This series of images from photography duo Fesetti is aptly titled Disappear. Typically photographers succeed in capturing their subject. However, Fesetti intentionally and inventively keep their subjects visually out of reach. Hidden by everyday objects re-purposed as a witty camouflage, the models are nearly entirely concealed save for a stray hand or pair of feet. The series seems intended to be read as a how-to on disappearing or concealing oneself – a commodity itself in a hyper-connected social networking world usually fueled by photographs.
The figure on the left is a product of Nik Daum‘s imagination, and I feel like that’s exactly where it takes you, into some imaginary world. Cool colors, awkward angles, this piece is definitely a reflection of his own personal aesthetic, best summed up by himself in his bio on his website – which I highly recommend you read! And if you’re up for some stalking, he’s got 5 webcams in different parts of his house, tracking his every move. Daum’s also done quite a bit of commercial work; you’re bound to be familiar with several of the campaigns he’s been involved with, like Target, Jamba Juice, and Nike. He’s got a whole lot going on, take a few minutes and just check it out! Everything is laced with his humor, and though it says you’ll be disappointed on his homepage, trust me, you won’t.
The Polish artist Pawel Kuczynski has created a new set of work themed around the megalomaniacal aspects of Facebook and social media in our lives. A prized satirical artist, Kuczynski has been winning awards for his work since 2004. Although the statements are not offensive, the themes are comical and instantly relatable, giving the viewer a humorous look at some of the harsh realities of our lives.
He covers a wide range of topics, “Pawel Kuczynski creates thought-provoking illustrations that comment on social, economic, and political issues through satire. The illustrator’s portfolio ranges from criticizing military practices and the incentives behind war, to themes of mortality and reinterpreting the uses of social media as elusive spying platforms. Each image reflects its fair share of serious issues balanced with whimsical illustrations.”
These illustrations highlight how Facebook has saturated our way of living: from bringing us closer together at times, to further apart at other times, to being a way of judging one another, to being a catalyst of the spread of knowledge, misinformation, and gossip, to how it has morphed our entire concept of proximity, intimacy, and communication.
(Excerpt from Source)
Los Angeles based artist Julia Holter recently released her third full length album, Loud City Song on Domino Records to great reviews as well as a feature about her in The New Yorker. I was lucky enough to catch the first show of her North American tour last week at the First Unitarian Church in Los Angeles as part of their Church Sessions concert series. Playing to a very respectful and quiet audience, she performed songs from her new album accompanied by members of Los Angeles’ wIld Up orchestra who also performed earlier in the evening. You could hear a pin drop during her entire performance making me happy the show wasn’t at your average club/venue.
Her cinematic new video, “This is a True Heart” is a perfect introduction to her beautiful voice and rather unique sound. Julia Holter is definitely worth your time and her live performance will resonate with you long after the lights come on. Upcoming shows include Chicago’s Schubas on September 21st as well Brooklyn’s Music Hall of Williamsburg on September 24th. You can also catch her in Europe this coming October and November. Check out the video and hopefully you can catch one of her upcoming performances.
Bill McRight, of Philly powerhouse Space 1026, employs gnarly printmaking skills in the creation of images not confined to a place in time. In McRight’s work, Garish figures sans-pupils populate a stark environment of violence, movement, and open mouths containing sharp teeth. But it all looks so good that the reaction of the viewer is inclined toward pleasure rather than pain.
Julius Hofmann lives and works in Germany. His acrylic on canvas paintings have depth and surface details that harken back to early stop motion puppet or clay animation stills. His work operates like a series of vignettes that may or may not be part of a unifying narrative. Themes of desperation, fear, and paranoia emerge from his muted scenes. Like projected nightmares Hofmann’s brash and haunting works thrill and mystify.
FiZZZ BZZZZ! is a French and German design studio with some fantastic book design and illustration. My favorite works are the children book covers pictured above with die cut eye balls. Maybe we should toss some eyeballs on the next b/d book?
FiZZZ BZZZZ! is presented by Next Day Flyers who make brochure printing easy and affordable. For fast poster printing services, order online.
When I first looked at Yossi Loloi’s “Full Beauty” project, I felt conflicted, and, admittedly, a little irritated. Loloi’s whole mission statement is something we, as women, are constantly being reminded of– how the media is a horrible liar, how all women’s bodies are beautiful, how the art world is sexist too, and how we need to subvert to change and love our bodies, love ourselves. Right? Right! So, how might we do this? According to Loloi, one way, is to examine unconventional imagery such as his own collection of beautiful obese women, commercially lit in relaxed settings.
Of his intention, Loloi’s website states, “I focus on their fullness and femininity, as a form of protest against discrimination set by media and by today’s society. What larger women embody to me is simply a different form of beauty. I believe we own ‘freedom of taste’ and one shouldn’t be reluctant of expressing his inclination towards it. Limiting this freedom is living in a dictatorship of esthetics.”
What Loloi says is not horrible, not terrible. It’s quick, easy, and makes perfect sense. Scroll through the photos and you will see that these women certainly are strong and brave to share bodies that, on the surface, are not generally appreciated. I love the female subjects for embracing this. In fact, the women’s bravery is the most redeeming aspect of this project.