also like that something as simple as a triangle becomes the inspiration for a series. Anthony works alot with photo-collage but you can also find a few other media gems on his site, including a short video montage.
Indivisible is a series of graphite and charcoal portraits of multiracial women done by artist Samantha Wall. According to Wall, it is a study to understand her own dual ethnicity and capture subtle human expressions which transcend gender or race. By working with these women she was able to delve deeper into not only her own multiracial skin but also into others and in the process study the facial movement of each subject. To Wall, this was particularly important because as a multiracial person she related to the theories of Paul Eckmann who claimed that no matter what the background; financially, sexually, racially etc. certain human emotions could be universally understood through facial expression. However, at the time of her research, Wall was interested in emotions that could not be conveyed through facial gestures such as shame. Wall says as a child growing up in Korea and then the U.S. she felt a lot of shame which was a result from her mother’s set of Korean values.
The drawings in Indivisible are a cathartic look at women like Wall who may or may not have experienced the same feelings. It captures different emotions through subtle use of line and gesture bringing the essence of each person to the forefront. Part of Wall’s process was taking dozens of digital photographs of the women she met with, then studying those pictures to make her delicate yet powerful drawings. The end result is a sensitive look at these diversely beautiful women. (via illusionscene360)
German artist Mike Dargas paints hyperrealistic works of women’s’ faces covered in honey. The luscious, visceral images are up-close, frontal portraits that show the gentle creases in skin as well as the viscous glare on the liquid as it travels down their face. It’s fascinating to see people dripping with thick substance – it’s as if they’re frozen in time.
Dargas finds the models for his painting in everyday life, and they aren’t limited to specific types. According to his website, “He portrays young and old, beautiful and dark, fragile and strong people. They are lost in thoughts, show inner conflicts or transmit a unique and sometimes even holy calmness.”
Jimmy Joe Roche has a brand spankin’ new website…including a page entitled “labyrinth” which stacks Jimmy’s various videos, causing a seizural-wall of epileptic sound. Other fun stuff….Mac software entitled “Slime Pulse,” which, in the artists words is a “standalone generative noise software for the Mac OS.” Check it out!
Brazilian artist Rodrigo Torres creates intricate collages by combining bank notes collected from around the world. Beautiful and painstakingly detailed, they are visually arresting and require a closer look. The ones I find most interesting single out common themes found within a variety of notes, such as crowds, portraits, and buildings/architecture, and showcase unexpected similarities between multiple countries’ approaches to currency design. In Rodrigo’s portrait collage, he positions heads to the right or left, with those silhouettes facing directly to the side seated at each respective end. The majority of head positions are in varying degrees of ¾ perspective; very few bank note portraits seem to face directly forward. Most notes are monochromatic, but differ on the single color used; this in turn creates an aesthetically pleasing rainbow effect. It’s uncanny to see a multiplicity of notes side by side in this constructed context. Despite countless cultural, historical, and environmental differences in nations around the world, their money appears strikingly similar.
Torres’s has been selected by Art Basel Switzerland to be featured in the month’s Art Feature sector in Switzerland, which runs June 14 – June 17.
Four score and seven years ago, shortly after college, I worked a certain retail job at a company that shall not be named (American Apparel) and had the pleasure of working with Max Wittert. Max was famous store-wide for his amazing and humorous doodles lampooning everyone who came into the store…and all of us employees. Max…I would kill to find those illustrations again, do you still have them? Anyway, we ran into each other again after many a long year at the Renegade Craft Fair last weekend, and much to my delight I discovered he’s now following his heart working as an illustrator. Wonderful work!