Munich, Germany based Cory Stevens shoots architectural photography in a peculiar way. He abstracts the architecture by photographing a segment of a building and reflecting it in various ways. In some photos the reflection is duplicated, and in others its repeated many times as if in a kaleidoscope. All of the reflections merge seamlessly, though, as if it were one floating structure. The strange symmetry gives the buildings an almost organic quality as if it were about to divide and multiply on its own. In a way, they resemble viruses made of steel, cement, and glass.
As a child, Jonathan Latiano found his artistic inspiration in the displays and dioramas at the Philadelphia Academy of Natural Sciences. Latiano uses his understanding of biology, astronomy, physics and geology as starting points for the creation of his work and the way he contextualizes his physical world. Created with a variety of materials, his work evokes tensions of temporality and permanence, physicality and ephemerality, destruction and creation, stasis and kinesis, and fragility and strength. “I find the poeticism and concepts of the physics of our universe simultaneously fascinating, beautiful and horrifying. The pieces that I create contrast abstracted human intuition with the reality of our natural environment. I strive to emphasize the areas that exist in-between the boundaries of defined regions. My work, in many ways, is my own personal attempt to understand my place in the physical universe.”
New York City-based design studio SOFTlab combines technology and craft with an installation titled We Are Flowers. Inspired by nature, the beautiful large-scale funnels are comprised of over 20,000 translucent flowers that create an immersive sculpture in the New York flagship store for Melissa shoes. It appears in the Melissa Gallery and was specifically created for the space. If you aren’t familiar with the brand, it’s funky, colorful, and playful rubber footwear that evokes a childlike feel (although marketed to adults).
SOFTlab’s sculpture is both precisely engineered yet enchanting at the same time. It’s whimsical and not over thought, which is how the designers want you to feel. They write:
Although we used cutting edge digital technology to develop this installation, we hope it remains mostly hidden in order for everyone to experience the magic of a hanging garden of flowers. We imagine this installation as an extension of the We Are Flowers collection by Melissa: technically innovative with attention to every detail, but first and foremost a design that expresses sensuality through its form and brings joy and color to the Melissa experience. (Via Ghost in the Machine)
Today I was reminded of one of the coolest sculptures I’ve ever seen, Matt Johnson’sThe Pianist (after Robert J. Lang). I saw this piece at the Hammer Museum a couple of months ago and was completely floored. Have you ever seen something you thought was truly amazing and your face starts to get all big and bug-eyed, and you feel tingles running down your back, and you start saying things like ‘whoa, dude, oh man!’ Well that was me at the Hammer that day, and maybe I looked like a fool, but it was totally worth it. Johnson’s work is full of warmhearted humor, and when an artist is able to rekindle that sense of childhood wonderment in your imagination, you just have to stop and savor the moment.
Ryoji Ikeda’s Test Pattern project, which was first shown in 2008, converts any data – from text to photo to sound to film – into barcode visualization and binary patterns of 0s and 1s. The visuals are set to a soundtrack, creating an overwhelmingly impactful experience with stunning black and white video. Throughout October, Ikeda’s project will be on display on five screens in Times Square from 11:57 to midnight each night until the 31st.
There have been many iterations of the Test Pattern project. This is the U.S. premier. Ikeda works primarily in Kyoto, Japan and Paris, France and is internationally renowned. His artwork is highly mathematical, and divided equally between sound and imagery. For all of the complex programming and equations that go into Ikeda’s work, the final product of Test Pattern is refreshingly simple in presentation, though monumental in scale.
In contrast to Test Pattern, Ikeda’s most recent work, Supersymmetry examines particle physics, a far loftier subject to tackle. Although it is beyond my own comprehension I’m going to have a go at it anyway. Apparently supersymmetry is an extension of The Standard Model, and helps to converge two types of elementary particle models, to explain how particles have mass. These two models have explained basic elements of our physical universe, but cannot explain everything, which is where supersymmetry helps to fill in the gaps. Ikeda’s installation is an experience that allows the viewer to witness his artistic vision of this phenomenon (I think…) (Via Papermag)
Andrew Firth is an Australian artist who turns skulls into creepy, lush landscapes. His work started in 2013, when he decided to channel his ingenuity and spare time into something creative. Each “Bonsai Skull” is artificial, made of PVC plastic cast off of a real human skull. Firth than adorns the dead visages with verdant grass, miniature trees, and graveyards. In one piece, named the “Spring Bonsai Mountain Skull,” a waterfall appears to pour like tears from an empty eye socket. No skull is identical.
Firth’s works are like dark “Treasure Islands,” deriving from his imagination and experience as a boat builder. He creates under the title “Jack of the Dust,” which refers to an obsolete US Navy job designation from the 1800s; this person was the ship’s steward, who worked with the dusty ingredients of flour and biscuits. In Firth’s adaptation, Jack is the name of the skull, and “dust” refers to the matter of death. By upholstering “Jack” in foliage, Firth’s works convey the relationship between rot and rebirth.