In celebration of the upcoming 4th of July festivities, Beautiful/Decay has decided to launch an explosive 2 week sale! All of our latest Spring ’09 inventory is on sale from $30 down to $25.95, and all other Beautiful/Decay apparel has been discounted from 10-50%! All of these shirts are close to sold out, and once gone, will not be re-printed. So be sure to take advantage of this opportunity- the sale ends July 15th! Click HERE to visit the shop!
Don’t we all love to hate those kitschy landscape paintings at the local thrift store? I know I do. But what if we can make them became exciting again?
Artists Chris McMahon and Thryza Segal give thrift shop paintings new life by embedding monster-like creatures. The finished product resembles a pop-surrealist version of Nickelodeon’s Aaahh! Real Monsters.
Both artist carefully blend the monsters into the original scene as if they were always there. The process can be tricky, since it can be a challenge to match the original textures and colors, but it can be said that their attempts have been a success. They are pretty awesome.
A tent made out of elephant skin as a large scale art installation. This does sounds like a shocking and provocative piece. Douglas White rips off our hearts and makes us angry before we even realize that he brilliantly fooled us. We are actually looking at an interpretation of what he encountered himself: an elephant’s deflated skin, draped and folded next to its bones like a collapsed tent. “Here was a body become landscape, a body both present and absent in which the distinction between the inner and outer had evaporated in the heat and decay. It was a body you could walk through…” said the artist. “Of all those objects that I ever encountered, this is the one I wanted most to possess…” Douglas White creates shapes, in between figuration and abstraction. Through his sculptures he is looking to get us sensitive on current problems like the environment, mass consumption and industrial products waste.
Ten years after his trip to East Africa and after numerous attempts in his London studio, the artist discovered a new way to work with clay. He conceived a thick and cracked texture close to a pachyderm’s skin. From there he developed a work of art around wood and clay. The result is bluffing: over 2500 lbs of wet clay suspended by a strange system of ropes, pulleys and wooden poles. By collecting thrown away or lost objects, Douglas White prefers to work with used materials to create spectacular and strange sculptures. Carbonized tires, containers, decomposed trees on a metal structure; through his art, Douglas White gives a second life to these abandoned materials.
If we makes analogies and dig into our primal instinct we can clearly see the reference to the structure of a circus big top. And if we dive even more deeper we can allow ourselves to link the song from Disney’s Dumbo soundtrack, “Song of the Roustabouts” to the name of the piece and we would be right to do so.
Cara DeAngelis paints found roadkill in “compositions that both pay homage to, and satirize 17th century Hunting Still Lifes”. “The still lifes and portraits of animals on aristocratic laps explore the long-standing confrontations between the domestic and the wild.” But DeAngelis’ black magic goes a little further than that. The artist, who takes care to incorporate the “Tragic and the Infantile” within her work, includes children’s toys and dolls in her compositions to create an “absurd union“- nostalgia vs. violent death, innocence vs. murder. These paintings are done in oil, which somehow seems appropriate for the heavy concept scale within DeAngelis’ work. Ms. DeAngelis received her MFA from the New York Academy of Art in 2011.
New York artist Bing Wright has a clever way of creating something simple and visually striking. For his latest series Broken Mirror/Evening Skies, he has photographed various sunset scenes in shattered mirrors, resulting in beautiful, understated images akin to stained glass windows. The images are full of calming blues, glowing yellows, haunting greys and ferocious reds. In this way Wright really is a photographer painting with light.
While more abstract than some of his earlier works, the composition carries a narrative that enables the viewer to collectively experience the beauty of the sunsets the artist has captured, while facilitating an individual interpretation of the emotion they imbue. We are presented with pictorial images, fragmented and in disrepair – a reminder that everything beautiful is flawed and imperfect. Bing’s signature large format lends these images symmetry and exact composition, giving them a majestic quality. (Source)
Fascinated with the subtlety of changing weather patterns, landscapes and seasons, Wright is known for his poetic photographic series. His past work includes Greyscapes (very bleak, but not bland, views of nature’s tones of grey), Wet Glass (a close up series of droplets and drips on panes of glass), and Windows (a series that narrates the passing of time through the same one window).
Wright has gravitated slowly toward an aesthetic based around reflections, mirrors, silver tones, and foil. He has photographed silver bits on mirrors, mirrors on mirrors, and now simply has captured his surroundings in mirrors. But don’t let the simplicity undersell the elegance of this sunset series. The combination of a violently broken mirror and the tranquility reflected in the shards, has a surprisingly enchanting effect. The charm of these works lie in the juxtaposition between these two worlds.