Whitney Hubbs‘s photographs, especially those featured in the series “To Fill the Unforgiving Moment,” seem to be infused with quiet suspense and mystery, while echoing a sense of deep loneliness (at least, for me).
Hubbs has exhibited her work all over California and Oregon, in addition to Germany and Scotland. She currently lives in Los Angeles, where, this fall, she will start the MFA program at UCLA.
Continuing today’s incidental perversion theme: An Art Service is a graphic design and Art Direction Company located in New York City, working mostly with artists (hence the name) in publications, branding and identity, and web design. Their work for Daddy magazine (published by Peres Projects) includes a puzzle on the front cover as well SPECIAL TEEN STICKERS. I really like how it’s photographed on quintessential pedophile plaid. Mmm mm mm.
Seems like we have a sexual theme going today on the blog so I thought i’d add another post to the mix by sharing this great interview with Italian photographer Manuel Vason on one of my favorite new art&design blogs Yatzer. The interview is a great read so make sure to give it a look.
Robert Gligorov’s work attempts to shock the viewer. Each piece tantalizes the imagination, awakening it from a state of lethargy. Confronting a society accustomed to sophisticated and extreme forms of visual communication, Gligorov amplifies the shock value of his work in order to compete with the deluge of images that cloud our visual field. Gligrov lives and works in Milan, Italy and is represented by Aeroplastics Contemporary in Belgium, and Galerie Pascal Vanhoecke in Paris. More images of his work after the jump.
Paul Graves’ work is lewd and provocative, but is really clean and “editorial” at the same time. When browsing his portfolio you’ll notice the often usage of a couple things: balloons, nudity as a costume, and mannequins. It seems he likes exploring human vice, which always makes for a good concept…and zentai (Youtube is currently down, but the video should be good so check back later to see it, haha)!
Feast your eyes on Chris Burnside‘s exquisite cut/panel pieces. At first glance, his lines seem to be painted with black acrylic. However, upon closer inspection, you will find that these lines are actually tiny cracks formed via Burnside’s unique breaking-apart-and-reassembling process. It’s like piecing together an aesthetically pleasing, super abstract puzzle with colors highly reminiscent of graffiti.
I know this artist has been posted and re-posted a couple times by various blogs, but I want to commit her to B/D cyberspace memory. Nadine Byrne’s work deal a lot with mysticism, spirituality, death, the occult- the wearable sculptures turning to costumes meant for performing in. It’s interesting to think about how there is a blanketing mourning process/protocol but that it varies culture to culture- or that the business of mourning necessitates the purchase of certain goods and the putting on a certain behavioral pattern.
Curated by Ohio based Faesthetic Magazine, “This Must Be The Place” opens June 20th, 2009 at Scion’s Installation L.A. Gallery Space in Culver City. The exhibition features 9 American artists from the Faesthetic family who represent the diverse styles appearing in the magazine. “This Must Be The Place” is comprised of art based on the idea of “Home,” and artists are loosely limited to a 2-color palette, much like an issue of Faesthetic.