During the summer of this year a small group of people struggled to preserve a public park. Quickly the scope widened, crowds grew, and the underlying anger became about something much larger than a park. The demonstrations were considered to be widely peaceful. At times, however, emotions and force erupted with violence. Photographer Barbaros Kayan was on the ground to capture the unfolding protests. There is a subtle difference about his series Occupy Taksim that distinguishes it from much of photojournalism covering the events, a certain frank grittiness. Its almost clear from the images, the photographer is familiar with the city, intimate with the battleground.
Lets start the weekend with a bang courtesy of photographer Christian Weber.
Moving artistically into photography as a natural extension of his sculptural practice, Kristian Kozul meticulously builds and then photographs, physical dioramas of extraordinary detail designed to tell metaphoric stories and reconstruct histories. As with his earlier sculptures, where concept meets articulation a kind of fetishized totem results. Each piece is based on a certain historical figure that Kozul leverages in pursuit of his cause. Like Captain Ahab and Moby Dick, or famously Don Quixote and his windmills, the fixations and obsessions of Kozul’s protagonist’s speak to universal themes of mania, obsession, and denial.
The Site Unscene is one of only a handful of new businesses radically changing the landscape of the art world for the better. JB Jones and Wil Atkinson, who founded The Site Unscene [TSUS], are two of the greatest people around – so it’s no wonder that artists as diverse as Gregory Siff and XVALA treat them like family and often drop in to their headquarters from time to time just to say hello. However, one of the most unique aspects to their HQ, besides the art and artists themselves, is that TSUS have a massive garage space where the artists they represent, as well as their friends, are able to come in and paint for however long they need to – which is crucially important, especially to those who work with spray paint and don’t have the space to do so where they live. They even have lockers for all the artists to store their supplies in! I guess you’re wondering what exactly TSUS does and the only way I can explain it is to repeat their mantra of “We help make art happen” – since they really do it all, from putting on pop-up shows to helping an artists realize an ambitious project. In fact, I love TSUS so much that I frequently ask JB and Wil if I can do many of my interviews with artists at their space because everyone instantly feels right at home with the vibe they’ve set up for it. In the future I hope that we will begin to see the downfall of snooty gallerists who are rude to young collectors and the rise of organizations like The Site Unscene who open their arms welcomely to anyone who loves art – whether or not they have a Phd or a zillion bucks.
I’m loving the work of Barcelona, Spain based street artist Faif as of late. He’s recently been taking some well pointed jabs at the art world, street art, and pop culture as a whole with his wonky works on the street. Lets hope he keeps it up and other graffiti artists/street artists follow his lead to never take what they do too serious. (via)
“Global Street Food” is a show which is currently running at the Vitra Design Museum in Germany. The exhibition is made up of actual structures used by street food vendors around the world. It was curated by German art director Mike Meiré, who writes that it “is dedicated to the fascination with improvised kitchens in public places; urban fast food stations navigating the contrast between pragmatic dilettantism and complexity in the smallest of spaces.”